Tag Archives: Drama

Cinema Crazed's Top 10 of 2011

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It was a lackluster year for the movies. The bad movies were just slightly abysmal, while the good movies failed to be great movies. We couldn’t find a single amazing movie out of the bunch in 2011, but we came close to finding ten really good movies, and ten really bad movies for the year. 2011 was just a lull for everything in pop culture and the media and you’d be hard pressed to find something excellent that stood out among the rest of the muck. 2011 had a varied year of films, but while we did find more than enough great movies to fill our top 10 we didn’t find a masterpiece until the end of the year, and even then we’re having a hard time using the M word. Nevertheless 2011 was a year for new experiences, unique films, and most importantly underdogs. The best films flopped and the worst films excelled at the box office. There were surprises, some neat twists and of course the box office was at its all time lowest. While Congress is working on that censorship thing with SOPA, we appreciate our time delivering these top ten lists for our readers.

Sure they may not be the most agreeable lists on the site, but they arouse conversation and we love to debate with our audience. What with the increasing demand from the indie world we weren’t able to cover all of the year’s films, but we tried to tackle all of our most promising and we compiled lists of 10 great films, and 10 really bad ones. And for the first time ever we compiled five indie films you should look out for. Of course we couldn’t catch many films in time due to our demands on the site (Warhorse, The Girl With The Dragon Tattoo, Take Shelter, The Artist), but we have a nice little mélange of 2011’s banner films that we felt warranted mentioning. So by all means indulge in Cinema Crazed’s official Top 10 and Worst 10 of the year 2011!

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Green Lantern: Extended Cut (2011) [Blu-ray]

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i07x4wSIt’s a shame when a movie has such potential to be greater than the whole of its sum and fails to live up to it in the end. That’s the case with “Green Lantern,” a movie with great promise to be one hell of a space epic with fantastical elements and a killer weapon, and yet… when all is said and done, “Green Lantern” is just a rank mess, a blunder of script faults and horrible exposition that jumps from scene to scene and only manages to pick up once our hero Hal becomes the Green Lantern. And then when he becomes the Green Lantern it’s all the movie is about. He becomes the Green Lantern and…? Nothing else. “Green Lantern” has the promise to be so much more than it puts on the screen, but what it makes up for in action set pieces it lacks in severely uninteresting characters.

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Melancholia (2011)

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66265558Lars Von Trier’s examination of the apocalypse is a truly divine and ethereal cinematic experience that not only dares to explore the lasting effects of the end of the world, but also dwells on two states of mind concerning the end of the world. Like “On the Beach,” Von Trier examines the world putting on a show for itself in the wake of the apocalypse. In this version of the end of the world, Earth is destined to clash with an unknown planet from behind the sun. After centuries hidden, the planet tagged Melancholia by Earth’s denizens, has finally reached Earth’s orbit and is destined to smash in to our planet as the days progress.

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Warrior (2011)

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warriorAt the end of the day when the dust settles, “Warrior” is going to be called a sports film. But deep down it’s a family film. It’s a man film about the male dynamic and the utterly fragile relationship between brothers that can be easily hampered by bad parenting. Most of all bad parenting by their father. “Warrior” is the big film of the year that will get many comparisons to 2010’s “The Fighter,” but in so many ways, Gavin O’Connor’s film is superior. Because while the previous film explored the all too common dynamic between mothers and sons, “Warrior” explores the father and son dichotomy, the fractured relationship that can blossom from years of alcoholism and disease.

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The Muppets (2011)

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MuppetsWhen last we saw the Muppets, it was 1999, we were following the muppets in to space and we were finally learning the secret behind Gonzo. And, let’s face it, audiences weren’t exactly clamoring to learn about Gonzo and his origin. Especially in the midst of game changing movies like “The Matrix” steamrolling theaters. This 2011 reboot basically acknowledges how antiquated the muppets have become in a society bred on computer animation and 3D and how dusty their parts have been in the face of a new generation. In spite of the nostalgia, the muppets aren’t exactly the most popular property out there and the makers behind this fully acknowledge that and create in the process a revival that’s both a tribute to the muppets and a hopeful restart of the franchise once and for all. I can’t be the only one hoping for new Kermit and Fozzy films.

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Martha Marcy May Marlene (2011)

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Martha-Marcy-May-Marlene-1It’s very rare these days that a film can be unsettling without having to resort to cheap tactics to manipulate its audience in to feeling so. Most often horror movies are given the burden of making audiences feel uneasy and queasy while delivering something gory or horrifying. The truth behind “Martha Marcy May Marlene” is that is it the most unsettling and outright disturbing film of the year, and isn’t necessarily what one could call a horror film. It packs in frights in small portions through the persona of the cult our protagonist Martha is hopelessly leashed to, but it isn’t necessarily a horror film. “Martha Marcy May Marlene” is about the subtleties, the quirk in facial expressions, and the flick of the face.

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We Need to Talk About Kevin (2011)

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we-need-to-talk-about-kevinA long time ago a hateful loathsome woman gave birth to a sociopathic little shit who grew up and turned in to a murderer. There, I just saved you two hours of one of the most irritating movies to arrive in theaters this year. A waste of talent and of time, “We Need to Talk About Kevin” is about nothing more than the searing hatred felt between a mother and a son and what results out of apathy, neglect, and outright torturous mental abuse. This is basically the origin of Michael Myers. An upright well adjusted family bringing up a young boy in a suburban home, all of whom seem normal but are filled with maladjusted individuals who one day awake to discover their boy is a disgusting monster who offers nothing to society.

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