Director William Maher’s drama is not so much a story about Anna Sophia Robb’s character nor is it particularly about Charlize Theron, but a story about Nick Stahl’s protagonist James. Beaten down by life to the point where he is perpetually inept and in a funk, James is a man who gets through life as much as possible by soaking in the bile life hands him with a casual shrug and enduring about as much from the people in his life as possible. He is so absolutely immune to personal pain and stress he is constantly mistaken as mentally disabled. He sadly has to deal with Joleen and Tara, his sister and niece, both of whom are consistently in the pits of life. Joleen is a reckless neglectful mom who relies on James too much to get her out of trouble while Tara is her petulant daughter forced to deal with her mom’s indiscretions. But when Joleen leaves one night, she never comes home and now James and Tara are left all alone.
Tag Archives: Drama
Going the Distance (2010) [DVD/Blu-Ray Combo]
Much like Drew Barrymore, “Going the Distance” is so intent on being cutesy and bubbly that it’s nauseating, and what contributes to Nanette Burstein’s romance comedy being utterly insufferable is its insistence on being two types of movies. It wants so hard to be thought of as a sleazy comedy with incessant and tedious improvisations from every single actor who gets more than a minute on-screen. It also wants to be a cutesy chick flick about a lovely geeky guy and an ambitious young girl who try to keep their romance sweltering over a long distance. And none of it works. Were it not for writer Geoff LaTulippe’s insistence on attempting to please both audiences and entertaining neither.
You Have to See This! Leon: The Professional (1994)
Leon is a hit man, the best hit man working for Tony. He kills without a sound, without any emotion, he has only one rule “no woman, no child”, he’s the perfect hit man. Leon lives in the same building as Mathilda and her dysfunctional family. Mathilda’s father is a drug-dealer who does not care much, her stepmom does not seem to like her much, and her big sister seems to hate her. Mathilda’s sole solace is her younger brother, whom she loves very dearly. Comes in New York City’s crooked DEA, Norman Stansfield, who hired Mathilda’s father as a drug dealer. After the drugs are found to have been cut, Stansfield demands an answer as to how this has happened by 12 noon the next day.
Shutter Island (2010)
“Which would be worse, to live as a monster or to die as a good man?”
When I was finished with “Shutter Island,” I understood what director Martin Scorsese was pushing for in the area of a dark and complex journey of a man in to the bowels of a mysterious island. I understood that deep down Scorsese had an ambitious and admirable hunger to bring to us a modern “The Cabinet of Dr. Caligari,” but ultimately, his efforts fail to bring a work of art that’s grandiose but low key in its effort to make a commentary about the human soul and the psyche. While the character of Teddy Daniels ends up becoming a truly tragic and complex individual, the caveat with “Shutter Island” is that everything surrounding the character of Daniels ends up becoming rather lackluster and limp. Especially when the surprise twist is given away so easily in the original trailers.
The Last Airbender (2010)
As big a fan as I am, and continue to be of M. Night Shyamalan, the one tragic fact of “The Last Airbender” is that there just isn’t a need for it. The original television series is about two or three years after its series finale, the series lasted about four or five seasons, it still plays in syndication, and there is a new story waiting in the wings. Fans of “Avatar” are in no short supply of their Airbender fix, so Shyamalan’s adaptation of the show isn’t all too necessary, nor was it wanted. So instantly the cards are stacked against him. Yours truly being a hardcore fan of the animated series (frankly, it’s one of the finest and most entertaining shows of the last decade), I was anxious to see what Shyamalan would do to “The Last Airbender,” and I wasn’t all too disappointed with what turned up on the screen.
Cinema Crazed’s Top 10 of 2010
With Cinema Crazed gaining more and more access in to the newest films every year, we were able to catch so many movies for 2010 and even with our incessant scramble to watch every possible title out there, we still didn’t have enough time to see it all. With our commitment to reviewing indies and cult cinema first and foremost, we don’t really have the material for these lists until November or December, and then it becomes a mad panic to watch as much as possible to compile this annual list.
Nevertheless, we saw more films in 2010 than in previous years, and many movies earned our spots. Others just didn’t. Many other titles just escaped our memory. Some we just didn’t have time to catch (whimper “Tron Legacy” whimper) So yes, these are lists of the best and worst movies that we’ve seen. Odds are there will be a movie from 2010 in mid-2011 we think should have been apart of the list, regretfully. As with every year we have some new categories, and we hope we inspire such rage in you that you’re able to find it in your heart to leave a vicious anonymous passive aggressive comment on Rotten Tomatoes for one of our reviews. That’s all we ask. Or be ballsy and email us. Come on, we dare you. Or if you’re feeling conversational, send us your own Top 10 and Worst 10 of 2010! We can likely begin a conversation that’s human and polite.
Pardon me while I have a strange interlude: “The King’s Speech” isn’t on any of these lists. The studio didn’t send screeners, it’s only playing in two theaters in New York, and we don’t have the time or effort to seek it out and risk being bored senseless. So forgive us for that. We’re sure it’s a fine movie about a stuttering king, honest. But… we didn’t have the time to find out.
On to the show!
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Cinema Crazed's Top Movies of the Decade (2000-2009)
Personally I could care less who thinks when the decade ended or began. Many people are saying that the decade actually began in 2001 and ended in 2010, others are saying it began in 2000 and ended in 2009, while many are oddly insisting the decade began in 2000 and ended in 2011. I could care less who thinks what anymore. Since we basically missed the boat on posting our thoughts on our favorite movies of the decade back in December of 2009, we’ve decided to finally catch up and post our top films of the decade starting from 2000 and ending on 2009. That’s that. We’ve spent the last three months trying to figure out how to best voice our thoughts on our best films of the first decade of the millennium, and we figured we may as well just post our list embedded in one big article.