Available in on 2500 Limited Edition Copies, Cult Epics has released the ultimate in nunsploitation double features pairing two of the most iconic nunsploitation films of all time “School of the Holy Beast” and “Behind Convent Calls” together, and attaching a new restoration along with fantastic features for all collectors. “School of the Holy Beast” is the definition of the nunsploitation sub-genre. It’s a wonky, surreal, and demented piece of Asian drama with some of the most memorable moments I’ve ever seen in the Grindhouse motif. Most importantly it has an odd sense of humor that make it worthy of many laughs, but ones that will assuredly be of the uncomfortable sort.
Tag Archives: Drama
The Karate Kid (2010)
You could have called this “Fist of the East,” or “Test of Fortitude” and it would have grossed obscene amounts of money at the box-office, regardless. It’s a movie that is so meticulously built to appeal to audiences and tickle every emotion possible, that it’s so much more a marketing gimmick than it is an actual movie. Calling it “Karate Kid” is just the icing on the cake. Eighties exploitation is huge. There are currently dozens of overgrown men on the cusp of forty mourning the days of Rocky Balboa, and cassette tapes, still bawling about how the eighties were so much better that calling it “Karate Kid” was a bonafide ticket to box office gold. Plus Jaden Smith is Will Smith’s son, and Will Smith always equals big bucks.
Dym (2007)
At the request of director Grzegorz Cisiecki, I cautiously entered in to his 2007 short film entitled “Dym,” and hoped to see what would be the seeds of a great director in the making. While in the end “Dym” leans toward being a demo reel for work in the states, “Dym” is also a striking short film delving in to the psychosexual madness our main character endures when experiencing a turbulent romance with his girlfriend.
Year 3: Harry Potter and the Prisoner of Azkaban Ultimate Edition (DVD)
For folks currently switching over to Blu-Ray this Christmas, there is also the option for traditional DVD releases, and this year available for all of the Potter fans is the Year 3 Ultimate Edition of Alfonso Cuaron’s “Harry Potter and the Prisoner of Azkaban” one of the few very entertaining installments of the Harry Potter series that has a truly dark and grim tone to it appealing toward adults and children alike.
This is one of the few films of the series that convinces me Harry Potter is not just for six year olds with a library card, and Cuaron lends a distinction that makes his version of the book much more bleak and atmospheric with a horror film sensibility and grit he brought over from “Children of Men.” Granted, I’m not a fan of the Harry Potter franchise in spite of my trying in the early days of the first book. I can still fondly recall reading the first book and midway through the text, I had to put it down and try to stay awake.
The Kids Are All Right (2010)
It’s very rare in pop culture today, where you can watch a film that is a drama and comedy, composed primarily out of performances with expressions and idiosyncrasies rather than endless diatribes and emotional outbursts drowning us in dialogue. With “The Kids are All Right,” the reactions and undertones of sadness are there within every single character. And it’s most important to ignore what they’re saying, and pay close attention to what they aren’t saying. Lisa Cholodenko’s dramedy about the modern family, and the plight of the odd structure of said family is a sad and typically miserable film about worshipping the wrong people, and reaching for a goal that is unobtainable. Every individual in this piece are looking for something to fulfill their lives, and sadly they will have the most difficult time looking for it.
The Long, Slow Death of a Twenty-Something (2011)

Ben Baker is the classic male of the western society. He has no identity. He’s too old and mature for his teenage antics that involve gaming, bullshitting, and heavy alcohol, and he’s too young and immature to accept the doldrums of adulthood that involve committed relationships and responsibilities. Too adult for childish things, and too childish for obligations, both of which are worlds where Ben is incapable of being himself and expressing of his true feelings on any given topic. With a very symbolic prologue involving a blue square, director Larry Longstreth basically sets the stage for a story about growing up, moving on, and trying to find a place in a society that demands everything of you but yourself.
The Walking Dead, Season One: Final Thoughts

The year of 2010 is the year that many hardcore fans of “The Walking Dead” were finally able to see their favorite comic book series come to life on the small screen with an incredible cast of actors. Free of clichés, free of science fiction doldrums and flash, fans who have stuck by the comic book series since the beginning were finally able to see their fantasies realized in an epic television series. And much like the comic book, every episode of the first season tested the fan’s devotions by completely twisting and mangling every sub-plot imaginable to the point where the band wagoners were shaken off and moved on to other things, while the true fans and new fans stuck by it.


