Only God Forgives (2013)

Director Nicholas Winding Refn completely blew me away with his 2011 crime thriller “Drive.” It was a cerebral and stylish picture about redemption and atoning for our sins. “Only God Forgives” is that perfect film for cinematic enthusiasts looking for the right experimental movie to dip their toes in to. While Nicholas Winding Refn had every reason to follow “Drive” up with something equally mainstream, “Only God Forgives” goes beyond expectations.

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The ABC's of Death (2013)

14L7J0EOne aspect of “The ABC’s of Death” that many audiences will acknowledge. Even when it’s bad it’s really damn unique. “The ABC’s of Death” isn’t always a home run, and I will in no way consider it a masterpiece of modern cinema any time soon, but as an ambitious experience bold enough to include various themes that are normally considered in bad taste for mainstream cinema, I was fond of it. I appreciated its ambition. I respected its originality, and I really did love its sense of humor.

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Rubber (2010)

Robert is a tire. Robert is in the ground. Robert gains a consciousness and decides he doesn’t want to be rubble. Robert gets up and starts rolling down the road. He blows things up with its will. It squashes bugs. Now that it’s caught the eye (?) of a gorgeous young traveler, Robert is rolling down after her and is intent on garnering her attention.

Why? No reason.

Does there have to be a reason?

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Secrets of Sex (1970) (DVD)

secretssexYou either know it as the title “Secrets of Sex” or the more aptly titled “Bizarre,” as director Antony Balch’s sexploitation horror anthology is clearly a film that lives up to such a title. Synapse re-releases this seventies gem in the guise of a sexploitation movie, but don’t be fooled. It is very much a horror film of the truest nature that’s reliant on the appeal of sexuality to lower the audiences guards. “Secrets of Sex” is such an unusually surreal piece of genre work that uses sex and the awakening of our sexual natures as a tool for incomparable horror. And through that it tells various stories through the mouth of an inexplicably placed mummified corpse that has seen the battle of the sexes waged for too long.

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The Octopus (2011)

On director Josh Hughes press website, he explains how “The Octopus” is a very personal film for him but intentionally cryptic. For many, it’s garnered a lot of definitions and dimensions. As well it’s also garnered some hidden meanings that Hughes is surprised to discover from his audience. No matter what you pull from his two and a half minute animated short, there’s not a single doubt that “The Octopus” is a truly powerful and startling animated short about a couple on the brink of destruction and the child that will inevitably pay for their pain.

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Dolla Morte (2006)

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I’m sure at some point either “director” Bill Zebub or one of his friends were sitting down to watch “Robot Chicken” or “Team America: World Police” for the fiftieth time in a month quoting “Matt Damon!” over and over, and someone suggested “director” Bill Zebub create his own doll movie! Yay! After the rancid putrid junk that was “Breaking her Will” and the rancider putrid junk that was “Dirt Bags” I really was not expecting much from “director” Bill Zebub. “Dolla Morte” really wouldn’t be such a bad film if Bill Zebub had any idea was pacing is. There are overlong scenes of dolls engaging in dialogue, and rape scenes, and there’s even a five minute warning to the audience about Zebub’s intention toward the film. Why are they so determined to let us know his intentions for this piece of garbage? What does it matter? Shouldn’t he let the trash speak for itself?

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