Hook (1991)

Say what you want about “Hook.” Many people do. And many movie fans love it because it’s been a part of their childhood. Those who didn’t have the fortune of watching “Hook” as a child consider the 1991 Peter Pan throwback to be a gaudy Spielberg misfire dripping with sap. By virtue of nostalgia, “Hook” is still great. But as a fan of JM Barrie’s “Peter Pan” novel, and the mythos in general, “Hook” is a solid effort, that still manages to pack in the entertainment at all corners. True, it’s by no means a mastepiece with cloying acting by most of the child stars, and some odd casting. I mean, bringing aboard Robin Williams as the dashing Neverland warrior is still poor casting, and while Williams does his best, the movie suffers with him on board.

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Ten Reasons "Hush" Is the (Second) Best Buffy Episode Ever Made

1. You can tell a story without dialogue – Go in to any movie catalogue and rent a silent film, and the best silent films will tell you that you don’t need dialogue to tell a good story. “Modern Times,” “The Gold Rush,” “Laugh Clown Laugh,” all amazing stories without dialogue. Human expression, body gestures, idiosyncrasies, they can do so much that dialogue can’t. And “Hush” dares to defy the stereotype that “Buffy” is not funny without the clever one-liners, and it succeeds. You do not need to club us over the head with dialogue to let us know what we should feel, and it’s flawless in its delivery.

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Superman: Unbound (Blu-ray + DVD + Digital Copy + UltraViolet) (2013)

I never really read the graphic novel upon which “Superman Unbound” is based on, but I thankfully know of it, and what the new Brainiac is supposed to look like in the mini-series. With the adaptation, there really isn’t a lot to “Superman Unbound.” Brainiac wants to go to Earth to collect a city, Superman and Supergirl have to stop him. Fighting ensues. As an adaptation, it’s an entertaining animated film with some great action sequences, but not too much substance. The focus of “Superman Unbound” is mainly on Superman trying to live the human life, now that he and Lois are a relationship. Lois wants Superman/Clark to become the boyfriend she needs, the supportive and loving man who can give her a life. But Clark is hesitant to press his luck. Especially when she’s always in peril.

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Honoring Ray Harryhausen (1920-2013) – Our Five Favorite Harryhausen Creations

I was fortunate enough to grow up around classic movie lovers, and since I was a child I was given a very hefty education in classic movies of all kinds. From Drama, to Science Fiction, I was able to understand the wonders of the classic films while also enjoying the modern cinema to boot. I loved the special effects spectacles, but I could also appreciate films like “Jason and the Argonauts” or “The Valley of Gwangi.” During my childhood, Ray Harryhausen’s works of art and amazing special effects astonished me. While they were low tech considering it was a new time for film, Harryhausen’s creations had a light and a life to them that computers and CGI animators could not duplicate. They had a spark within them, and within every motion, and I appreciated them with every film that Harryhausen left his signature on. Years later, I’m still a fanatic for Ray Harryhausen’s incredible work.

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Moonwalker: A Superstar’s Burden

moonwalker-cover

When I was a kid, “Moonwalker” was on constant rotation on our VCR and for ninety minutes, it kept me and my brother quiet and out of my mom’s hair. As brothers prone to fighting and bickering, movies are what usually kept us shut, especially since we couldn’t even afford basic cable back then. Around the time “Moonwalker” came to VHS, we knew perfectly clear that the movie itself was nothing but a promotional tool for Michael Jackson.

Back then, Jackson ruled the world and was considered the most iconic person on the face of the Earth. He was pretty much a God, so we didn’t care that the VHS was just nothing but a commercial for Jackson’s incredible abilities, we just wanted Michael Jackson. Pretty much in the same way we didn’t care “Kriss Kross: Jump” or “Teenage Mutant Ninja Turtles: The Making of the Coming Out of Their Shells Tour” were just tapes intent on promoting a product, we didn’t care” Moonwalker” was just for Michael Jackson’s publicity team. It was our fix of the popular Jackson, and we loved it.

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Bloodrayne: The Third Reich (2010)

Bloodrayne-3-Pic-1What is Uwe Boll’s obsession with the holocaust? First he sets this new “Bloodrayne” snore fest in the holocaust and has the gall to try for his own Holocaust documentary. This from the man who created “Blubberella.” In any consolation Natassia Malthe is still very sexy as Rayne and has the same charisma as the former Rayne Kristanna Loken, never missing a beat. Rayne still looks like a hardcore cosplayer lost in a time warp, though. So in the midst of soldiers and World War II, she looks incredibly out of place. Where does she get all of that leather?

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Leapin’ Leprechauns! (1995)

Leapin-Leprechauns

Oh, leapin’ Irish stereotypes! “Leapin Leprechauns!” from Charles Band studio Moon Beam is not the worst movie I’ve ever seen, but it’s probably the most baffling I’ve seen in a good while. The film takes literally a half hour to get the actual plot in motion, and we spend about twenty long minutes on a leprechaun council meeting where the leprechauns and fairies argue and bicker non-stop. As for a villain of the piece, we don’t meet the evil menace until there’s only ten minutes left in the actual movie. I couldn’t understand why the villain was introduced before the credits actually began, but the writers fails to muster up an interesting bad guy.

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