You have to appreciate Zack Snyder’s ambition for at least trying to tell a story. The man has proven himself in many regard, and with “Sucker Punch” he tries his best to deliver crowd pleasing entertainment that won’t polarize his fan base. The problem is, he never lets us in on the fact that deep down “Sucker Punch” is just a teenage melodrama disguised as a genre film. Sure it’s a journey of the self, and the mission of a group of young women to take on robots and monsters, but they’re all just metaphors.
Tag Archives: Fantasy
Turtles Forever: Director's Cut
If you’re one of the kids who grew up during the golden age of the Teenage Mutant Ninja Turtles when they were all that any kid in their right talked about, then this form of nostalgiasploitation is one you’ll have a damn good time with. For anyone hoping to re-live their youth while also looking in to what the current incarnation of the Teenage Mutant Ninja Turtles are up to, the best form of marketing for all the audiences of this franchise comes in the form of “Turtles Forever,” a reality bending, genre twisting mini-movie that works as a satire on the eighties series, a tribute to the current incarnation and a respectful nod to the classic Turtles.
Drive Angry (2011)
Who knows why a movie about the lone ranger from hell flopped in 2011? No one will ever know. I attribute it to the lack of big name draw and exhaustion with Nic Cage from general movie audiences, but nevertheless, “Drive Angry” is an ambitious and admirably raucous grindhouse throwback that takes the battle of heaven and hell and brings it to planet Earth where a dad comes back from hell to keep his daughter from going to the stomping grounds of Satan. “Drive Angry” is a movie that… well, it’s a movie. It’s a movie that is there and it has no idea who the hell it’s supposed to be marketed to.
TRON: Legacy (2010)
After the massive box office bust that was “Tron” it was surprising that Disney would ever invest in another movie from the property again. In many ways while the film was a failure, the concept was merely ahead of its time and it deserved another chance at box office gold and a fan base. Even decades after the film caught on with cult buffs and garnered a fan base, the success of another “Tron” is still in doubt and with this sequel, it’s all still a gamble. Especially in the age of cynicism where CGI epics are a dime a dozen. “Tron Legacy” isn’t so much about a game and the user that masters it as it is a son re-connecting with his dad.
Gnomeo and Juliet (2011)
You’ve heard this story a thousand times but we’re telling it to you again, whether you like it or not. Yes, that’s usually the sign we’re about to stumble on to one of the animated greats of the millennium when even jokingly we’re told that this story has been retreaded a thousand times. But we’re going to hear it anyway. “Gnomeo & Juliet” is a film that is marketed to someone but I’m not sure whom exactly. It’s too obscure for kids to understand, and too sugary sweet for the adult sector to enjoy.
How to Train Your Dragon (2010)
Young hero in the making trying to prove himself. A father who doesn’t believe in him. The bond of a young hero and his enemy. And a young anachronistic heroine who helps the hero find himself. We’ve seen it all before and then some, but thankfully with “How to Train your Dragon” is handled the formula so well, it’s almost original and unique. Almost. Dreamworks’ animated action adventure film is your classic boy and dog story, except the boy finds his man’s best friend in his purported enemy, a young dragon who forms a common ground with him in a world where humans and dragons are eternally grappling at war with one another and are told they must do battle.
All Star Superman (2011) (DVD)

“My last adventure is about to begin…”
I never actually was able to read all of Grant Morrison’s much hyped and controversial “All Star Superman” when it was originally released in newsstands back in 2005, so for me watching “All Star Superman” was mostly new territory. While I loved Morrison and Quitely’s treatment of the man of steel (for what I read), I lost track of the series, so 2011’s “All Star Superman” is fresh terrain that I was mostly excited to sit through, especially when you consider the cast of seasons heavyweights like Christina Hendricks, Anthony LaPaglia, Frances Conroy, and John DiMaggio respectively. “All Star Superman” remains about as true to Frank Quitely’s unique artistic design as possible while adhering to the neo-anime tone that DC has sidled with over the years. While the 2011 movie is short in the tooth, it is absolutely satisfying, especially in its ability to remain firmly entrenched in anime devices that keeps “All Star Superman” anything more than another stock Superman title.

