Tag Archives: Fantasy

Sorority Babes in the Slimeball Bowl-O-Rama (1988)

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Rh2oN5DSpider: It’s too bad we had to kill her. I really liked the outfit she had on.

Full Moon’s 1988 cult film is something of a hideous movie that will make many cringe, roll their eyes, and have fun just the same. Admittedly “Sorority Babes” has something of a nostalgic value as I can still fondly remember watching it on late night cable in the nineties trying to figure out what in god’s name this movie was. Finally being able to grab a copy, I now know why “Sorority Babes” isn’t going in to the film registry any time soon. Obviously, it’s not a good film, but it surely is a film that’s so bad it’s really damn good.

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Alex's Halloween (2008)

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Though no masterpiece, director Daniel Persitz’ short family film entitled “Alex’s Halloween” is a touching and sweet slice of life about a boy with an over active imagination and his quest to get as much candy as possible on Halloween. Starring the hilarious Jane Lynch of “Glee,” she plays an over protective health obsessed mother who reduces her two sons to eating health food for dinner every night and even saves pumpkin guts for soups. Alex’s older brother Matt who openly expresses annoyance toward his little brother who is prone to dressing in costumes and concocting his very own fantastic fantasies, makes a deal with Alex. He’ll go trick or treating with him only if he can get enough candy to last them through the year to avoid eating their mother’s food.

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Troll 2 (1990)

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“Don’t let them eat, Joshua. For the love of God don’t let them eat.”

Making a really bad horror movie and linking it to a respectable movie for the hopes of financial returns and name recognition is not a new thing. Video companies have been doing it for decades, it’s a common practice in the direct to DVD market. Not to mention the cult classic “Zombie” alludes to being a sequel to “Dawn of the Dead,” even though it really isn’t. But somewhere down the line to avoid being thrown in to obscurity as it rightfully should have been, “Troll 2” is not a sequel at all, it is instead a really god awful movie about Goblins and… really bad acting. There isn’t a single decent performance in the entire film and it’s all so laughably embarrassing that it’s almost impossible to deem this as so bad it’s good.

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The Addams Family: The Complete Series (DVD)

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There will always be a place for America’s ghoulish family The Addams and I assume in lieu of the proposed Tim Burton re-launch, the Hanna Barbera animated series from the early seventies is something of a necessary property to re-live the nostalgia for fans of the franchise and help them hunger for Burton’s new vision. Featuring the entire series in a four DVD set, “The Addams Family” is quite a departure from the normality of the creepy Addams Family this time venturing out beyond the series to offer up some Scooby Doo mystery solving.

One of the highlights of the series is the discovery that a young Jodie Foster (Yes, that Jodie Foster) voices Wednesday Addams. Beyond that this is a typical cash in from the Hanna Barbera legacy. Instead of leaving them in one place to cope with everyday life, instead the Addams take their show on the road driving around in a humongous Victorian Mansion/RV that brings aboard all of the Addams for the fun.

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Altitude (2010)

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A4e8gLBOne of the elements I truly loved about “Altitude” is that director Kaare Andrews manages to convey a sense of isolation in the open skies. He constantly zooms back upon open spaces and landing strips mountain ranges, all of which are dwarfed when the people inside the small aircraft find themselves in the middle of a mysterious nowhere land in the sky being terrorized by unexplained phenomenon threatening to throw them in to oblivion. Andrews who has a past in comic books really knows how to express a sense of the EC Comics atmosphere where every scene is painted like a graphic novel, especially when the group of friends venture in to the blue sky to be confronted with a black cloud that brings them in to an endless abyss of lightning, darkness, and zero answers for survival.

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Our Top Ten “The Twilight Zone” Episodes of All Time

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Twilight Zone

As I’ve learned this year, there are still people out there who haven’t seen “The Twilight Zone” and are not aware of the often brilliant and shocking twists hiding within the mysteries that master storyteller Rod Serling composed in the fifties and sixties. As many know “The Twilight Zone” is one of the best and more influential anthology series of all time, a show that was at times scary, funny, and compelling while also serving a purpose to comment on issues like poverty, death, the war, the holocaust, crime, infidelity, greed, and the debate of heaven and hell along with theology and the flaws of the human soul.

At rare times it was merely a form of escapism, and not every episode was a bonafide masterpiece, but almost all of the time Serling’s seminal science fiction show was about something. It had a statement to make, it was important and that’s why it continues to be look at as the standard for modern pop culture influencing thousands of television shows, authors, and musicians across the world and is basically larger than life. It’s garnered two pretty underwhelming feature films, a respectable but mediocre eighties reboot, and a very bad, and quickly cancelled millennium reboot, all of which have paled in comparison to Serling’s original series. While we left out many good episodes of Serling’s science fiction horror series, these are the episodes we consider the best of the best and our absolute favorites.

Warning: If you’ve yet to fully indulge in the entire legacy of the series, be cautious there will be spoilers within this list as we offer up our ten favorite episodes of “The Twilight Zone” of all time.

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Halloweentown High (2004)

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While “Halloweentown High” really isn’t the most subtle of films with monsters and knights acting as symbolism for civil rights, it does excel in fully realizing the character of Marnie who is no longer a student and now just a matriarch of other students looking to make their way in to the human world. Kimberly J. Brown is as good and charming as ever in the role of heroine Marnie who takes it upon herself to play civil rights leader by insisting some of the monsters from Halloweentown should be allowed to go to human school for the sake of diversity and equality. The catch is by Halloween if she hasn’t made progress, her powers will be stripped away. This allows for a more open forum for new characters, all of whom have their own likable traits and quirks. One if a goblin, another is a werewolf, another a wood nymph, and so on. Marnie plays more of a protector this time watching over the new exchange students, and falling for a new guy named Cody.

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