Pirates of the Caribbean: Dead Man's Chest (2006)

2006_dead_mans_chestTo pretend “The Curse of the Black Pearl” possessed an elaborate, epic story rich in characterization and subtle dialogue, would be to set up all sorts of pretensions. “Dead Man’s Chest” is in the same vein as the former, only slightly more intent on showing its blatant grab for big bucks. Disney ran out of ideas, turned to make their rides into movies and got lucky. Big whoop. “Dead Man’s Chest” is fun, though, and I can’t sweat them for that. Verbinski’s direction is on par as usual, and “Dead Man’s Chest” is a gorgeous epic, with some of the better action scenes that trump the original’s.

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Aquaman: The Pilot You’ve (Probably) Never Seen!

It’s very rare that cult classics become cult classics on one episode only. Surely, shows have become cult favorites with one season; there was “Firefly”, “Freaks and Geeks”, and “Brisco County”, but on one episode? I can’t think of too many series like that. “Aquaman” has become a cult classic not because of its quality, but because of curiosity. Curiosity not from comic book fans only, but from fans of “Smallville”, and the public whom enjoy kitschy entertainment. And sure, some people have managed to enjoy it. Okay a lot of people. But is it for the right reasons? First called “Mercy Reef” (taking off on the “Smallville” formula), then called “Aqua” and now called simply “Aquaman”, this series was an attempt to spin off from the popular guest stint of Aquaman on the “Smallville” series. The CW changed the series from “Mercy Reef” to the blunt “Aquaman” mainly because Aquaman just doesn’t hold the clout Superman does, and many people consider the character quite lame.

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Howl's Moving Castle (Hauru no ugoku shiro) (2004)

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“Howl’s Moving Castle” is probably one of the weaker entries from Miyazaki. Miyazaki’s films have one thing for them that you can not deny. Originality. “Howl’s Moving Castle” is original, and it’s brutally entertaining, and that’s why I enjoyed this very much. Sure, I was watching the American dubbing (accidental, give me a break), but “Howl’s Moving Castle” possesses more unique fantasy elements and plot progression that really kept me in awe constantly. A scarecrow that follows our heroine like a lovesick dog? An old dog that weighs a ton? A little boy who masquerades as an old man? And a heroine who turns into an elderly woman sporadically? You take a look at Miyazaki’s universe and you’re nothing short of breath taken the entire time.

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Crimson (2007)

crimlong3Ah, good deeds. Don’t believe the hype folks. Sure it’s good for your karma, but it will inevitably come back to kick your ass every now and then. Have you ever heard the term “No Good Deed Goes Unpunished”? That’s the basic premise behind the short feature film from Richard Poche who builds his entire story around this chestnut that couldn’t prove any truer. “Crimson” is the story of women performing a good deed, and inevitably getting much more than they bargained for, and I have to tell you that I was admittedly excited upon viewing what Poche had to offer. And surely enough, Poche has an appealing visual style that makes “Crimson” a constantly vibrant production.

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The All New Superfriends Hour: Season One, Volume One (DVD)

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Shape of Comic Fan Boy!

I loved “Superfriends.” It cashed in on the Scooby-Doo franchise by giving us two human teen characters and an annoying dog, and also introduced some of the stupidest superheroes of all time like Apache Chief, and the Wonder Twins. Ah, the Wonder Twins, a product of the disco era with a bit of “Xanadu” and pure retardation thrown in for good measure.

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Evan Almighty (2007)

evanalmighty2007prevIt’s typical of Hollywood. You take probably the only entertaining aspect of the last Jim Carrey movie that was basically thinly veiled religious propaganda about the pressures of being God, and how much people depend on you, and you expand upon it until it stops becoming funny, and then pretty much just run it into the ground with even more blatant religious propaganda and preaching than the first installment. Steve Carrell plays Evan Baxter, the obligatory antagonist from “Bruce Almighty” who is now a US Congressman. As he moves his family to Washington, and discovers his congress duties are interfering with activities with his needy wife and spoiled children, God comes knocking at his door forcing him to build him an arc. What happens if Evan refuses? Well, God pesters, and annoys, and the pretty much just frightens him at every turn with his insurmountable power. That’s God for you. Do what he says or you die.

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Pan’s Labyrinth (El Laberinto Del Fauno) (2006)

In a world filled with boy wizards, and dragons, every time I think the fantasy world is dead, there’s always someone who swoops in to reclaim the throne and show us that indeed the fantasy genre is still alive and well. All it needs is much imagination and no derivation. It’s not a hard concept to grasp, and it’s not a hard task to accomplish. Every time I receive an opposing argument on that declaration, two words will come from my lips: “Pan’s Labyrinth.” This would be the part where I’d compare this to fodder like “Legend,” and “Alice in Wonderland,” but Del Toro’s film is one of its own kind. Much like Del Toro’s previous “The Devil’s Backbone,” “Pan’s Labyrinth” is unlike anything you can imagine watching.

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