Tag Archives: Fantasy

Doogal (2006)

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“Doogal” is basically representative of everything that’s wrong with CGI animation. Everyone is out to be as hip as possible and mimic the success of “Shrek,” that they lose touch with story, characterization, and plot elements the audience can enjoy. I always tend to give the animated films the benefit of the doubt and half the time I’m rewarded. “Doogal” was punishment. It has all the basic principles of a kid’s film but no idea how to get in touch with the heart animation should have. There’s the rabbit Jimmy Fallon singing “You Really Got Me,” and the leader of the land watching the landscape while “It’s Magic” blares in the background. By the time the eighteenth pop culture reference was spewed out in the first ten minutes, I was ready to pack it in.

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Fei ying (Silver Hawk) (2004)

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silverhawkThe audience for “Silver Hawk,” will be split in two groups. One group will despise it for being the usual fluffy science fiction blockbuster malarkey, while the other group will enjoy it for the guilty action and camp. And you can’t really blame either for their thoughts. Michelle Yeoh’s actioner “Silver Hawk,” makes no bones about itself. It’s a really ridiculous and utterly moronic action film. You can see that by the fact that only within a minute the action begins without much preamble to recollect. Silver Hawk leaps over a bridge on her motorcycle and gets to work. Like a “Matrix” fan girl, Lulu Wong is a vigilante who, with her silver outfit, sneaks around stealthily, dons some odd sunglasses, and kicks the asses of anyone who dare confronts her during a mission.

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Curious George (2006)

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“Curious George” takes the adaptation in the right direction, with new character changes that work well. As a fan of the book series, and as someone who grew up reading this wonderful series, I was anxious to see “Curious George.” And the child in me wasn’t let down. The man in the yellow hat is now named Ted. And his yellow suit is one he was tricked into wearing. And I like it. Many other questions are answered in this big screen animated adaptation (How did George get his name?) that I can describe as one of the most adorable animated films I’ve seen in years.

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The Initiation of Sarah (2006)

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The_Initiation_Of_Sarah_(20ABC Family’s “The Initiation of Sarah” isn’t an awful quasi-horror film, it’s just incredibly weak and bland. It’s never intentionally a very weak film, it’s just so lost in its own attempts to mimic a certain show about yakking women that it can’t find its own niche. What do you expect from a movie whose heroine has sex to prevent from being sacrificed as a virgin? “The Initiation of Sarah” is like a harder edged “Sabrina,” it’s a PG-13 “Suspiria,” and while that’s not always a bad thing, it’s just never interesting enough to warrant my full attention.

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Appleseed (Appurushîdo) (2004)

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Aramaki’s “Appleseed” has the distinction of being one of the better animated films I’ve ever seen simply because of its amazing animation and landscapes. For those who can find no true plot aspects, they can at least marvel at the beautiful animation. In essence, “Appleseed” is technically astounding with wonderful landscapes and creative mixing of mythology and technology. “Appleseed” should be seen for the marvels it accomplishes. I don’t know, I don’t like to watch an animated film feeling as if I’m actually watching a video game. I don’t like video games, and the sneaking suspicion that I’m watching a video game sequence drawn out into a two hour film really irks my gurken. “Appleseed” is basically all style and zero substance, and it’s a techno pop video game/music video.

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Zathura: A Space Adventure (2005)

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I was not a fan of “Jumanji.” Beyond the great special effects it was a rather boring, and confusing lollapalooza with sub-par performances, and a cheesy ending. So when the unofficial sequel “Zathura” arrived in theaters, suffice it to say my skepticism was tantamount to my skepticism of “Sharkboy and Lavagirl.” It looked well intentioned but basically looked like an empty spectacle. In a world filled with “Hoot,” “Sharkboy and Lavagirl,” and “Sleepover” which are the considered the crème de la crème of children’s fare, “Zathura” is a welcome change of pace. It doesn’t talk down its audience, it doesn’t paint clichés, it doesn’t insult our intelligence, and its entertainment is enjoyable for both adults and children. That’s rare.

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The Girl Who Could Run 600 Miles Per Hour! (2006)

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You have to appreciate the inherent ambition behind a film like “The Girl…,” because director Thimijan doesn’t just give us a story about a girl who can in reality run 600 miles per hour. Instead his film is about monotony and the confines the work life, and how this extraordinary ability allows her to pursue feats that she normally couldn’t once we get to know her. And it’s quite a whimsical story with a sweet message about life, and your goals. Thimijan aims for a more “Punch Drunk Love” vibe with a story of a man whose work a day life is mostly unfulfilling in spite of his best efforts to fit in and change his normal routine. All of that comes into a different perspective when he meets the girl who can run 600 miles per hour.

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