Emilie Black At Home with Guillermo Del Toro’s Monsters

athomewithmonsters1The Los Angeles County Museum of Art is hosting an exhibit of a part of filmmaker Guillermo Del Toro’s horror-centric art collection.  This includes everything from movie props (from his own films and others’), to paintings, to photographs, to sculptures, to storyboards, to sketches, etc, etc, etc.  This small part of his collection is insane in the best of ways and any movie nerd that can should go and see it before it closes on the 27th of November.

As a proper movie (horror especially) nerd, I went and took a ton of photos. Unfortunately, it is dark in there and flash photography is not allowed to protect the art and other people’s enjoyment of it.  With no further ado, here are some of my photos of the exhibit in all their dark and grainy glory!

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The Book of Life (2014)

bookoflife“The Day of the Dead” is such a fascinating holiday filled with so much interesting lore, that there’s a lot more material left for five more animated films of this ilk. Jorge Gutierrez has spent a long time trying to expose audiences to Latin and Hispanic heroes and complex characters, and with “The Book of Life” he succeeds yet again. “The Book of Life” is a wonderful animated romance in the vein of the classic Disney films, but it’s also a respectful tale set amidst the backdrop of the Day of the Dead. A group of rowdy grade schoolers are in for a unique field trip when they’re taken in to a museum by a mysterious tour guide who relays to them an epic story of love, life, and death. Set in the Mexican town of San Angel, we meet three childhood friends Manolo, Maria, and Joaquin, all of whom have spent enormous amounts of time together and are facing adulthood with pressures to grow up and realize their potential.

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Guillermo del Toro Cabinet of Curiosities: My Notebooks, Collections, and Other Obsessions [Hardcover]

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Though released almost at the same time as “Pacific Rim,” co-author Mark Zicree’s hardcover compendium chronicling the creative works of director Guillermo Del Toro is anything but a cash in. It’s a wonderful treasure trove of amazing sketches, and incredible conceptual work, that not only explores the mind of Guillermo Del Toro, but pays tribute to one of the finest fantasy directors working today. Guillermo Del Toro has almost single handedly kept the fantasy genre alive with his dark neo-Gothic epic works, and “Cabinet of Curiosities” gives his fans that rare glimpse in to his mind and his life that they’ll be more than happy to read from beginning to end.

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Pacific Rim (2013) [Blu-ray]

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Though we may never get to see director Guillermo Del Toro’s vision of “At the Mountains of Madness,” that doesn’t mean “Pacific Rim” isn’t without its Lovecraftian influences. There’s the deep sea monsters, the beings from another dimension, giant tentacled beings, and the implications of something bigger to come. “Pacific Rim” is set in a world where kaiju are a natural phenomenon and the world is built around the constant threat of attacks from giant beasts that didn’t come from the sky, but instead the bottom of the sea through an inter dimensional rift.

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Alma (2009)

Director Rodrigo Blaas’s short film “Alma” presents the illusion of whimsy and magic at first sight, but deep down “Alma” is one of the spookiest short films made in years. Its entire premise seems to be a metaphor for child endangerment and how easily children could get sucked in to the darkness of the world and disappear forever. The sentient store in the story could very well double for a stranger offering a child a treat, while the young girl in the movie is the child submitting to the temptation and paying a deadly price.

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Hellboy II: The Golden Army (2008)

I was never a big fan of Hellboy mainly because it was difficult to find. Here in the Bronx, any chances of ever reading it were futile. But I was a big fan of the original “Hellboy” movie as well as the two animated mid-quels that others found generally forgettable. The first film was Guillermo Del Toro playing Mike Mignola’s game, a veritable bevy of oddities and monsters confined to the modest budget of a studio who had very little faith on the power of this concept. “Hellboy II” however is Del Toro’s game, a movie that’s reliant on the imagination of Guillermo Del Toro who brought with him Oscar cred via the masterwork of “Pan’s Labyrinth.”

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Pan’s Labyrinth (El Laberinto Del Fauno) (2006)

In a world filled with boy wizards, and dragons, every time I think the fantasy world is dead, there’s always someone who swoops in to reclaim the throne and show us that indeed the fantasy genre is still alive and well. All it needs is much imagination and no derivation. It’s not a hard concept to grasp, and it’s not a hard task to accomplish. Every time I receive an opposing argument on that declaration, two words will come from my lips: “Pan’s Labyrinth.” This would be the part where I’d compare this to fodder like “Legend,” and “Alice in Wonderland,” but Del Toro’s film is one of its own kind. Much like Del Toro’s previous “The Devil’s Backbone,” “Pan’s Labyrinth” is unlike anything you can imagine watching.

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