After losing her sales job, a woman gets a job part of a crime scene clean-up crew with the help of her BFF. As a serial killer hits the city, the crew has plenty of work and may be at risk themselves.
Tag Archives: Horror
The Haunting of Sharon Tate (2019)
Ladies and Gentlemen, it’s “Foreshadowing: The Movie”! It’s the exploitative account of the last days of Sharon Tate, but with a lot of clunky foreshadowing thrown in to shove down our throats that Sharon Tate will and did die a horrible death. Characters sit around discussing fate, destiny, and alternate realities, Charles Manson shows up in the first ten minutes set to dramatic and very terrifying orchestral music, and Sharon Tate plays a fortune telling game with her friends asking in a child like pout “Will I Live a Long and Happy Life?”
Brightburn (2019)
As a hardcore Superman fan I was very intrigued and a bit excited for “Brightburn.” I think we’ve reached the point in pop culture where, what with the glut of superhero movies being released, we can finally start to deconstruct and or satirize the classic mythology. With “Brightburn” the premise amounts to a spooky, chaotic, violent, but very entertaining horror tale that re-thinks one of the most recognizable superhero origin stories in pop culture history.
Death House (2017)
Touted as “The Expendables” for horror fans, “Death House” is a huge missed opportunity that revels in its painfully derivative and clumsy premise. Ripping off “Alone in the Dark,” “Cabin in the Woods,” and yes, even “Jurassic Park,” Harrison Smith manages to do absolutely nothing with the plethora of horror stars that show up for the film. Most of the people that are promoted in the opening credits only show up for thirty seconds at a time with glorified cameos, while folks like Kane Hodder take a back seat to the bland, forgettable protagonists we’re supposed to be rooting for. By the time the movie ended I couldn’t even tell you what their names were.
Man’s Best Friend (1993) [Blu-Ray]
I remember not enjoying “Man’s Best Friend” too much back in 1993, and in 2019, it hasn’t aged very well at all. Unless you have a fancy for nineties horror with rock bottom expectations, John Lafia’s killer dog movie is a movie that’s confused in both tone and genre, quite often. I had a tough time developing the emotions during this experience, because nothing is ever really clarified for the audience. Is this a dark comedy or a horror film? Should we loathe Max or sympathize with Max? Is he the film’s villain, an anti-hero, or the victim of circumstances like Cujo?
Blood Clots (2018)
I love the idea of indie filmmakers taking their various horror short films and turning them in to anthologies, especially now with the horror anthology hotter than ever with audiences. “Blood Clots” has a lot of great intentions, but in the end it’s just an okay anthology with seven pretty okay horror shorts. I was never blown over by anything I saw here, but I appreciated the effort, and I liked the variety, overall. There are zombies, mutants, monsters, and werewolves, and that’s basically the only overarching theme for audiences.
“Black Summer” Can Be the Next Great Horror Series
It’s tough to believe that The Asylum is behind “Black Summer.” It’s definitely one of the biggest surprises of 2019 as I’ve made it no secret about my disdain toward the company and “Z Nation.” I thought the show was insanely dumb and boring, but I was very much open to “Black Summer.” Keeping my expectations rock bottom (because The Asylum has done horribly with zombie entertainment consistently) I was stunned to very much enjoy “Black Summer.” In fact if it continues its course and settles down a bit in season two, it might end up being one of the great zombie TV series.