Hollow Man/Hollow Man 2/Fortress 2/The Harvest – 4 Movie Collection (DVD)

Any respective movie lovers looking to save money this Christmas with your classic movie packs on DVD or Blu-Ray and are in the mood for science fiction and action films need look no further than Mill Creek Entertainment’s 4 Movie Collection. This 4 movie pack collects four very entertaining science fiction movies for folks who like action, suspense, and violent menaces and this collection has it all. In 2000’s “Hollow Man,” director Paul Verhoeven brings his own unique vision of the Invisible Man to the forefront. Combining state of the art effects and a cast of great actors, “Hollow Man” star Kevin Bacon as Sebastian Cane, a doctor who volunteers to become a guinea pig for a technology that can turn its subjects invisible.

When he and his team accomplish the formula, Sebastian soon becomes power hungry, corrupting his invisibility using it to victimize and control others while his insanity begins to rot away. What starts as an experiment becomes a fight for survival as his crew tries to stop Sebastian who becomes increasingly violent and murderous, and will not stop until he’s whetted his appetite for blood. With some searing tension and solid performances from folks like Elizabeth Shue and Josh Brolin, Verhoeven’s science fiction treatment is surprisingly entertaining if flawed.

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Dan O'Bannon's Guide to Screenplay Structure: Inside Tips from the Writer of ALIEN, TOTAL RECALL and RETURN OF THE LIVING DEAD [Paperback]

“Dan O’Bannon’s Guide to Screenplay Structure” often tends to read more like a memoir of a man who worked with the legendary late great director and writer, and less like an instructional book. Author Dan O’Bannon is able to build a book that’s outside the norm of your typical screenwriting book. Author O’Bannon stresses the importance of writing a book that stands out from the shelves of screenwriting books, and while demonstrating how he sought to break the formula of screenwriting in his days of making movies, he tries to break the formula of screenwriting books in general.

Much of “Dan O’Bannon’s Guide to Screenplay Structure” is based around Dan O’Bannon’s writing experience with screenplays, and co-author Matt Lohr’s experience working with Dan O’Bannon and how he changed his life. In the process, author Dan O’Bannon hopes to change the aspiring screenwriter’s life by assisting them in breaking free from formulas and clichés and attempting to re-mold stories no matter how old hat they may be. O’Bannon took what were traditionally cheesy and clunky premises and with his own sense of style and unique storytelling, reshaped them in to classics and hit films.

Author Dan O’Bannon hopes to instill this upon the reader by exploring all angles of creative writing and what you can hope to learn from him by his anecdotes and thoughts on storytelling in general.

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Ghost Rider: Spirit of Vengeance (2012)

Ghost-Rider_SoVIf this sequel had any balls, they’d take the reins of Johnny Blaze and hand the character over to someone talented like Idris Elba. At least then there’d be an interesting angle to this wretched sequel to a painfully mediocre movie that barely anyone remembers. Nicolas Cage once again proves he has no business being in film, reclaiming the role of Johnny Blaze, the balding mid-fifties biker who was cursed as Ghost Rider after making a deal with the devil. In case you didn’t know that, there’s five minutes of bad exposition along with Cage narration explaining the entire mythology of the Rider and what he does in particular, cue terrible animation. Most of the time during the opening animation, Cage sounds like even he doesn’t take this garbage seriously, and spend most of it making light of what is supposed to be a terrifying and mystifying character in the comic book universe.

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The American Scream (2012)

The common Christian stereotype is that Halloween is almost always celebrated by Pagans and Satanists, as well as people with a demented sense of reality. What the director of “The American Scream” Michael Stephenson accomplishes, is destroying such an antiquated cliche and explores a world of folks who adore Halloween and are just working class individuals looking for an escape from their lives. “The American Scream” has an undercurrent of sadness to it where the happiness and smiles are really seeking to cover the heart ache and desperation behind the subjects who treat Halloween like an event every single year. I’m proud to be one of those people who anticipate the month of October right around the beginning of August, and these folks featured aren’t so different.

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The Day (2012)

The-Day-2012-backgroundFor fans of post apocalyptic cinema who love their fiction with subtext and undertones of society and class warfare, you’d probably want to look elsewhere for your brain food. Goodness knows I loves my apocalyptic fiction, but “The Day” is purely apocalypse porn with an artsy gloss added to it for good measure. Director Doug Aarniokoski tries to conceal the fact that this movie is basically a clumsy and one-dimensional action film by lensing the entire film through a black and white filter that saps the color, and directing almost every shot with a hand held camera. Someone at Anchor Bay or WWE studios loves John Carpenter’s “Assault on Precinct 13” because 2012’s “The Day” is basically an end of the world version of it.

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Apocalypse of the Dead (2009)

I don’t know why indie filmmakers are still under the delusion that referencing horror maestros in some form during your film is clever or cute. Granted, it worked to some effect in “Night of the Creeps,” and in a slight degree in “Final Destination,” but now every indie filmmaker who drudges up a zombie movie feels the need to reference George Romero or Tom Savini in some way. There is actually a character off-screen named Agent Savini. Come on, quit it. I’m surprised there wasn’t a Romero hospital by Fulci street and Nicotero Lane. Hey, that’s going in my screenplay! “Apocalypse of the Dead” basically combines “Assault on Precinct 13” with “Dawn of the Dead” and completely throws the shit in the fan.

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Zombie Town (2007)

Someone, somewhere thought it’d be a good idea. Whether it was the choice of the filmmakers, the producers, or the distributor, someone thought it’d be a good idea to title this zombie flick “Night of the Creeps 2: Zombie Town.” I guess someone thought since this is a zombie film revolving around parasitic slugs that create the walking dead, therefore it should be considered a sequel.

Maybe someone loved the Fred Dekker cult classic and thought this would eventually be considered a sequel if they branded it as such. In any case, “Zombie Town” is about as much of a sequel to “Night of the Creeps” as those awful Taurus Entertainment sequels “Creepshow III” and “Day of the Dead: Contagium” are to their respective classic films.

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