There really isn’t much of anything directors can do with the vampire sub-genre anymore and that’s been a given for horror geeks for a long time. I’m repellent to any and all vampire fang films that come to the forefront and I’ve made it a rule to carefully dissect most fang films after constant turkeys passed my way. Thankfully “Let the Right One In” isn’t your average vampire movie. And while it’s trite to make such a declaration the truth remains: “Let the Right One In” is a different vampire film and one I loved with every aching horror geek bone inside me.
Tag Archives: Horror
Zombie Girl: The Movie
As a kid I remember wanting to make movies; I found out how utterly horrible it was to get a film off the ground let alone make a movie, and “Zombie Girl” is that movie about the ultimate movie geek making a zombie movie. The zombies in this movie don’t run. It’s gory. It’s indie. And the director is twelve! “Zombie Girl” profiles not just Emily Hagins, the preteen filmmaker looking to create her own zombie movie, but it explores the budding interest of filmmaking with the convenience of the film technology in the tech era and what access its created for people like Hagins.
Hackoween #1
Okay, so see if this makes sense to you: Cassie and Vlad, having been called in to the future by a mysterious being, find that Halloween Man is fighting a horde of the walking dead who I can assume were once superheroes. Cassie, finding no other recourse in defeating Halloween Man based on the info from a mysterious being they have no knowledge of, Cassie cores the zombie from the robotic armor that so happens to fit her, squeezes in to it and so happens to be able to operate the robotic machinery to take on Halloween Man.
Dance of the Dead (2008)
Take the attempted humor and characterization of “Shaun of the Dead,” the central plot behind the second half of “Night of the Creeps” and team it with “Return of the Living Dead” and you have yourself a sick and rather amusing little hybrid known as “Dance of the Dead” yet another zombie movie that branches off from Simon Pegg and Edgar Wright’s universe and tries for the same comedic momentum with a modicum of teen angst that doesn’t always work, but is nonetheless a fun indie romp. Let’s face it, the zombie genre is all but a skeleton of itself but that doesn’t mean director Gregg Bishop doesn’t give it the old school try by making his version of the Pegg-Wright romzomcom.
Shutter (2008)
Here’s what I learned from watching the remake of “Shutter”:
1. Even purely Asian women look Caucasian only because they should.
2. There are such things as spirit photography magazines.
3. There are experts in spirit photography.
4. Ghosts love a good game of piggyback!
5. And Maya Hazen is a stone cold fox.
Re-Writing Halloween: Interview with Comics scribe Stefan Hutchinson
Stefan Hutchinson’s been a great friend to Cinema Crazed since we began reviewing his comic books and our raves about his takes on “Halloween” and the mythos of Michael Myers have not been sycophantic. If you’ve ever read a comic from this man, you’ll know he’s one who understands the world John Carpenter unfolded for horror audiences, and why it’s remained so prevalent in the film community in spite of bad sequels and remakes. With that said, we hear from Hutchinson and his approach to the comics.
So what inspired you to write Tarantula Man?
Tarantula Man came about as a result of a long discussion between myself and the team who write the website material. We were having a conference about potential new content for the site, and Greg Mitchell (one of the site writers) suggested possibly doing Tommy Doyle’s comic books. My thoughts went into overdrive at that point and I came up with the rather wrong idea of a pedophile arachnid. I was thinking about things that would scare a child, and I instantly thought of how myself, as a child, I was constantly warned to avoid strangers. In my mind when I was young, strangers were shadowy figures that hung around by the school gates and in the garden at night. That was the sort of thing I was trying to tap into there.
Feast II: Sloppy Seconds (2008)
As a product coming out of the gates of the Weinstein throes where they took a painfully mediocre television series and turned it in to a form of producing an honest to goodness horror film, “Feast” kicked my ass from here to Thailand as a truly great horror comedy with some bone breaking action, creepy horror, and genuine comedy that induced laughter whenever it damn well pleased. “Feast II” takes the same turns as the original did but this time with Gulager able to take his own twist and storytelling abilities and include his own usual suspects i.e. his wife and father who prominently featured in the first half of the sequel known as “Sloppy Seconds.”