The director of the great short fantasy thriller “The Empty Acre” takes a more routine approach, but one that’s mired in the devices of karma tales like “The Twilight Zone” and “Creepshow.” In fact, with a larger format, and further extrapolation, I could definitely see “Now That You’re Dead” as a part of a great “Creepshow” sequel. Because when all was said and done, this reminded me of that short segment from “Creepshow 3” with the murderous hooker and her vampire client… except this isn’t a piece of steaming crap on a hot tar road.
Tag Archives: Horror
Quench (2007)
Tonally, “Quench” tends to be scattered and while normally that’d be cause to give this a negative marking Zack Parker’s film balances the mixture of genres, and direction so well that I really enjoyed that the film jumps from mood to mood with pure ease. “Quench” could be described as a horror movie in a way, but it’s very unlike a horror movie when it wants to be. Parker takes the underground sexually unlimited world of “Eyes Wide Shut” and mixes it with a bit of “Martin” along with a coming of age drama and really never stops there.
Never Cry Werewolf (2008)
Riddle me this, fair reader: Have you ever seen the wonderful “Rear Window”? Did you ever see the cult classic “Fright Night”? Did you ever get to see the horribly overrated “Disturbia”? If the answer to one or more of those questions is yes, then guess what? You’ve already seen “Never Cry Werewolf”! The problem with director Brenton Spencer’s production is that it attempts to be a new spin on “The Boy Who Cried Wolf” and “Little Red Riding Hood” while also appealing to the teen crowd by appearing to be a mature harder edged R.L. Stine story with a twist of “Silver Bullet.” But in reality, it’s just another regurgitation of the classic Hitchcock tale in which an inept home owner discovers their neighbor may be up to devious misdeeds that may potentially threaten their livelihoods.
The Happening (2008)
It’s always been said that an animal always knows when it’s about to die. And sometimes even humans can. So… are these apocalypse movies merely our perpetual fear of impending doom brought on by forces of nature? Or do we know something that we’re not yet willing to admit? Frankly, it’s nearly impossible for me to not enjoy a movie about the end of humanity (or civilization for that matter), so “The Happening” was an instant win. Pair that with the great cast, the brilliant story, and the taut ecological commentary brushed under the senseless sudden self-extermination of man kind and you have what I consider one of the finest movies of 2008.
Gutterballs (2008)
Like every bit of film and music today, Ryan Nicholson’s “Gutterballs” is steeped heavily in the eighties with his slasher setting down in the decade while even the score and soundtrack take from it with shameless glee. And while normally that may be enough reason for me to dislike it, I found that his nostalgic placement made sense in the long run and only added to the camp. Nicholson’s slasher wants to be from the time where slashers were common cinematic fare, but sadly it’s just more of a wish than a reality.
Two Thousand Maniacs! (1964)
When “Two Thousand Maniacs!” arrived into the cult kingdom of the horror geek, Herschell Gordon Lewis’s horror comedy was an all out assault to Southern xenophobia and fanaticism, as well as a look at the vengeful spirit the South possessed if society continued to evolve from an Aryan aristocracy, to a melting pot of multi-racial ethics and politics. I mean, I’m sure there’s a vengeful spirit for almost anything, including pure evil, and Lewis’s horror comedy is a stripped down, low budget over the top horror film about the vicious unforgiving ghosts of the South who wreak havoc on outsiders that have evolved in the new world, punishing them for their decadence, sexuality, and freedom.
Cannibal Ferox (1981)
Watching Ruggero Deodato’s “Cannibal Holocaust” was an experience that I still remember with fondness. I sat with the DVD in hand at my television with a pit in my stomach and prepared to finally view what is considered one of the most controversial and taboo films ever made. And I wasn’t disappointed. Watching “Cannibal Ferox” was a different experience altogether. Maybe it was because the movie is not as good as the aforementioned horror film, or maybe it’s because Umberto Lenzi approaches this horror flick from a sexploitation angle with sensual women ravaged by cannibals instead of the mock documentary style as Deodato’s film.