Tag Archives: Indie Film

Giantess Battle Attack! (2022)

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Now Streaming on TubiTV

After “Attack of the 50ft Cam-Girl,” I assume Full Moon and director Jim Wynorski just thought “Aw, Fuck it” and went ahead with a trilogy of films. What started as yet another iteration of “Attack of the 50ft Woman” transformed into what are now a trilogy of cheaply made, tongue in cheek schlockfests where the main attraction is the giant, busty women knocking heads with one another. They wear tight, short clothing, and tower over the male characters, and there’s a ton of innuendo and double entendres thrown at the audience.

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A Most Atrocious Thing (2023) [Make Believe Film Festival 2024]

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Directors Christian Hurley, and Ben Oliphint’s horror comedy is a movie that I bet they had a ton of fun filming. They emphasize this idea with the credits including bonus blooper reel. Sadly, none of the fun translated in to actual entertainment for me, even when I tried to see it at its level. But the movie is eighty two minutes in length (not counting the closing credits), and the mayhem doesn’t actually begin until a half hour in to the movie.

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Lost in the Sky (2023) [Cinequest 2024]

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Director Simon Öster and his team really do deliver an accomplishment of cinema, it’s a short film about the power of companionship and the classic tale of a species ending war that might not have resulted in the best outcome when all is said and done. “Lost in the Sky” revolves around a scavenger robot who has spent what we can only assume is an enormous amount of time in the aimlessness of space looking for humanity of any kind.

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Make the Call (2023) [Cinequest 2024]

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Chelsea Gonzalez’s short horror film really manages to be an outstanding piece of filmmaking from top to bottom. It’s a horror movie that’s teeming with social commentary about spousal abuse, domestic dysfunction, and our ability to sacrifice our own health to protect our own façade of domestic bliss. I loved every moment of “Make the Call” as writer Sal Neslusan knows how to perfectly explore this unusual situation within its small window of time and perfectly illustrate how these domestic situations can rip apart friendships and lives.

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Bounce House (2023) [Cinequest 2024]

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Callie + Chris’s short apocalyptic film watches like if Wim Wenders decided one day to direct his own post-apocalyptic flick. And I mean that as a compliment because while “Bounce House” isn’t too concerned with action, it does deliver to us the idea of what monotony would look like at the end of the world. Once it’s all gone down and you’re alive: then what? Do you keep living or find something else. “Bounce House” is more about the absurdity of the end of the world and basically waiting around for some kind of new development that may or may not ever come.

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Ǝvolution (2023) [CineQuest 2024]

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At only a minute in length, Romina Schwedler’s short experimental film is more of a montage of events and significant occurrences that side steps any kind of story. Centered mostly on an eye witnessing these events, Schwedler bases the entire screenplay on this singular shot, which is what carries the movie to its finish line.

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Geographies of Public Sex [LA&M Film Fetish Forum]

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Playing at the LA&M Film Fetish Forum Saturday, March 16th at 7pm EST; It Will Be Co-Presented by Henry Hanson of Full Spectrum Features.

“Geographies of Public Sex” is a series of eight short films curated by Henry Hanson, most of which revolve around the Gay experience and accounts of the gay lifestyle. It’s a mixed bag, admittedly, but an interesting gallery of shorts, nevertheless. 2021’s “Trade Center” from Adam Baran is the best of the bunch; it’s a fascinating documentary about cruising in the seventies and eighties, and the amount of sites in New York City where men could have sex with one another any time of the day.

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