Gunslingers (2024)

Director Jacob Thompson’s “Gunslingers” is a great modern ode to the classic movie western that explores the universal idea of the gunslinger. Although it might be a badge of honor to be considered the best gunslinger in the west, there will always be someone coming around challenging you. And that is a curse to bear that will end with someone buried underground.

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Bad Movie Monday: THE MCPHERSON TAPE (1989)

Most found footage films are pretty review-proof. Seriously, how could anyone dare criticize a movie like The McPherson Tape? It is the perfect example of a no-budget film made by people working with what they had and trying to make something interesting. Criticism in cases like this feels like a venial sin, worthy of the pillory. So obviously I am totally going to review it, but by now I like to consider myself an expert at this sort of thing. Don’t try this at home kids.
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BOB (2022)

Inspired by a true story, Drew Bierut’s romance comedy is one of the most charming tales of fate and random scenarios I’ve seen in a long time. Although the movie posits itself as this bizarre concept, it amounts to a surprisingly funny, engaging and warm romance comedy that explores how sometimes we can end up meeting our perfect person in the most unlikely places. Everything about “Bob” is so well conducted from the direction, top notch performances, and ace comic timing, I just loved it.

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Ada (2019)

Now Available for Rent or Purchase.

Released in time for International Women’s Month, Steven Kammerer’s “Ada” is a wonderful and beautifully acted tale of one of the world’s unsung heroes. Kammerer uses his short format to tell the tale of Ada Lovelace, a well beyond her time genius who envisioned the plans for the first ever computer program in the 1840’s. Her notes were later discovered by Alan Turing used as inspiration for the very first computer.

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Festival of the Living Dead (2024)

Now Streaming Exclusively on Tubi.

The Soska Sisters hit absolute rock bottom with what is possibly one of the dumbest zombie movies released in the last few years. It’s dumb, and when you think it can’t, it finds new ways to get dumber and dumber. The Soska sisters are usually a very talented pair of directors, but with “Festival of the Living Dead,” everything wreaks of pure amateurism, but exploiting “Night of the Living Dead” for fan appeal, to the painfully stupid script, and just downright terrible acting. To make things worse, the premise and concept takes such leaps and bounds to connect to the universe of “Night of the Living Dead.”

And it’s only “Night of the Living Dead” since that’s the only movie in the series in the public domain.

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Ghosted (2023)

The main reason to watch “Ghosted” is for Keith Black who is about as funny and uncomfortable as can be for a movie about a man making a desperate plea for a girl after a seemingly good date. Director and star Black creates a small budget but funny and relatable short that finds Keith’s character sitting in a car one day checking in on a date he’d had the previous night. Not willing to really take the hint, he leaves her message after message, all of which are composed of awkward responses, and verbal fumbles that I found entertaining.

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Exposure (2023)


At the moment I’m not too sure if Kris Cummins’s “Exposure” is an ARG, the start of a series, or a proof of concept, but what it is is one hell of a scary horror film. A lot of the best horror is rooted in reality and “Exposure” is one of the most realistic modern horror tales ever conceived. The idea that someone is using a digital baby monitor to terrorize or torment kids is something that happens far too often and director Cummins takes full advantage of that.

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