Man is “The Shutterbug Man” amazing. The only complaint I can lobby toward it is that it feels more like a prologue to a feature length horror film than an actual short, but i hope director Christopher Walsh turns this idea in to a horror movie somewhere down the line. Told in brilliant and haunting Stop Motion. the legendary Barbara Steele narrates the tale of “The Shutterbug Man.” With simplistic albeit immensely effective and haunting stop motion, Christopher Walsh tells us the tale of the Shutterbug Man, a local who spent his time taking pictures. He could only really take pictures of horrific sights and suffering as it granted him a sick pleasure.
Tag Archives: Indie Film
Dead Sharks (2015)
Nic Barker’s short film is an idea that could have easily translated in to a compelling romance drama. Barker practices the idea of mumblecore and it works beautifully to convey a foursome of relationships that have either reach their expiration date, or are about to very soon. “Dead Sharks” is more of an ensemble drama based around the Woody Allen quote about how relationships have to move forward like sharks or they die. These relationships are attempting to move forward, but it doesn’t take a genius to see they’re dead.
Occupants (2015)
For anyone like me who take interest in the concept of parallel worlds, director Russell Emanuel embraces the found footage sub-genre while also dodging the gimmicky trappings in favor of a much more intelligent genre title involving the scientific idea. “Occupants” explores the theory of parallel realities, and how it’s theorized our lives can align with alternate versions of ourselves. Much like “Paranormal Activity,” Emanuel sets his film primarily in one setting, but the similarities end there. Emanuel has his finger on the pulse of science fiction, exploring a realm where every movement is intricate and our characters begin to dabble in the God Complex resulting in some absolutely horrendous consequences.
Avenged (2015)
I wish “The Crow” sequels took as much of an advantage with a creative premise as director Michael S. Ojeda does with “Avenged.” While his film isn’t exactly a revenge masterpiece, it’s a strong contender for one of the finer revenge films of the past five years, working as a tragic love story, and a vicious horror themed tale of vengeance. Amanda Adrienne Smith is rather compelling as the victimized Zoe, a deaf mute who ends up at the wrong place at the wrong time.
The Runaround Club (2015)
Matt Rindini’s short drama suffers mainly because of its short format. And I mean that as a compliment because I really like the concept for “The Runaround Club,” but feel it’s a good short film that could transform in to a great dramatic thriller. It could work as a film about a crisis of conscience with two criminals, both of whom see a family committed to a more dead end life than their own. It could almost be like “The Desperate Hours” meets “The Ref” sans the comedy.
B.C. Butcher (2016)
Director Kim Bowling’s “B.C. Butcher” wears its self awareness and cheap budget on its sleeve, and doesn’t seem to care that it’s a bare minimum production. For folks that appreciate the kind of low budget schlock director Bowling practices, “B.C. Butcher” might serve as a fun diversion with a mercifully short run time. There aren’t many slasher revenge films set in the prehistoric era, and “B.C. Butcher” drives that concept home with some fun gore, slick kills, and a fun villain who also happens to be a caveman.
Emilie Black’s Best and Worst of 2015
Each year I tell myself I’ll make an end of year list of the Best and Worst movies I’ve seen during that year, but usually fail to make said list. This year, I’ve actually done it. Ok, I did it about a week late, but it still counts. In 2015, I saw a little over 200 movies, not all 2015 releases, but still a “respectable” number considering I was mostly out of the reviewing business until July when the bug caught me again. This means I’ve missed a ton of movies and am doing this list out of what I’ve seen. 2015 was as solid year for me with a lot of good to great films and very few bad ones which means this will not be a Top 10 Best and Bottom 10 Worst, but more of a collection of titles to check out or avoid.







