I admit I’ve always enjoyed Dave Campfield’s horror series “Caesar and Otto” despite the duo delivering hit or miss adventures. Every film since their introduction has been one self contained ode to some facet of horror, and Campfield has a surefire love for the genre of horror and comedy that he tries to bring to the forefront with his characters of Caesar and Otto. With “Paranormal Halloween” I think Campfield is at his best, because with the misadventures of Caesar and Otto comes bit of scorn that emanates through every moment of the film. Campfield is always self aware but in “Paranormal Halloween,” Campfield seems to have reached the point where he’s delivering his own idea of great horror, and is trying to figure out how to hit the right note and deliver something for a wider audience.
Tag Archives: Indie Film
“Tales of Halloween” at the Digital Gym San Diego
San Diego horror fans gather and listen.
We have a fantastic small independent movie theater called the Digital Gym Cinema on El Cajon Blvd in North Park. It’s small (46 seats), cozy, and it hosts some of the best horror films and events in the county.
A few weeks ago, I was lucky enough to attend their screening of Tales of Halloween presented by Horrible Imaginings and the Film Geeks.
Bloodsucking Bastards (2015) [Blu-Ray]
Brian James O’Connell’s “Bloodsucking Bastards” is that type of comedy where characters speak in rapid fire pace and never actually say anything. Every character in “Bloodsucking Bastards” yammers on endlessly, and it’s all just palaver and white noise, eventually. Every attempt at a hilarious one-liners or goofy situations fails to land, making the entire affair one big misfire. This alleged horror comedy is neither comical nor very scary. Granted, there are some eerie moments, but nothing really ramps up the tension or the stakes. Fran Kanz plays Evan Sanders, a workaday cubicle jockey for a closed off telemarketing office building that sells various products.
Though aiming for the big promotion, he’s passed over in favor of an old college rival named Max, who takes over operations and begins focusing on streamlining the company. Things spiral out of control when Evan’s co-workers begin disappearing and then re-appearing as loyal office drones rather than the usual apathetic minimum wage workers they once were. Before long Evan realizes the whole office is being taken over by vampires, and, for whatever reason the master vampire has their eye on Evan’s girlfriend Amanda. Now hoping to survive, Evan teams up with his remaining co-workers to save his girlfriend before she’s eaten. O’Connell’s film actually makes vampires seem even less menacing than they ever were.
The script places them in an office setting for some crude allegory about a company takeover that ends up being interesting only until the finale. You can sense the sheer desperation to elicit some form of laughter from the group behind the film, as characters drop one-liners and bounce insults off of one another like it’s going out of style. All the while O’Connell introduces the elements of the vampires that results in some nice gory moments of carnage, but feel grossly tacked on. Plus, it’s really tough to involve yourself with the unfolding terror when not a single character is likable or charming. I almost didn’t care if anyone survived, and just wanted to see more of the solid vampire effects.
The vampire facial prosthetics are quite good, along with an accompaniment by some pretty nifty splatter effects. O’Connell anxiously aspires to deliver his own “Shaun of the Dead” (even the theme song sounds like a variation on the theme from “Shaun”) combined with “Office Space,” trying to add dimension and nuance to his central hero, but it’s unsuccessful. Instead the film feels a lot more like one long stale viral comedy segment. Only co-star Emma Fitzpatrick comes out of the affair smelling like roses, as her depiction of the hot but courageous jilted ex of Evan is fun to watch. “Blood Sucking Bastards” is brutally mediocre and instantly forgettable filler with admirable aspirations that never take off.
Featured on the Blu-Ray from Shout!, there’s a four minute outtake reel, a four minute on the set segment for the film with some B roll footage and clips, and a six minute reel of deleted scenes labeled as “Easter Eggs” for some reason. Finally, there’s the original trailer, and an audio commentary from the comedy troupe Dr. God, which compiles the film’s director, writer, and most of the cast. They have a good time with the commentary and had an apparent great time making the movie. It’s too bad the fun and raucous energy never carries over in to the final product.
Gravy (2015) [Blu-Ray]
I really wanted to love “Gravy.” In fact during some rare moments it manages to win me over, especially with the way it uses its array of character actors to great effect. “Gravy” sadly falls under the weight of its own self satisfaction, eliciting a ton of flat improv, lame ad libbing, unresolved sub-plots, and a climax that goes nowhere very fast. We follow our heroine for ninety minutes all for absolutely zero pay off. Did Roday and co. run out of money or did they run out of ideas?
5 Ways “Horrible Horror” Helped Mold Me In To a Horror Fan
My family and I didn’t get cable until Halloween of 1994, so I spent a lot of those early years catching horror movies the old fashioned way. This was before streaming, the internet, and cable, so often times my horror education came from whatever edited horror movies were playing on network TV, what ever horror movie my mom allowed us to see in theaters, and of course, my mom’s VHS horror collection.
“Horrible Horror” was purchased by her in the late eighties, as back then a lot of stores sold VHS movies. I fondly remember visiting my local cashier and looking at the gallery of boxes they had on display in their windows to alert customers that they were selling VHS movies. And as with every trip that involved stumbling upon a store selling VHS, my mom always zipped to the horror section or would scramble to find a horror movie she loved or hadn’t owned. “Horrible Horror” was one of the many gems she’d picked out for herself out of sheer curiosity. And it eventually earned its place in my household as a favorite of mine, and my brother’s.
Tickle (2014)
Corey Norman’s “Tickle” watches a lot like an episode of “Tales from the Darkside.” It seeps with eighties aesthetic, unfolds like a classic campfire tale, and has a great novelty about it that will go over well with horror fans. It’s also a hell of a good Halloween yarn that I expect will really click with fans of the holiday.
Waterborne (2014)
This is how the world ends. Not with a bang, but a zombie kangaroo. Ryan Coonan’s short horror film is the prologue of a bonafide zombie apocalypse (and feature film currently in development), all thanks to a contaminated water hole in the outback. Set in Australia, a local park ranger proceeds to take samples from a water hole, despite the resistance of a local who insists that he’s creating an unnecessary hysteria with his testing.






