Jason Eisener’s “Hobo with a Shotgun” was such a long time coming it’s ridiculous. With a movie that’s dared to defy all expectations, it’s very much a twisted balance between Troma and pure unadulterated Grindhouse madness that has the potential to reach mainstream audiences with a wider theatrical release. With “Grindhouse” flopping, and “Machete” floundering at the box office, “Hobo with a Shotgun” is a breath of fresh air, a movie so utterly filled with mind-blowing grindhouse tropes and a genuinely interesting story that you can almost feel the piss stained theater floor under your feet, while watching what essentially adds up to being a tongue in cheek and darkly disturbing take on the class warfare in America. This is Jason Eisener’s America, a world where the battle of rich and poor amounts to trips in to Scumtown USA where we lay our scene.
Tag Archives: Indie Film
Ninja Cheerleaders (2008)
You know what? “Ninja Cheerleaders” is trash but it’s trash you can admire. It’s a mixture of “3 Ninjas” with some “Bikini Carwash” for good measure, a veritable knock off of TMNT where director David Presley replaces teenage ninja turtles for teenage ninja cheerleaders. Starring three gorgeous and often cute young women, “Ninja Cheerleaders” tries for nothing more than pushing the limit upon with our actresses are willing to go. So while there is innuendo, there’s never any sex, and the women here are never sure if they want to be feminist icons or trashy slutty molds for what the movie begs. The plot is nothing you haven’t seen a thousand times before.
The PC Thug: Grinding Better Than the Pros
For a long time I’ve boasted that if you want to see what’s happening in the neo-grindhouse movement, the best thing you can do is go look for the independent filmmakers and see what they’re up to. Because whether it’s “The Hood Has Eyez,” or “Foxxy Madonna vs. The Black Death,” the odds are it’s better than the entirety of “Grindhouse.” Don’t get me wrong I enjoyed “Grindhouse,” I did. I thought it had a lot of creativity to it but felt more like a throwback than an attempt to mimic the actual grindhouse motif. Because even the most ardent grindhouse fans will tell you that the best grindhouse films have a lot going for them: One is that they’re usually comprised of zero budgets, and two, they’re often tedious. “Thriller: A Cruel Picture” is one of my favorite cult films of all time, but mid-way it lags with gratuitous sex scenes with Christina Lindberg, and her ultimate plot for revenge.
Obsolescence (2011)
I really wish I could have enjoyed Jacob Bilinski’s short film about reality shifting and perceptions of romance in the end, but with the run time and premise often foggy both in its intent and ability to deliver its hook, “Obsolescence” often feels instead like a practice in monologue reading than it does an actual short film. From minute one I found myself fairly unimpressed by the line reading that occurs as “Obsolescence” is much more focused on the hook that leads in to the final confrontations than it does actually telling its story about a romance that may or may not have been pre-orchestrated to fit a goal for its characters to focus on.
Talking with Lloyd Kaufman: Tromadance, Toxie, and Tits
His name is Lloyd Kaufman. For fans of cult cinema and indie filmmaking, the name rings like a doorbell to some of the unusual most twisted films ever conceived by the human mind. To us, the man has been a proponent of what we advocate here on Cinema Crazed: Independent Filmmaking to the very core. Sick and tired of the bloated and corrupt submission guidelines and festival scene that is the Sundance Film Festival, every year for twelve years, Lloyd Kaufman and Tromaniacs throw the the TromaDance film festival.
There’s no entry fee. There’s no ticket price. The only catch is to bring your best film and be ready for some fun. This year we were honored to grab an opportunity to interview Mr. Lloyd Kaufman during his press junket for Tromadance storms New Jersey, and we’re honored to speak to the man who has pushed the very ideals of independent filmmaking for decades and, unlike other filmmakers of his ilk, has actually stuck to his guns even his age where he’s become a bona fide icon among the masses of cult fans, indie filmmaking fans, and horror buffs across the world.
Lensing with Love: Interview with Documentarians Stephanie Silber & Victor Zimet, Part Two
How has the reaction been toward your documentary “Random Lunacy”?
Stephanie: That’s a good question, and one we’re constantly asked. People tend to be polarized by the extreme life that Poppa lived with his family; they seem either to get it or not. There is often a very angry reaction from people, while others are completely enamored, blown away by the notion of such absolute freedom, which of course comes with its own price.
I do think there is a middle ground – we cannot all live completely outside of the conventions of society as the Neutrinos so successfully did, but we can adapt some of the philosophies to our own lives, and be the better persons for it.
Lensing with Love: Interview with Documentarians Stephanie Silber & Victor Zimet
I was introduced to directors Victor Zimet and Stephanie Silber in 2007 when I reviewed their film “Songs and Stories.” Though I didn’t give it such a glowing review, the professionals I now consider close friends didn’t waver in their persistence on winning me over in their talents and unique subjects for focusing their documentaries on and sent me “Random Lunacy” in 2007. Suffice it to say after watching that film I was won over by the filmmaking duo whose entire filmography has been strictly documentaries.
And after chronicling the legendary Poppa Neutrino and his life as a family man journeying across the world with his band of sons, daughters, and enduring wife, I had to keep seeing what the pair would put out there, and I had to pick their brains. The devoted and fiercely loyal married couple are known Victor Zimet and Stephanie Silber, a twosome of talented and humble filmmakers who love what they do, and they do it with a devotion that is admirable and true to the indie spirit. Also, it helps they’re both loyal classic rock buffs like I am. The two took the time out of their busy schedule to let us pick their brain and here’s what resulted out of random lunacy, the roads less traveled that they traveled for a reason, and some genuine good humor.