Writer/Director Tamara Scherbak’s (with co-writer Christina Saliba) short indie thriller “White Noise” is a weird, and twisted film, and one that reminded me a lot of “Black Mirror” in the end. It’s a movie about madness and over stimulation that ends up driving a young woman to the brink of insanity. One of the things that I quite enjoyed about “White Noise” is that it plays on such an unusual element in anxiety.
Tag Archives: Indie Film
Fallen: The Search of a Broken Angel (2023)
I have to say I liked a lot of what director Alex Kruz brings to the table in terms of a film that’s very much about fate, and purpose, and existence. While “Fallen” can be tough to follow in its first few minutes, Kruz does manage to really catch the audience up. “Fallen” wears its influences on its sleeve, relying a lot on spirituality to punctuate what is in its core a tale about love and finding love.
Vultures (2023)
Writer and Director Jacob Thompson’s “Vultures” is a short teeming with feature film potential. There isn’t a ton of exposition or extrapolation on the world he’s unfolding, but considering the limited budget, I think we get the point pretty well. Thankfully with a lot of good editing and direction we catch on almost immediately and garner a glimpse in to a pretty terrifying world.
Astonishing Tales of Terror: Rocktapussy! (2022)
I appreciate what Andrew Cymek, who writes and directs “Rocktopussy!”, tries to with his feature film, utilizing as many resources as he can to deliver something that unabashedly melds Heavy Metal, Barbarella, and HP Lovecraft. I’m not sure what he has planned for future films or if there’s going to be more movies under the banner of “Astonishing Tales of Terror,” but “Rocktopiussy!” is off to a good start with a movie that while it doesn’t deliver completely on promises made in the trailer, is at least a fun time with some midnight movie potential.
Door Mouse (2023)
I’m pretty surprised that Avan Jogia had it in him to direct one of the better indie films I’ve seen all year. Shockingly, “Door Mouse” is not based on any particular comic book or graphic novel, but its influences are taken from obvious places like Frank Miller, Sam Spade, Scott Pilgrim, Tank Girl and the like. Jogia is mostly known for being a former Nickelodeon actor in America who then transitioned well in to adult films, but he’s also proven with “Door Mouse” to be a pretty awesome director when all is said and done. “Door Mouse” is a pulpy, neo-noirish, crime thriller with some great references to comic books and a very clever use of animation as a means of helping to add to the overall pulp fiction aesthetic that Jogia seems to be aiming for.
Tales from the Apocalypse (2023)
I’m shocked at how great “Tales from the Apocalypse” was, and I say that as someone that loves a good apocalyptic yarn here and there. While I wouldn’t be quick to compare it to “Trick r Treat” as the premise has explained, it manages to stand on its own two feet as great anthology filled with five great science fiction shorts obvious influenced by the likes of Ray Bradbury, Rod Serling, and Richard Matheson. I’m also glad a lot of the shorts picked for this film aren’t the usual tired tropes, but aim for something so much more meaningful and thought provoking.
T.H.O.T? (2022)
For men dating can be about the finality of it, while with women it can be about the prospects and aspirations of relationships. “T.H.O.T?” isn’t a completely blanket commentary on the sexes as both genders are capable of garnering those mind sets, but director Jayson Johnson ventures in to the ideas of dating, sex, and how every single confrontation can dictate one’s future. Johnson conceives a pretty fascinating relationship drama, first delving in to how main character Kev dictates the way his night might go with prospect Stacy.