Willy Wonka & the Chocolate Factory (1971)

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I understand why Roald Dahl hates “Willy Wonka.” Surely, it’s nothing like his original novel, and I get why fans would hate that it strays so immensely from the source material (i.e. World War Z) but that doesn’t mean “Willy Wonka” isn’t a good movie. In fact, it’s pretty damn excellent, and manages to evoke a sense of whimsy and menace that’s invigorating and refreshing for a kid’s film. Everything Tim Burton tried so hard to do, director Mel Stuart and Gene Wilder pull off without even trying very hard. With a single gleam of his eye, Wilder pulls off more hints at a devious personality than all Johnny Depp’s white make up, and bad wigs combined.

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Bunks (2013)

bunksMix “Meatballs” with “Return of the Living Dead” and you have “Bunks,” a horror comedy that should not be so entertaining. For a movie that’s rated PG and is primarily for kids, “Bunks” is shockingly exciting and often creepy, but that’s how far the zombie sub-genre has embedded itself in to pop culture. We now have PG horror comedies with brain eating zombies. What’s even more surprising is that director Tibor Takács is able to get away with a lot here, including some mild violence and a lot suggested intense violence.

After Dylan and Dane manage to fool their rivals Sanjay and Delory in to attending boot camp, the pair of brothers takes their identities and play counselors for the summer at Camp Bushwhacked. While exploring an old cabin, the brothers and fellow campers find a mysterious book filled with scary stories. Little do they know that “Bushwhacked” is cursed and has instilled a no scary stories policy. Unaware, they tell the legend of a group of campers that fall victim to a scientist testing his zombie serum, trapping Anson Minor in the lab forever. Telling the story unleashes Anson once again to roam the woods feeding on the brains of local campers. As the zombie plague begins once again, Dylan and Dane have to figure out how to end his reign of terror.

When a rival camper discovers Anson in his lab, he breaks the collar that can control his urges, thus unleashing a zombie apocalypse. “Bunks” is a surprisingly creepy and tense movie that relies on slapstick comedy and interesting twists on the zombie formula to entertain the audience. Not only does the impending zombie apocalypse release a furor of chaos, but the campers have to work together to figure out a serum to end the zombie plague, and tame Anson. Tibor Takács pulls off balancing kid friendly comedy with zombie horror well, implementing some really atmospheric zombie attacks, along with a lot of laugh out loud fodder.

From the motorized ball machine attack, to the camp counselor that refuses to admit her boyfriend Crawl is a zombie due to his status as head counselor, “Bunks” uses the camp setting to its advantage and never slows down. The performances all around are top notch, including Aidan Shipley who is hilarious as the slacker Dane. Tom Keenan is also great as Anson, the “Bub” of the film who is good natured enough, but deadly when his collar malfunctions. Tibor Takács’s “Bunks” works well and gels together as a fine amalgam of sub-genres and classic summer camp fun for the PG crowds. For potential horror buffs, “Bunks” is a worthwhile introduction to zombie cinema.

How to Build a Better Boy (2014)

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Disney seems to be having a good time mining the eighties lately with their original movies. First we had “Zapped!” which took the title from the raunchy eighties comedy along with a variation of the plot from “Love Potion No. 9,” while “How to…” is really just “Weird Science 3.0.” Except this time its PG rated, and much more based around feminism than misogyny. And rather than building on the entire “Frankenstein” idea, the writers set their sights on the US government surveillance and their plans to build a top secret robot that can infiltrate any setting.

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The PC Thug: The End of Saturday Morning Cartoons

Back in 1988, I fondly remember waking up very early on a Saturday to watch cartoons, and would officially pack up and prepare for the day the minute twelve in the afternoon reared it head ushering local sports.

2014 marked the end of many traditions that pop culture fans hold near and dear to their heart. One of the most surprising announcements was the official heralding of death of the tradition we all knew and love: Saturday Morning cartoons. In September 2014, the CW Network’s parent company Warner Bros. officially ended their run of morning long schedules of animated series, and reverted to cheaper educational programming in a time slot that barely filled three hours.  These days if you turn on the CW on a Saturday morning, you’ll likely find a ton of infomercials sandwiched between some vaguely family based animal shows.

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Hercules (1997)

Watching “Hercules,” feels almost like what Disney would have done to Superman if DC ever let them turn the character in to an animated feature film. It has all the hallmarks of the Superman mythos. Not to mention it embraces the classic hero’s journey, and is one of the few Disney features based around mythology rather than an age old story. Disney could very well have approached the tale of a young God in training with an animation style that could have rendered the film bland and forgettable. Instead, “Hercules” is one of their more unique and outside the box animated adaptations.

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The Last Starfighter (1984)

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My love for “The Last Starfighter” was cultivated through late night cable television in the early nineties, where I was oblivious to its existence for many years. Yes, it’s a major rip off of “Star Wars: A New Hope,” but that’s what’s so entertaining about it. It embraces its derivative functions, and runs with it to deliver a fun kids space opera that’s simple, but exciting. Director Nick Castle’s “The Last Starfighter” has rapidly become one of my favorite action films of all time as it twists the silliness in to a riveting and rousing fight between an underdog and a galactic force of evil.

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Tarzan (1999)

tarzanEdgar Rice Burroughs’ titular Tarzan has gone through a ton of botched adaptations over the last few decades. Speaking as a fan of the character and story arc, Disney’s “Tarzan” is probably my favorite adaptation of all time. Surely, it suffers from Disney tropes that make it very much a Disney movie, but damn it, it’s also a heart felt tale about a hero fighting for his unofficial family teeming with excellent performances and a haunting soundtrack. Plus, it garners the classic Disney themes of lost parents and a child being forced to grow up very quickly.

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