One of two sequels (both direct sequels) to Fist of Fury, New Fist of Fury follows the path of revenge a man takes following his father’s death, while also following the set-up of a new martial arts school following the man’s death which brings up issues with other martial arts schools in the area.
There was a weird period in the aughts where movie studios were becoming more and more open to adapting superhero and comic book movies, but weren’t quite committed just yet. Meanwhile they did release some movies that were comic book like in nature and concept, and while they kind of bombed critically and or financially, I enjoyed them quite a bit. A few of them were even ahead of their time in many respects. Here are five that I think are woefully under appreciated, and deserve more notice, even if they aren’t what I’d call flawless or masterpieces.
Despite being mainly associated with the 1980’s, Eastman and Laird’s “Teenage Mutant Ninja Turtles” is the franchise that has yet to suffer a death of obscurity. It is instead rebooted and revamped every decade for a new generation and they still hold some massive appeal. This week the Turtles make their cinematic comeback with “Mutant Mayhem,” an animated reboot from produces Evan Goldberg and Seth Rogen. In celebration I thought it’d be fun to rank all of the cinematic outings of the Heroes in a half shell from Best to Worst.
What are your rankings?
What we’re seeing with “Mutant Mayhem” is what happens after every movie makes a bang at the box office. The “The Spider-Verse” movies were so beloved and influential that we can expect studios to ape its animation and storytelling style for at least a few years. The first of what will probably be many to come is “Mutant Mayhem.” Jeff Rowe’s animated movie is a new re-imagining of Eastman and Laird’s “Teenage Mutant Ninja Turtles” franchise, but aimed a lot more toward Generation Z. That’s both a quality that improves what producers Seth Rogen and Evan Goldbergh aim to be the beginning of a new wave of popularity for the Turtles, and a hindrance.
It’s exciting that after seven films, “Mission Impossible” still gives audiences the good old fashioned action movies that were prominent in movie theaters. Christopher McQuarrie’s treatment of the “Mission: Impossible” has never been over stylish which amplifies the old fashioned feeling of his take on Tom Cruise’s epic movie series, and I love it. There are spies, and mysteries, and chases through streets, car chases, femme fatales, a classic macguffin, and even a massive fight staged on, in, and on top of a moving train across Europe. It’s vintage adventure movie serial cinema amplified with a huge budget and some wonderful performances all around.
“You Hit My Puppy.” – Mr. Nobody
When we first meet John Wick, he’s already hanging on a thread. He’d all but expended his humanity on his past life. He’d spent his entire life as a ruthless hit man known as the dehumanizing name of “El Baba Yaga.” All sense of what makes him a person had been lost thanks to the mythologizing of his time as a career hit man. When he meets his wife Helen, he sadly loses her to terminal cancer, which ultimately causes him to reflect on not only giving up but relinquishing whatever trace of heart and soul that he had left. When Helen leaves him a young Beagle named Daisy, much to his surprise and chagrin, she’s not only giving him a purpose but a part of his humanity. If she can’t be there to take care of him and love John, at least he can have Daisy to care for and become friends with.
Inside “Heroes of the Golden Mask” there’s a great film desperate to bust out. It has a cool concept, some solid animation, and a neat mythology behind it. It’s just once you get down to the nit and grit of the narrative and some lingering plot holes, it never rises above being just average. It’s definitely a direct to video kind of animated movie better suited for basic cable, despite its best efforts. That’s not for lack of trying, though. Director Sean Patrick O’Reilly has a large career in producing budget animation. He and Arcana Studios have helped engineer titles such as “The Steam Engines of Oz,” and the mildly amusing “Howard Lovecraft and the Frozen Kingdom.”