Captain America: The Winter Soldier (2014)

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“They who would give up essential Liberty, to purchase a little temporary Safety, deserve neither Liberty nor Safety.”

Ed Brubaker’s acclaimed source material is the basis for “The Winter Soldier,” a remarkable and incredible follow-up to 2011’s “Captain America.” I’m very secure in declaring that “The Winter Soldier” is the “Empire Strikes Back” of the Captain America trilogy thus far, as the sequel manages to not only give Captain America the much needed conflict with his American ideals, and age old views on the concept of freedom and liberty, but turns him in to a hero who is no longer fighting for America, but for the idea of America. “The Winter Soldier” picks up right after “The Avengers” where Captain America has essentially taken to SHIELD headquarters as a home base, and doesn’t really keep in touch with his old teammates.

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In the Blood (2014)

The excellent Gina Carano takes her shot at her own version of “Breakdown,” and “Frantic,” with an action thriller that delivers on all fronts. If you loved Ms. Carano in “Haywire,” you’ll really enjoy the turn Carano takes here. “In the Blood” features a very respectable supporting cast along with Carano, playing a honeymooner with a tortured past who discovers her husband Derek has suddenly disappeared during their Caribbean getaway after a zip lining accident. Has he been kidnapped? Murdered? Is it a ruse from his over protective wealthy family to end the marriage?

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Sparks (2013)

For me, “Sparks” was an easy sell. I’m someone who loves serials, and classic pulp heroes that used their fists and fell for dames while fighting crime. Though “Sparks” is obviously an indie production, it garners the spirit of classic pulp heroes through and through. From a murder mystery, hard boiled cops, masked heroes, and the like, “Sparks” is an entertaining throwback to pulp heroes that, while flawed, is still worth a watch. If only for the great cast. Directors Todd Burrows and Christopher Folino leave no stone unturned in their ode to classic forties comic books, even featuring characters that smoke like it’s going out of style.

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The Shadow: Collector’s Edition (1994) [Blu-ray]

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I love pulp heroes and classic superheroes from the 1930’s. If you were around during the 90’s, you will remember many of the heroes that studios attempted to revive for big franchises and massive movie series. And sadly they all failed. From Tarzan, and The Phantom, right down to The Rocketeer, they were all fun movies, but audiences wanted no part of their worlds. “The Shadow,” the biggest inspiration for the creation of Batman, is still one of the most underrated superhero adaptations ever made, but one that unfortunately never bloomed in to a full fledged film series.

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Jungleground (1995)

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I really enjoy Roddy Piper as an action star. The man had screen presence, charisma, an could turn any clunky role in to a bonafide winner. The 1995 cheapie “Jungle Ground” is a two pronged vehicle for Piper, acting as his own custom tailored “Escape from New York” and “Die Hard.” It’s Piper as an average cop stuck behind enemy lines in a lawless gang warzone who has to fight his way out and save his wife. He even gets to shoot down a criminal declaring “Hi Ho, Silver.” Too bad “Yippee Ki Yay, Motherfucker” was taken.

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Raze (2014)

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It’s gratifying that “Raze” blew me out of seat from the first blood drenched bone crunching five minutes. Because once it starts with a bashed in blood soaked face, it never stops being an electrifying series of vicious fight scenes. “Raze” embraces its grindhouse exploitation tropes so unabashedly, I can imagine if this were made in 1975, it’d star folks like Pam Grier, Uschi Digard, and Lina Romay, with Joe Estevez playing Doug Jones’ part. That said, “Raze” is a mind blowing action thriller all on its own, that is so simple yet so damn entertaining.

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Tura Satana

I’m assuming for Tura Satana fans at the time, this comic book based around Satana would have been a fun little treat from her. Satana’s self titled comic book doesn’t really re-invent the wheel, but I really do enjoy the notion of Satana basically roaming around the country saving people and helping lost souls. Except this isn’t so much Satana as it is Varla from “Faster Pussycat!” who seemingly awakens after death and has to help lost souls to redeem her own (?) in the process.

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