Darklight (2004)

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It’s not so much that “Darklight” is a terrible movie, it’s just so lackluster. You figure a movie with such prime material for a dark superhero thriller would be fun, or at least campy, but “Darklight” is a lethargic film. I figured it was me the first time I watched this back in 2004, but ten years later, and the film is still so lifeless and lacking in any kind of charisma or charm. Not even the lovely Shiri Appleby seems to be enjoying this role. She plays a mythical female demon cast out of the Garden of Eden for defying men who becomes a superhero in modern times and ends up serving men, anyway. That’s not a good reason to root for a superhero if you ask me.

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Pumpkinhead II: Blood Wings (1993)

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With the original’s star Lance Henrisksen gone, and his purpose fulfilled, there’s really nowhere to go with the pumpkinhead mythology, so the sequel just strings together a humdrum revenge tale. Or “Pumpkinhead Knows What You Did Last Summer.” The original “Pumpkinhead” may not have been a masterpiece by any definition, but it was assuredly a solid revenge film with a unique monster. Director Jeff Burr’s follow up is a sub-par mess that has no real grasp on what kind of tale it wants to tell, its main downfall being the abysmal performances by the entire cast.

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Gremlins 2: The New Batch (1990)

gremlins-2Watching “The New Batch” is still a very disappointing experience, as director Joe Dante, and the writers seek out to destroy almost everything likable about the original movie. The fantasy and dark whimsy is gone, the menace is gone, and the monsters are more gimmicky than ever. “Gremlins 2” is such an unusually mean jab at the original film, it even mocks the more compelling aspects of the original, including the broad rules for keeping a mogwai, and Phoebe Cates’ haunting story about Christmas. Billy’s inventor father is also nowhere to be found, in favor of Dick Miller who appears to deliver flat running gags and becomes a cheesy plot device. There’s even a lame meta-joke where the movie stops mid-way thanks to the Gremlins that replace the film with their favorite film “Snow White.”

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Gremlins (1984)

gremlins-quadIt’s interesting that Joe Dante’s “Gremlins” is the inadvertent start of a sub-genre that would copy “Gremlins” in every aspect, except for its appealing story and characters. There’s never been a more interesting film creature than the Mogwai simply because it’s so enigmatic. Surely, Gizmo is an adorable creature in our reality, but I’ve always wondered what he’s thought of in his own time. Is Gizmo an adorable but menacing beast that’s hunted by local villagers? Or is he cherished beast that needs to be respected lest he breed his own evil spawn? Is there a caretaker for the Mogwai assigned through time? And does Gizmo (played memorably by Howie Mandell) ever breed any good copies of himself?

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The Gate (1987)

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It’s really tough to separate my bias for “The Gate” and be objective about the entire film. “The Gate” is one film that was on constant rotation for me as a child, and it was a pure favorite of mine in the days when my only source of movie viewing was the WPIX primetime movie during the week. “The Gate” is almost like Lovecraft for the Goonies audience that thankfully hasn’t worn much in its old age. It’s tonally uneven, granted, but still such a damn fun horror fantasy.

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Leprechaun: Origins (2014)

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It’s not like the Leprechaun was a horror icon in the ilk of Freddy Krueger or Jason Voorhees, but one of the aspects of his movie that made them somewhat bearable was Warwick Davis. His personality and good humor shone through the crap that was the “Leprechaun” series. In one fell swoop WWE Films, and Lionsgate take the entire series and completely sap out the life, appeal, and dark comedy in favor of a really stock monster movie where absolutely nothing happens. All of the lore and mythos that the original series tried to implant with their small monster is gone and we’re given a very dull and lifeless horror film.

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Young Frankenstein (1974): 40th Anniversary Edition [Blu-Ray]

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It’s tough to imagine a better horror comedy for fans of golden age horror. Director Mel Brooks concocts a formula that’s almost impossible to duplicate, playing brilliant comedy with deadpan dramatic sincerity, and implements a wide cast of amazing comedy actors to perform what is a demented twist on “Mary Shelly’s Frankenstein.” One of my favorite memories about “Young Frankenstein” was when I was a kid and my mom brought home the VHS to watch for the night. For all intents and purposes, the movie looked like a horror film, and I went in to it convinced of the idea. Mid-way I was laughing so hard, it was impossible to hear the dialogue.

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