I liked “Legally Blonde”. I thought it was a very cute, very fluffy piece of comedy, I thought Reese Witherspoon was adorable for the most part and the characters were cute including Selma Blair whom played the resident villain, but “Legally Blonde” was based on a true story, and I really doubt this ever happened. The opening recalls the events of the first film through the three supporting female characters, Elle Wood’s friends, looking through a photo album, it’s sort of a sub-conscious message to the audience from the writers and director: “You liked the first film, right? well, this isn’t as good… but the first one was cute.”
Tag Archives: Mystery
Swimming Pool (2003)
Sarah, a renowned author making a decent living with a series of books with the character of Inspector Dorwell somewhat shies away from the throws of recognition and seems to hate almost being worshiped. She’s experiencing a creative meltdown of a sorts and is sent by her publisher, with whom she’s having an affair with, to his country house in the far end of France away from civilization to work on her new book, though she isn’t sure what she’s writing yet. She gets more than she bargains for asking for inspiration when her publisher’s daughter Julie comes to stay at the house unannounced. The two instantly dislike one another, and are exact opposites; Sarah played by the elegant and stunning Charlotte Rampling is a somewhat withdrawn, cold and uptight woman while Julie played by Ludivine Sagnier is stunning, very, very sexy, seductive, adventurous, and very mysterious, but the two don’t like each other.
Ripper (2001)
Director John Eyres does manage to capture the appropriate mood for a film with a concept such as this. The set pieces range from grim, to bleak, to bright, to sometimes very sleek, plus he manages to take an old tired horror device: a dark and stormy forest and manages to make it a bit tense with some suspense clearly evident to the audience awaiting the identity of the killer. Jack the Ripper, the famous or infamous serial killer has been fodder for horror movies for decades, and as always is the case, every new movie attempts to put a different spin on the serial killer, attempts to turn and twist, and flip the serial killer into a new movie, but alas, there are very few movies that can take the most interesting serial killer of all time and turn him into a good film.
The Order (2003)
What “The Order” suffers from is what many supernatural films suffer from: it has decent direction and interesting visuals but it’s end result is bland, boring, and devastatingly bleak. As well as being contrived and derivative. Crooked churches, secret organizations within the church, mysterious priests who have other connections, creepy looking children who are in the film just to be creepy, and characters that barely have any personality at all. Ledger plays Alex Bernier, a conflicted young priest whose mentor has just died and now the church is investigating his suicide. Alex is called upon by another priest (Peter Weller) who suspects that his mentor has been murdered now begins investigating his murder and hopes to bury his mentor in the church graveyard while discovering a mysterious cult that is tied to his mentor’s death.
Salem’s Lot (2004)
Once again, the sorely running on empty creatively Hollywood remakes yet another classic, and there’s plenty more on the way. Sorely lacking in tension, suspense, and atmosphere we now see talented actor Rob Lowe as lead character Ben Mears, an author who returns to his home town of “Jerusalem’s Lot” with much scrutiny from his old friends who disagree with his writing. He has a horrid past in the town experiencing a horrifying incident in an abandoned house in the center of town which everyone always conveniently seems to see in clear view from their window.
5ive Days to Midnight (2004)
Timothy Hutton plays physics professor JT Neumeyer, a prominent professor and widow who is very close to his daughter. One her birthday he and his daughter go to visit his wife’s grave and discovers a thin silver brief case only a few feet away that shows up seemingly from thin air. He takes it home out of curiosity and tucks it away, but the curiosity gets the best of him. He opens it and discovers a group of files showing pictures of his death and newspapers clippings. First declaring this as a practical joke from one of his students or colleagues, he sets it aside, but as the days progress, the events in the files play out slowly but surely, and now convinced that he’ll die in five days, tries to find a way to prevent himself from dying and must change his destiny. Plus, he must also find out who out of his friends, family, or colleagues will murder him.
Dreamcatcher (2003)
Written while King was recovering from his tragic accident in which he was hit by a car, “Dreamcatcher” follows many of the themes of his traumatic event, even featuring a main character being violently hit by a car in the middle of the road. It’s unfortunate for King, that “Dreamcatcher” is one of his many onscreen misses. “Dreamcatcher” is a formula gone horribly wrong with plot elements and a story so contrived that it’s hard to watch this while not thinking about other stuff this borrows from. Borrowing from John Carpenter’s variation of “The Thing”, four men go up to a cabin in the woods to meet after years of separation and must take on an alien entity that can possess bodies; and borrowing from “Invasion of the body snatchers”, many people are getting overtaken by an alien that uses spores to enter one’s body and take over them.