I’m honestly still not sure what to even make of this short zombie film even hours after seeing it. It’s ridiculous, ultimately pointless, and just loud, but… it’s also creepy, brilliantly directed, and the zombie effects are some of the best I’ve seen in a while. “Paris by Night of the Living Dead” is a pretty straight forward zombie short film that doesn’t pretend it’s anything other than an excuse to show zombies being massacred, mutilated and blown up in about as much excessive ways as humanly possible. It’s just fast paced and insanely absurd, but I couldn’t stop watching it.
Tag Archives: P
Paint Shaker (2008)
It’s getting to where whenever director Patrick Rea or anyone from Senoreality releases a new short from their company, we’re ecstatic to see what they have in store for us, because there’s always a guaranteed surprise in store whether we enjoy the film or not. Patrick Rea’s “Paint Shaker” is not a horror film as it is an examination on life and a dark comedy based around monotony propelling in to all out chaos thanks to a misunderstanding and a manipulative co-worker. “Paint Shaker” is very much in the vein of films where there’s always seething rage and aggression boiling underneath our characters where they’re doomed to burst at any second and such is never made more apparent than in “Paint Shaker.”
Predators (2010)
Nimrod Antal’s “Predators” is probably one of the most simplistic action movies of 2010. Probably of all time. It’s a movie so void of any thinking or brains behind it you don’t have to do much except sit back and let the series of events unfold before your eyes and just watch people walk around and shooting things in a wooded locale. “Predators” offers no reason for knowing about the films before it, about the mythology, or about the overall concept. You just have to know that a bunch of criminals and soldiers have been dropped on to a jungle, are being hunted by something, and have to survive. That’s more a paper thin concept than an actual plot and nothing beyond that happens. Antal’s film would love to liken itself after the original “Predator” but in reality it’s just another retelling of “The Most Dangerous Game,” and doesn’t demand much from its audience.
Puppet Master: Axis of Evil (2010)
I love “Puppet Master” I think it’s one of the best horror series to come along in years and provided many hours of wholesome puppet murdering fun that I never got with Chucky. With the series, it was obviously quite ridiculous, but it reveled in such and covered up that fact by giving us an array of puppets to root for who became menaces, villains, and then anti-heroes. “Axis of Evil” is an attempted reboot that will definitely not re-invent the entire series as I’d hoped, since it’s mainly just a lazy hack job with barely ninety minutes of its run time, and I retreat back in the old films.
Plague Town (2008)
Adding to the continued xenophobia themed horror sub-genre, “Plague Town” is a movie that acts as a form of torture on its movie viewing audience implementing some of the most absolutely irritating and obnoxious characters I’ve ever seen put to a horror film, ever. Director Gregory tries to bring us in at eye view on a family of travelers who are griping and bitching at one another with some issues that have yet to be resolved. But that attempt to add these warring characters to the fold of horrific freaks on the Irish countryside works against him as there isn’t a single sympathetic character in the lot.
Paris, Not France (2008)
I’m not one who gives a crap about tabloids at all. Occasionally I’ll skim over something by accident or watch something on television where I simply can not avoid it but otherwise I find no value in prying in to the lives of people who claim to have it hard when they really don’t. Take Paris Hilton, a young woman who is one of many people in Hollywood who have claimed their fame for doing absolutely nothing. But hey, she’s a victim too. Or at least that’s what this propaganda infomercial about Paris Hilton tries to convince us of.
Pixels (2010)
I don’t know, there’s something great about apocalypse movies. Maybe it’s the stripping down of society, the chaos, or maybe just the destruction but I love apocalypse movies. Even more I love movies that show the end of the world with as much creativity as possible. Take “Pixels” a short film that works as a fan service for gamers and for people who will at first scoff at the notion of 8 bit characters taking over the world and suddenly gaze in surprise at the creepy notion of it all. Patrick Jean’s film is much more of an ode to the classic gamer and a visual experiment than a movie with a narrative.