You have to hand it to Roland Emmerich, his marketing for 1998’s “Godzilla” was fantastic. Before “Cloverfield” enforced not showing the monster until you had your butt planted in seats in theaters, Emmerich and Tristar applied the same marketing with just as much mystery. I fondly recall many of the early trailers for “Godzilla” being packed with questions about what the beast looked like rebooted. Hell, in 1997, I bought the movie book that explored the making of “Godzilla,” and there wasn’t a single picture in the book that gave a clear picture of the new Godzilla.
In vogue bright eyed teen stars are a dime a dozen in America, and they have a shorter shelf life than a can of beans. Often times a teen star can rise and fade before anyone even remembers their name, and it’s a struggle to fight for career success beyond being young and beautiful. What’s worse is teen stars are more and more presenting talent and aren’t the manufactured product that Disney keeps churning out. Miley Cyrus has shown beyond a shadow of a doubt that, like most teen Disney stars the studio churns out year after year, she’s pretty much fading in to the background.
Allegedly Michael Miner’s “Deadly Weapon” was supposed to be a sequel to Charles Band’s notoriously awful cult riot “Laserblast.” But when Empire pictures fell, Band basically turned the sequel in to its own film. Really, “Deadly Weapon” feels so much like a remake of “Laser Blast,” and an unnecessary one at that. Like its predecessor it’s hilariously bad and filled with so much horrible editing and acting, it’s more funny than it is entertaining.