The one thing about Sam Raimi’s movies is that good or bad, very few of them age poorly. Even for a movie made in the early nineties at an age where every studio were seeking to duplicate the success of “Batman,” Raimi makes “Darkman” his own movie. It’s a superhero movie in the horror vein where our masked dark avenger is also a deformed an unhinged Frankenstein monster. Something in the vein of Brundlefly, Liam Neeson really does offer up a wildly unique and off the rails performance.
Tag Archives: Revenge
Attack of the 50 Foot CamGirl (2022)
Streaming on Tubi TV, and Amazon Prime Video.
It’s become almost a tradition for some filmmaker to remake Nathan Juran’s 1958 schlock monster movie. Pretty much every four or five years a new variation of the formula pops up with a studio inserting some kind of entity. Now that CamGirl’s are still a thing and much more relevant, Jim Wynorski brings us the Attack of a 50 Foot CamGirl. It’s the bare minimum in the scope of attempted cult filmmaking; your mileage may vary depending on what you’re willing to endure when it comes to seeing busty blonde fifty feet women.
I’m looking at you, Macrophiliacs.
The Beekeeper (2024)
Jason Statham once upon a time was a guy who seemed like he was going to carry the torch and deliver a brand of unique action film roles. And then somewhere around 2010, he kind of backtracked and just reverted to playing the same variation of Jason Statham that we’ve seen well in to fifteen years now. “The Beekeper” is the latest in a line of what the internet are now labeling “Dad movies” where your everyday Joe becomes a bonafide angel of vengeance. This time directed by David Ayer and written by Kurt Wimmer, the pair team to deliver, so far, one of the stupidest action movies of the year.
Silent Night (2023)
America has really done John Woo no favors in regards to his film legacy. And despite kind of hitting some gems in the 1990’s, director Woo has accomplished so much more in his heydays. “Silent Night” is proof positive that he needs a renaissance, as it’s about as basic and disappointing an action movie that you can get. I was cautiously optimistic about “Silent Night” as the premise seemed so interesting. An action movie with no dialogue based around a revenge plot akin “John Wick” seemed like a good time. Throwing in Joel Kinnaman was just the icing on the cake.
Eye for an Eye: The Blind Swordsman (Mu zhong wu ren) (2022)
A blind bounty hunter stops by a woman’s house to rest and wine. Soon, he finds himself involved in her revenge against those who have wronged her.
Thanksgiving (2023)
Back in 2007 after the collaborative efforts of Tarantino and Robert Rodriguez known as “Grindhouse” flopped, one of the popular elements of the double feature that lingered on was the mock trailers during intermission. After delivering a very popular faux trailer with “Thanksgiving,” director Eli Roth finally gives us what we’ve been begging for almost twenty years later. Thankfully while the whole faux grindhouse aesthetic has fallen out of favor with mainstream cinema, “Thanksgiving” ends as a pretty great slasher film with its own merits to offer the horror genre.
Strays (2023): Unleashed Edition [Blu-Ray/DVD/Digital]
I think what ultimately hinders director Josh Greenbaum’s “Strays” is that it’s nothing that we’ve haven’t already seen before. While there is the more blunt explorations of the dog habits and a lot of gags involving humping on objects, and a ton of coarse language, “Strays” is basically just one of the many, many, many talking dog movies available to audiences. “Strays” is also hindered by the fact that there’s a deep sadness permeating under the surface of its story.