Director Austin Chick’s “Girls Against Boys” is not just a polemic about the crime of rape and gender inequality, but is never afraid to depict men as anything but horny monsters that prey on women, when they’re not degrading them. Never has a movie been so hell bent on making men feel bad about their danglers. “Girls Against Boys” is a typical rape revenge movie, that’s also a mopey, whiny, and very homophobic thriller that can never seem to decide if it’s exploitation or melodrama. Sometimes it’s “Thelma and Louise,” sometimes it’s “I Spit on Your Grave,” and sometimes it’s “Ms. 45.” And never remotely as good as the aforementioned titles.
Tag Archives: Revenge
Blue Ruin (2014)
“An eye for an eye only ends up making the whole world blind.”
When we meet Dwight, he’s already defeated. He has a beard and long hair, he’s homeless, he digs through trash behind a carnival for dinner, he sneaks in to people’s houses for baths when they’re out for the day, and he sleeps in his old shelled out car on the side of the beach. One night Dwight is picked up by the police, and informed that the man that ruined his life is being released from jail after a court acquitted him. And now Dwight has made a decision that will decide the rest of his life. Director Jeremy Saulnier’s “Blue Ruin” is one of the least glamorous revenge films ever made. It’s an ingenious and brilliant look at the actual repercussions of vengeance and how it can create a ripple of unintentional consequences and violence that eventually spirals out of control.
The Amazing Spider-Man 2 (2014)
Sony seems to be following the plan of Christopher Nolan’s “Batman” movie series, with “Amazing Spider-Man 2” being “The Dark Knight” of the series. Except Sony doesn’t seem to have a clear end in sight for their own flagship franchise. Which may or may not be a good thing. If they keep up the momentum that “The Amazing Spider-Man 2” does, we might be in store for a very complete reboot with a clear cut satisfying evolution of its titular hero. The writers and producers focus very heavily on correcting former director Sam Raimi’s mistakes, and they have pulled it off well. Granted this follow up to the 2012 reboot isn’t perfect, but it’s better than its Raimi predecessor.
No Holds Barred (1989) [Blu-Ray]
In the eighties, Hulk Hogan was a titan who stood tall in influence and adoration alongside Arnold Schwarzenegger. In the age of the cold car, Hogan is the hero America wanted. He was blond, large, charismatic, heroic, and garnered a handlebar mustache that made him look like a buff trucker fighting for the country. “No Holds Barred” perfectly demonstrates why Hogan was such a force in the sports world, with a charismatic performance in an otherwise goofy movie.
All New Ghost Rider #1 and #2
I appreciate the fact that Marvel are appealing to a more diverse audience of readers by turning their more dynamic characters in to alternate versions more interesting and complex. Surely, there will always be a place for the eighties Ghost Rider, but “All New Ghost Rider” is pretty fantastic in its own right. It dares to change the entire mold of Ghost Rider and manages to build a titillating and complex look at a corner of the Marvel Universe rarely explored: The lower class struggling to get by. Mostly though I appreciated Felipe Smith’s writing abilities, as he touches upon a lot of elements growing up in inner city neighborhoods. Robby Reyes is a high schooler caring for his disabled little brother alone, and in one scene there’s gun fire in the distance, followed by police sirens. “Remember, we never go outside when we hear firecrackers,” Robby tells his brother Gabe, after convincing him the gun fire was firecrackers.
Afflicted (2014)
Clif Prowse and Derek Lee’s “Afflicted” is a mix of “Innocent Blood,” and Cronenberg’s “The Fly,” with a hefty injection of “Chronicle.” It’s rife with cliches, predictable plot twists, and is about ten minutes too long. But in spite of all of that, I’d definitely suggest “Afflicted” to horror fans. Because while it’s retreaded horror fodder, it’s well directed, tightly edited, and solidly performed horror fodder to say the least. I knew what was coming, but I was also very much invested in the characters. I also really enjoyed the special effects.
Lucky (2014)
It’s hard to believe this film took eight hours to shoot. Director Jakob Bilinski manages to cut together such a tightly wound and excellent little horror film that it’s impossible to believe it came out so great, let alone coherent. “Lucky” is a fantastic horror film in the tradition of classic comeuppance stories that really do allow the audience to revel in the twist before us.