In the age of Laguna Beach, Paris Hilton, American Idol, and MTV, we have yet another teen craporama further adding fuel to the fire influencing our youth of America that all that matters in life is beauty, style, fashion, style, beauty, and being defiant because it’s so damn lovable. Disobey your parents. Look beautiful and thin as a wafer. Care what people say about you. Such undertones and hidden messages can be found in trash like “Sleepover.” “Sleepover” declares such vapid sentiment loud and clear with underage girls without a brain, under age girls painted in makeup and wearing skimpy clothing because–hey it’s like totally cool.
Tag Archives: Romance
A History of Violence (2005)
I’m not–a fan of Cronenberg. Yes, I admit it, and no I will not turn in my lifetime membership card, I am a film buff through and through, bitch. As the saying goes, “those who don’t remember the past, are doomed to relive it”. The question is, can we ever leave behind a violent past, or are we doomed to relive it? And does violence in any form ever go away? I was not expecting anything in particular with this film, but I was expecting a bad film. Surprisingly though, this is not a bad film. In fact it’s a great film, and at many times an excellent examination of violence as a concept and as an everyday aspect of our lives. Cronenberg’s direction is on the mark. If you’re expecting an action thriller with gunfights, and fist fights, and sex, well–there’s some of that, but it’s rare, honestly. What you will get though is a thorough, engrossing, and tight explanation on violence, and the cyclical nature of it.
The Wedding Crashers (2005)
I don’t buy in to hype. Something is a masterpiece, the scariest movie in years, or an instant comedy classic, my first impulse is to challenge that idea and seek it out. And when I do, I scrutinize it. Harshly. Narcissism, Vanity, A god complex, dissect that comment as you must, or will, but it’s a routine. A routine that I hold dear. Now, every now and then, I’m proven wrong, and something completely sideswipes me and my expectations. “Wedding Crashers” is, without a doubt, fucking funny. And not just funny, but really fucking funny.
It’s not perfection, not the perfection I’d heard about by any means, but it’s funny, really funny. “Wedding Crashers” is a more than welcome return to risqué, edgy, raunchy, and exploitative comedies. It’s a welcome return to adult comedies. Bye bye safe PG-13 bullshit. Enjoy being played in church socials and elementary schools. Most comedies these days suck, but if you take my opinion as respectable, then I can recommend “Wedding Crashers” as a really funny but flawed venture for the pack of Vaughn/Wilson/Wilson/ Ferrell/Stiller/Robbins/Black whom just seem to be flipping coins to who will star with whom in the next comedy.
John and Jeremy carry on the legacy of their friend Chazz, the great Wedding Crasher. Following the rulebook of wedding crashers loyally, they crash every single wedding and attempt to meet women. But they finally meet their match when they crash the wedding of a local senator’s daughter, and are thrown for a loop by his two daughters. John begins falling for Claire, an independent, and witty girl, while Jeremy attempts to evade the younger sister Gloria–who is very sexy, but just plain insane. Though Wilson does, admittedly have his moments, most of the comedic slack is taken by Vaughn and Fisher, but we’ll get to that. “Wedding Crashers” is an entertaining bit of part sex comedy part romance comedy that really does show these two friends struggling to survive this situation, with Jeremy taking the worst beatings.
He’s shot in the ass, beaten, raped, and everything else, but his devotion to John makes the buddy comedy between Owen and Vince fascinating and it keeps you waiting to see what will break this bond, if it does break. “Wedding Crashers” has some of the more clever, and rapid fire dialogue that really does throw many biting one-liners, and great characterization that I enjoyed, but that’s due in part to the good performances. Rachel McAdams is funny and charming as Claire and gives a very sympathetic supporting role, while Wilson is charming and dials down the usual prerequisite obnoxiousness that he brings along with every single one of his roles. But the real reason to watch? Vince Vaughn and Isla Fisher. Together. Separately. I’m not a fan of Vaughn usually, but in “Wedding Crashers” he shows us what capability he has in a good comedy films that exercises his talents.
Vaughn has one of the funniest characters I’ve seen in a while as a man who just wants to get laid, makes a sacrifice for his friend, and really experiences all sorts of torture for it. While the very sexy Isla Fisher who snuck up on audiences upon its release is laugh out loud hysterical as the insane demented Claire who isn’t afraid to go above and beyond to please Jeremy. She’s insane resorting to all sorts of measures and clinging to him after one sexual encounter. Fisher, wife of Ali G, performs her comedy with ease, and utter flair. She has a knack for physical comedy torturing Jeremy when in doubt of his affection, and Vaughn handles her dementia with finesse. The funniest scenes in the film are between them, and Vaughn is never afraid to steal the scenes from Wilson.
Fisher steals the show with her comedic flair and utter sex appeal, while Vaughn plays off that giving great chemistry. That said, “Crashers” is just way too long featuring a meandering and less funny second half that I found pretty exhausting. While the first half was full of laughs, we enter in to more romance comedy territory that was too boring. It felt as if the movie was already finished and they were dragging it on leading to a really corny unfunny ending that was also incredibly typical with the declaration of love in front of a crowd. You figure for a movie intent on becoming original, they could have pulled off the climax much better in terms of comedy. The rest of the film features appropriately sleazy comedy that just worked, because the cast knew how to handle the humor, and the script never called for ridiculous gags to gauge laughter from the audience.
The hand job scene had me in tears, the quail hunting scene was hysterical, and the football sequence was classic. This was a comedy that was actually funny, and I’m shocked. Despite a lame second half, and an utterly corny climax, “Wedding Crashers” is surprisingly a very funny adult comedy that finally brings us sleazy and very funny humor that is aimed particularly at an audience whom can actually go to the movies without their parents permission. With great acting, hilarious gags, and great writing, it actually lives up to the hype.
The Constant Gardener (2005)
With amazing cinematography, and brutal tension “The Constant Gardener” is a gorgeous and heartbreaking murder mystery involving Feinne’s character Dr. Justin Quayle whose wife Tessa dies in Africa. He travels to Africa to identify her body and then is intent on discovering he murderer after he discovers it was foul play. Much like an array of films that were released in 2005, “The Constant Gardener” pushes its message that is still resonant in American society both about the corruption in the medical and pharmaceutical industry, and our lack of support with Africa and their AIDS pandemic.
The Land of College Prophets (2005)
I had fun, yes, I had fun. It has its flaws, and it’s far from a perfect film, but in the end, “Land of the College Prophets” is a fun B action horror that really does bear an original concept. It’s an interesting mixture of many ideas and concepts; a little bit of “Fight Club”, a little bit of “Mortal Kombat”, and a little bit of “In the Mouth of Madness”, it’s without a doubt an odd amalgam of many concepts intertwined in to one fun action flick about the end of the world caused by two considerably self absorbed individuals. I wasn’t sure what to make of this film in the end, because I really wasn’t sure what in the hell it was that I’d just seen, but I liked it.
Man of the House (2005)
Maybe it’s because I expected junk, but I didn’t hate “Man of the House.” Sure, it’s typical, and routine, and bubbly, and that should equal a bad review, but I didn’t have a miserable time. I admittedly had fun, because “Man of the House” in spite of its many faults, was a fun movie. It’s like a carnival ride, fun and then forgotten. And it helps that the film has some really sexy girls in it. Five. You can make the argument that I liked this because of the girls, and you’d be partially right, but I also had fun thanks to Tommy Lee Jones, who lends the film a really welcome comedic bent.
Underworld: Evolution (2006)
In spite of its many, many failings and flaws, I liked “Underworld”. It’s no masterpiece, it’s not even that good, yet it’s still a pretty fun movie that’s mindless without being dumb. I like to describe it as “Matrix” meets horror, meets Abercrombie and Fitch. Sadly, the lore presented in the (now) “Underworld” franchise is still skewed and poor, but it sure is pretty fun. “Underworld: Evolution” is, I’m ashamed to admit, a step up from the previous installment. And it’s much edgier than the first film with more blood, and gore, and some very sexually suggestive material.


