Gabrielle’s daughter has gotten pregnant at 17, this leads her to meet Ange, the potential grandfather and want to make him care as well as his estranged son.
Tag Archives: Romance
Spider-Man: Homecoming (2017)
Director Jon Watts handles the element of Peter Parker’s life that the previous “Spider-Man” iterations didn’t, offering a compelling coming of age high school drama, whose main character is a super powered being trying to live up to impossible standards. When we meet Peter Parker, he’s a typical teenager vlogging his experience in “Civil War” where he brushed up against a slew of heavy hitting superheroes in an effort to help Tony Stark. When the movie begins Peter is returned to Queens to go back to being just a teenager who happens to be Spider-Man. Peter is a young man always trying to do what’s right and noble, he’s the true underdog of the Marvel Universe.
Baywatch (2017)
Like the original series, Seth Gordon’s “Baywatch” is an anomaly. With the original television series, it was a silly, and moronic action drama that most people weren’t sure should be laughed at, or taken seriously. The same can be said for the movie which itself is never sure if it wants to mock the original series, or create an earnest action movie around the frame work of the show. The Baywatch lifeguards work outside of their jurisdiction and seem to work hard to remind audiences that it’s incredibly far fetched for lifeguards to be investigating gang members and drug smugglers, so the film hops back and forth from slapstick satire to straight laced action comedy.
CHiPS (2017)
“CHiPS” was never a masterpiece of a cop show, but it definitely had its merits. It was a fairly mediocre crime show about two high way police officers going on various adventures revolving around highways and roads of all kinds. What Dax Shepherd does is gut the premise to deliver a generic buddy cop comedy that is also one of the worst movies of 2017. I’ve never seen a movie so ashamed of its own source material (despite “Wild, Wild West”), before. “CHiPS” seems to not only work hard to ignore the fact it’s an adaptation, but also seems to punish the audience for investing time in it. Shepherd’s direction is listless and uninspired, his performance and everyone else is phoned in, and the three man penned script is void of anything interesting or remotely comedic.
Beauty and the Beast (2017)
It’s surprising how well Disney adapts their own version of the shockingly beloved fairy tale “Beauty and the Beast.” While their Oscar winning animated version reigns supreme, Bill Condon manages to deliver his own interpretation that tweaks the tale here and there for new audiences with a great effect. I was quite stunned at how enjoyable “Beauty and the Beast” ended up being. While it has the familiarity of the 1991 movie, it’s also a unique experience that allows for a new angle on songs that are now deemed legendary. Condon approaches the live action remake/adaptation with a well balanced tone of whimsy and dread, allowing for a very subtle romance between Belle and the Beast.
Everlasting (2016)
If there’s any independent film that deserves to take off and be celebrated by movie lovers far and wide, it’s Anthony Stabley’s “Everlasting.” It’s a gripping, emotional, and gut wrenching tale of love, death, and the loss of innocence. Writer, Director and producer Stabley creates a compelling drama with a dash of the supernatural that feels very sincere and genuinely heartfelt right until the final tear jerking scene. Watching like a take on Paul Schrader’s “Hardcore,” director Stabley invokes a unique cautionary tale while successfully building two very flawed but absolutely brilliant protagonists. I cared about everyone involved in “Everlasting” and director Stabley implements every cast member well from his stars to notable supporting players like Pat Healey and Elizabeth Rohm.
Wonder Woman (2017)
It’s a thing of beauty to see DC Comics and Warner finally embrace what’s so awe-inspiring about their characters. I’ve been a very vocal critic about DC’s output of live action films, and “Wonder Woman” is thankfully a remarkable jumping point for the new direction of the cinematic universe for DC and Warner. Patty Jenkins’ film presents Wonder Woman at a turning point at the very end of her own movie and is one of the most socially relevant superhero films made in the last fifteen years. “Wonder Woman” arrives in an age where worldwide, efforts are being made by various political and corrupt powers to silence women. Out of the darkness comes Diana Prince, a woman who will not be silenced or put in to the background.