Trainwreck (2015)

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It’s nice to see Judd Apatow break free from his formula of a dopey slacker falling in love with the perfect woman. This time around, Apatow has the fresh mind of Amy Schumer who helps deliver one of the most human romance comedies of the year. “Trainwreck” is a film with an array of emotionally gray characters filled with flaws and scars from their youth, and still can’t quite grasp the idea of adulthood quite yet. Schumer is bold enough to take on the lead role of character Amy, a magazine writer who is comfortable in her rut, and doesn’t mind aiming for the bare minimum in both her career and her love life.

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We Are Your Friends (2015) (DVD)

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I really like Zac Efron. I have nothing particularly against him. He’s a nice looking guy with some chops to him when pushed hard enough by a competent director. When he’s really just asked to flash his looks around and literally do nothing, we get “We Are Your Friends,” one of the stupidest, most forgettable movies of 2015. I’m glad I’m not the only person who felt this way about the film, as it was one of the bigger flops of the year. “We Are Your Friends” has no substance to it, and pretends to be about something, when it really isn’t. Deep down it’s a remake of “Saturday Night Fever” and fails to capture any of the substance and complexity that John Badham’s masterpiece obtained.

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Strange Magic (2015)

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Lucasfilm Ltd. and Disney’s “Strange Magic” is another of the many releases in 2015 I was hoping to love going in, but just couldn’t. “Strange Magic” defeats itself before we even reach the second half of its achingly simple storyline, not because of its simplicity and abundantly detailed animation, but because of its constant musical numbers. It’s not enough the characters sing every five minutes, but the musical numbers eventually blur in to one another resembling more droning white noise than characters expressing their feelings. It inevitably begins to feel like the writers are just trying to stretch an hour long narrative in to a hundred minute film.

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Love & Mercy (2015)

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Music bio pics are rarely masterpieces, and while “Love & Mercy” is itself a fine movie, it’s not the entry in to the long library in the sub-genre that’s changed my mind about music bio pics just yet. Much like previous films about musical geniuses, the film gets lost in a miasma of pit falls, including the inability to balance the story of the musician and the story of the man himself. So we’re thrust back and forth in to what ends as a flawed, but above average tale about mental illness, and the creation of art. “Love & Mercy” takes the concept of the bio pic above the norm, focusing on Brian Wilson, the founder of the Beach Boys through two stages of his life. One as a young man, and through his perils as a middle aged man. In both stages he’s enduring the horrors of mental illness and is systematically being victimized by someone in his life that he finds incapable of escaping.

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The Final Girls (2015)

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Todd Strauss-Schulson‘s “The Final Girls” is probably the best coming of age film of the year. Hiding beneath the veneer of a slasher horror comedy beats a touching and heartbreaking dramedy about letting go, and accepting that sometimes nature has to take its course. Taissa Farmiga is wonderful as young Max, the daughter of Amanda, a once popular actress who has unfortunately been typecast for her role as Nancy in a famous slasher movie named “Camp Bloodbath.” Max keeps the hope in her mom alive, despite Amanda completely losing faith in herself, and in the hope of becoming a popular actress once again. Tragically the pair gets in to a horrible car crash killing Amanda and leaving Max orphaned. Three years later, Max is still clinging to memories, and is convinced by friend Duncan to attend a double screening of mom Amanda’s “Camp Bloodbath” movies, in hopes of indulging hardcore fans of the movie series.

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Ghost Town (1988) [Blu-Ray]

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Empire and Charles Band always had a knack for creating Westerns, but the type of Westerns that just were not as traditional as you might think. They had every opportunity to deliver us a normal western, and yet they went the odd route delivering creative amalgams like 1994’s “Oblivion,” and mediocre fare like “Ghost Town.” Richard Governor’s “Ghost Town” watches more like an extended episode of a mediocre anthology horror show, and when you get right past the whole supernatural tropes, it’s another ordinary western that we’ve seen a thousand times over. It’s not a gem of the Empire/Band library, but it’s a unique diversion.

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Spy (2015)

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When Melissa McCarthy is misused, she’s a bumbling, awkward, and unfunny mess trying way too hard (see: Tammy), but when she’s used correctly, she’s about as great as any other female comedian working in film today. McCarthy certainly is charming and has a down home quality to her that makes most roles she takes absolutely interesting. Even in such a derivative movie like “Spy,” McCarthy shines and arouses raucous laughs. And because of her, folks like Jude Law, Bobby Cannavale, and Jason Statham manage to shine and earn their own raucous laughter in the process. You wouldn’t think Law or Statham could be funny, but lo and behold, they’re just top notch in another great Paul Feig film about a unique female conquering some form of personal limitation.

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