While reports of David Fincher’s “The Social Network” being a modern “Citizen Kane” have been absolutely outlandish and ridiculous, Fincher’s courtroom drama about wunderkind Mark Zuckerberg is a near masterpiece and one that works as a cultural zeitgeist depicting the beginning of a technological revolution and the end of intimate human communication as we know it. “The Social Network” is one of David Fincher’s most verbose and openly intellectual mainstream films to date, a film about the cultural zeitgeist that is social networking and the social animal that derived such pleasure not only from devising such a complex and magnificent program that would distance each other forever that ironically required close and intimate quarters and contact, but from using this program to scorn the individuals who used their own upper class status to keep themselves differentiated from Zuckerberg.
Tag Archives: S
Seeking Happily Ever After (2010)
I think it’s misleading to tell people that men don’t think about this sort of relationship issue where they want to find the right person because I’ve met many men who are career motivated but also are committed to finding the right woman. Hell, I am currently a man seeking the right woman while also sticking to my guns as a writer, so it’s disparaging for the directors to proclaim women the all feeling all loving animal looking for the right mate while the men are mainly just selfish individuals focused on their jobs. More so, it’s pretty obvious most of the film is scripted, especially in the interviews where the women always seem to have the right anecdote and the correct story that can lead in to an escapade. Beyond that the directors want to blame everyone but themselves.
Swamp Thing (1982)
I’ve read the comic books, collected the action figures, watched the animated series, seen the television show, and even watched the horrible sequel a thousand times. But up until now the original “Swamp Thing” has eluded me. Even when I had the world wide web at my disposal, the original Wes Craven directed “Swamp Thing” has been an oddity that has escaped the clutches from my grasp. Watching it finally after so many years of sitting through the sequel, I learned a lot. Mainly: Sometimes the most elusive movies can be just as awful as you think. All these years seeking out “Swamp Thing” admittedly set me up for failure, especially considering I’ve never heard anything but a lukewarm response from anyone when discussing “Swamp Thing.”
Superman Classic (2011)
It seems like every single year there is always someone paying tribute to Superman. Last year a slew of animators created an amazing life-like model of Christopher Reeve as Superman taking off in to the sky. This year we have “Superman Classic,” a 2011 treat that’s all too brief, but goes down so well nonetheless. In lieu of the upcoming reboot from Zack Snyder, I think this is an apt variation that presents what could be and not what should be, as most fan boys are prone to insisting upon with their fan films.
Species: The Awakening (2007)
We’re told in the first two “Species” movies that once the alien/human being begins to mature in to a woman of sexual charisma, she becomes a predatory monster. She wants to and has to pro-create. We’re also told in the sequel that the male has also the urge to breed and pro-create. So why our protagonist Miranda has no idea she’s part human and part alien until she’s told, is a major plot hole. This is of course only one part of the bigger problem in “Species: The Awakening” the final part in the “Species” series that continues to drive the film franchise from Hollywood fodder to DVD to fodder. Did no one noticed Miranda went from a child to an adult female in a day? Did she never figure out that she wasn’t given a teenage life by the lack of pictures? Why didn’t she ever ask questions about her parents?
Species II (1998)
I never actually understood the appeal of the first two “Species” film. The first film basically piggybacked on the revelation of sex bomb shell Natash Henstridge who incidentally ended up being a one note actress, and then the series inevitably fizzled out in to obscurity. Natasha Henstridge looks about as incredible as ever, and as Eve she presents a surprisingly significant change in personality and demeanor. This is a new shade of the monster where as Sil was much more “The Creature from the Black Lagoon” based around its predatorial habits, Eve is The Creature in “The Creature Walks Among Us,” still vicious but much more vulnerable and open to humanity, for better or for worse. It’s easy to buy that Sil and Eve are different entities, and Henstridge carries this career making role well and looks dynamite with shorter hair.
Species (1995)
Let’s face it, the only reason why “Species” was remotely a financial success was because of Natasha Henstridge. The newcomer not only radiates on-screen but her searing sexuality and ability to look incredible no matter what position or what kind of gelatinous goo she’s covered in outweighs any quality of the film. Sure, the fans can attempt to argue the film’s merits by claiming my own reasoning faulty, but let’s cut the crap here. “Species” was a hit because it offered up two key elements. It had a gorgeous woman was a decent actress, and had an iconic moment of 1995 where the predatory Sil proceeds to bust the backs of heads off of a few unlucky guys who don’t meet her standard for mating.