Tag Archives: Science Fiction

Terminator: Genysis (2015)

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So this is it? This is the officially sanctioned sequel to the “Terminator” series? The sequel that says “Remember the first two movies you just saw? Well they don’t matter anymore. You wasted your time”? Because that’s what “Genysis” does. It wastes the audience’s time by creating an alternate alternate alternate timeline that doesn’t just erase the first two movies of the series, but completely muddles up the timeline even more than ever. I’m usually very good with timelines and can figure out convoluted storytelling most times, but “Genysis” gets so lost in a haze of over explanation and contradicting storylines that I just eventually gave up trying to figure out what the hell was going on.

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Haven (2014)

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Michael Gabriele is a powerful director, and it’s proven by “Haven” where he films a beautiful vision of the apocalypse. Surely, it’s one that’s wrought with violence, and a disgusting death, but it’s also one that’s utterly mesmerizing. Some of the shots within “Haven” are magnificent, and he uses a lot of the settings to depict a desolate world where starvation is the order of the day.

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It’s Here! (2014)

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Sinclair Obiora’s film “It’s Here!” is a well made little short that I quite enjoyed. It’s set after a massive alien attack where a lone mortician brings in the body of what I presume was one of the victims. “It’s Here!” is set after the fact where the big story has taken place, and what has happened after the event has unfolded. And therein lies its problem. It’s set after the fact.

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Electrogenesis (2015)

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When Dwayne McDuffie died he left behind a strong and powerful community of loyal “Static Shock” fans, many of whom have kept the character alive long after the series ended. “Electrogenesis” isn’t the best of the fan films about Static Shock, but it’s certainly the most dramatic, and I appreciated its ambition most of all.

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Escape From New York (1981) [Blu-ray]

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With “Escape from New York,” director John Carpenter once again evokes the western by delivering his own trademark twist of the sub-genre. Through his film he offers up a classic tale of a hero in the badlands while also introducing us to one of the most colorful figures in the Carpenter gallery: Snake Plissken. Plissken is a role only Kurt Russsell could have played, a brooding and rebellious anti hero who is also very cunning and of few words.

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Mad Max (1979): Collector’s Edition [Blu-ray]

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It’s nice to know that “Mad Max” is a film that still holds up, and is arguably an action masterpiece. George Miller directs an apocalyptic opus that’s set in the wasteland of Australia where the apocalypse always tends to eventually catch up with the environment. “Mad Max” is one of the best of its kind, it’s a revenge film, but a very complex cop film about the losing battle between a biker gang and a police force.

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Mad Max: Fury Road (2015)

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By all accounts, “Fury Road” should not have been so good. The George Miller epic return to “Mad Max” is a film that snuck under the radar of many movie fans and comes in through the dusk to grab us by the throats once more. When it comes to post apocalyptic cinema, Mad Max is the crème de la crème of the sub-genre, and George Miller is bold enough to re-visit a universe that paved its way through cinema over thirty years ago. With “Fury Road,” George Miller doesn’t try to change the formula of his trilogy too much, opting for the same visceral post apocalyptic action epic that made Mel Gibson Mad Max. Yet he also strives for a visual stimulation that ushers in a new era that puts Tom Hardy in the seat of Mad Max.

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