For fans of post apocalyptic cinema who love their fiction with subtext and undertones of society and class warfare, you’d probably want to look elsewhere for your brain food. Goodness knows I loves my apocalyptic fiction, but “The Day” is purely apocalypse porn with an artsy gloss added to it for good measure. Director Doug Aarniokoski tries to conceal the fact that this movie is basically a clumsy and one-dimensional action film by lensing the entire film through a black and white filter that saps the color, and directing almost every shot with a hand held camera. Someone at Anchor Bay or WWE studios loves John Carpenter’s “Assault on Precinct 13” because 2012’s “The Day” is basically an end of the world version of it.
Tag Archives: Science Fiction
Masters of the Universe (1987)
We could have had Star Wars meets Conan the Barbarian. There’s monsters and machines aplenty in the “He-Man” mythos! There’s villains and demons and mystical storylines in the franchise. Except we’re given He-Man in the Hood! This is a man who comes from a civilization with unusual machines, and magic, and war weapons, and he can’t get over the fact that there’s a place that sells meat on bones for human consumption. There’s literally a scene where Teela, Man at Arms, and He-Man marvel at a bucket of chicken and ribs they found at the local restaurant. This is clearly not what we He-Man fans originally envisioned. Of course, that didn’t stop me from watching it at least a thousand times when I was a child, but “He-Man” deserved a space epic the size of “Star Wars” and instead we get so little of it. I’m not asking much from a franchise built solely around selling toys, but there is a lot of mythological potential for making a He-Man movie.
Ultraseven: The Complete Series (DVD)
Courtesy of Shout! Factory, Tsuburaya Productions iconic “Ultraseven” series from 1967 is available on DVD in a fully restored edition with all episodes present and accounted for. With subtitles options and a crisp picture and color scheme, “Ultraseven” is about as good as it’s ever been, a truly interesting and entertaining icarnation of Ultra Man that promises to keep audiences watching.
“Ultraseven” focuses on the Terrestrial Defense Force establishes the Ultra Guard, Earth’s six guardians who act as enforcers for the planet, protecting citizens from extra terrestrials and monsters with the use of high tech machinery and vehicles.
Deadly Weapon (1989)
Allegedly Michael Miner’s “Deadly Weapon” was supposed to be a sequel to Charles Band’s notoriously awful cult riot “Laserblast.” But when Empire pictures fell, Band basically turned the sequel in to its own film. Really, “Deadly Weapon” feels so much like a remake of “Laser Blast,” and an unnecessary one at that. Like its predecessor it’s hilariously bad and filled with so much horrible editing and acting, it’s more funny than it is entertaining.
Fireball (2009)
When I read the premise for this and discovered Ian Somerhalder was starring I was a little excited. I mean Ian Somerhalder as a bad ass fire throwing villain could be excellent, especially considering he has a knack for playing sharp villains. But then I learned that he’s merely the protagonist and we’re instead given a bulky bald muscle bound man who can throw fire, and I just settled on Somerhalder playing the hero. Fair enough. In spite of being derivative and feeling like a glorified television pilot, “Fireball” is a pretty solid action thriller that teams up genre actress Lexa Doig and television mainstay Ian Somerhalder as law officials who have to chase around a fire controlling maniac through the country and find a way to stop his madness.
C.H.U.D. II – Bud the Chud (1989)
When I was a kid I was frightened of pretty much any movie that featured the walking dead, and surely enough my fright was induced whenever I watched “CHUD II.” I can fondly remember re-watching this movie on the now defunct “Monsters HD” cable channel in America three years ago and gazing in disbelief at this absurd and unfunny zombie movie. I was horrified of this? Seriously? “CHUD II” is a travesty not just because it’s an unfunny horror comedy, and not just because it’s not an actual sequel to “CHUD” at all. But because it’s a pretty blatant rip-off of “Return of the Living Dead” with brain eating intelligent zombies taking center stage, and even featuring a zombie dog who rolls with the group of zombies throughout the film.
The Amazing Spider-Man (2012)
While deep down Sony engineered a reboot of “Spider-Man” in an effort to secure the rights, “The Amazing Spider-Man” uses the opportunity to correct the mistakes made by previous franchise runner Sam Raimi. Where Raimi opted for camp and schlock with his installments, “The Amazing Spider-Man” launches a more dramatic approach. Where Raimi opted for the traditional Spider-Man, Marc Webb constructs a more radical re-thinking of the Spider-Man mythos. And unlike Raimi, director Marc Webb opts to side step the camp flavor as much as humanly possible. This reboot is much more true to the Spider-Man we all know and love, and thankfully it’s a superior film that promises to age better than Sam Raimi’s films.