Bafflingly, the sequel to the classic action science fiction film opts out of following our man Dutch in his further adventures against this alien hunter menace and chooses instead to focus on a brand new series of characters. And rather than continue its trek in to the jungles of Central America, it zeroes in on the city. The inner city. The crime ridden inner city. The crime ridden gang infested inner city. The concrete jungle if you will. If you don’t get the symbolism, don’t worry, “Predator 2” clubs you over the head with the clunky message that this is a new kind of jungle. A concrete jungle. “Predator 2” is sadly a loud, ugly, and irritating film that doesn’t do much to set itself apart from other films of its ilk.
Tag Archives: Science Fiction
Predator (1987)
Before “The Expendables” was ever put in to production, director John McTiernan had the foresight to include a roster of cinematic bad asses for a film that involved a bunch of mercenaries battling an unseen hunter in the jungles of Central America. From Carl Weathers, Bill Duke, Jesse Ventura, Sonny Landham and the one and only Arnold Schwarzenegger, “Predator” features a conglomerate of muscles and sweat that makes up one of the best casts of an action film ever. 1987 brought forth one of the most unique and innovative action thrillers ever conceived.
Our Top 20 Movie Brawls Of All Time
A good movie fight can convey emotions. They can spell doom for many characters, and often times they make it clear to the audience that what’s happening in the film is urgent and will cost many their lives. While true a movie fight in modern cinema is often used as a way to kill time and keep audiences entertained until the next scene, a really good movie fight fills you in on the film’s characters.
They stick with you, they keep you talking for years after watching the film, and they’re a key asset to unraveling the drama and anxiety before our very eyes. For some characters, a big fight can mean preserving themselves in a dire situation. For some characters a fight can be an act of vengeance, or just an act of sending a message to someone. In either case, a great cinematic battle is meant to convey emotions and compel you, and is just as important to the story as is the dialogue. Gnash your teeth, clench your fists, and spit some blood, we proudly present to you twenty of the Greatest Movie Brawls we’ve ever seen!
Armageddon (1998)
One of the many aspects about filmmaking that Michael Bay never perfected is subtlety. None of his films are ever about the more quiet and inconspicuous moments in story and characterization. “Armageddon” as a whole is an often loud, bright, irritating and occasionally intrusive film that attempts to assault every inch of an audiences attention before ever managing to tell its story. It’s one of the many reasons why “Pearl Harbor” was considered a cinematic disaster. I’m horrified to fathom what would ever happen if Bay ever made a film about 9/11 or the Titanic.
Journey 2: The Mysterious Island (2012) [Blu-Ray/DVD/Ultraviolet]
I’m one of the very few people who actually enjoyed “Journey to the Center of the Earth” for what it was. It was nothing more than a ninety minute roller coaster ride with 3D specks that took the audience through some fun sights and sounds. “Journey 2” is basically the follow-up practicing that very routine all over again. It’s intent is to take you through the various dangers and awe inspiring wonders of the mysterious island before actually telling a story or exploring its characters. One thing it does have going for it, is that it makes reading and compiling information look sleek and exciting. If Dwayne Johnson is doing it, maybe the young audience this film appeals to, will.
The Dark Knight Rises (2012)
Though it’s true that the Joker is nowhere to be found in “The Dark Knight Rises,” this film is less about the character and much more about the taint he’s left on Gotham city as a whole. In the end of “The Dark Knight” the Joker won, even when he wasn’t able to prove that humanity is deep down a rotten vile stain on civilization. “The Dark Knight Rises” examines the fall out of the Joker’s reign of terror, and how it ultimately affects any attempts by the Dark Knight to thwart the new terrorist threat by the name of Bane. Eight years later Alfred is a crusty man servant, Commissioner Gordon is a grief stricken officer dealing with a painful divorce, and Bruce Wayne is a recluse who spends his days locked inside the mansion. When we meet Bruce again he’s aided by a walking stick and can barely find the strength to chase after Selina Kyle who makes use of his priceless jewels in one instance.
Ultimate Spider-Man: Excelsior Entertainment
“Ultimate Spider-Man” the comic, from what I remember, was an edgy, sleek and rather dramatic reboot of the entire Spider-Man universe. And odds are if you’re used to angsty stern Peter Parker from Sam Raimi’s films and the newest cinematic outing with Andrew Garfield, “Ultimate Spider-Man” the TV series might take some getting used to. In fact, “Ultimate Spider-Man” completely side steps most of the angst, drama, and melancholy that comes with the territory of Spider-Man’s world, and grabs a hold of the comedy by the throat and dives in head first.