Like ninety percent of all my great pop culture memories, I stumbled upon “Hypernauts” one very early Saturday morning in 1996. When I say early, I mean five in the morning on ABC TV in the US, and I recall finding it to be a rather entertaining and exciting science fiction series, then. It also helped my excitement that one of the primary stars of this action adventure series was the lovely Heidi Lucas who, kids my age at the time would remember her as one of the stars of the Nickelodeon comedy “Salute your Shorts.” This series is a long departure for her from the “Meatballs” summer camp comedy, approaching a more dramatic and gritty science fiction show that could appeal to young audiences.
Tag Archives: Science Fiction
Bad Channels (1992)
This is one of the first Full Moon movies I’ve ever seen that was scored by Blue Oyster Cult, so even if the movie sucked, there’s a good chance the movie rocks by default. Blue Oyster Cult manages to provide a raucous and rocking soundtrack for what is generally a cheesy and absolutely goofy piece of early nineties schlock, but it has genuine camp value in its corner, as well as the always attractive Martha Quinn as a heroine.
Batman & Robin (1997)
It’s funny. Back in the day when I used to love any superhero movie that came in to theaters, I found myself getting excited by “Batman & Robin.” Why? Because he mentions Superman in the opening for a brief second. Nevertheless that was when fans and Warner were still considering a Batman and Superman movie, and that never came to fruition, thankfully. “Batman & Robin” is a glorious mess. It’s a movie so awful that it’s compelling at times.
Arachnoquake (2012)
If you’re one who is thinking “Arachnoquake? That sounds stupid,” then congratulations on displaying wisdom well beyond your years. “Arachnoquake” is a movie that sounds good on page, but when you see it, there’s just so much to hate about it that you can’t even take it at face value as a movie intended on being so bad it’s good. The movie is painfully self-aware to the point where you almost expect a laugh track to follow the “gags” staged. Meanwhile the writer behind the film is well beyond in over his head providing a three pronged story that jumps from sub-plot to sub-plot without resolving either, all the while ripping off films like “Jeepers Creepers 2,” “Children of Men,” “Deep Blue Sea,” “The Mist,” and “Piranha.” There are so much plot elements staged that are never touched upon or resolved, you could list them all in a whole review.
88:88 (2011)
Many directors think that in order to lure in audiences, they have to have a pay off that reveals their menacing villain in their film. Whether it’s a short or a feature length film, they’re not often concerned with leaving things up to the imagination. The fact that “88:88” was filmed around a very small budget with only two set pieces, benefits the overall creative work to display a film and a premise that’s both terrifying and awe inspiring. Thankfully “88:88” doesn’t crowd the film with a lot of dialogue, nor does it need to explain everything that’s happened.
The Gate (2011)
Director Matt Westrup is the latest indie success story as his 2011 directed short film “The Gate” is being turned in to a feature length film by Wayfare studios. As a short film it’s a product of a premise that definitely could benefit from a feature length treatment, because Westrup inadvertently serves up so much story for us and throws so many questions in the air, that eleven minutes just isn’t enough to keep us satisfied.
Swelter (2012)
One of the most interesting aspects of “Swelter” is that even though the film is basically animated and without dialogue, you can sense the character’s struggles and efforts to survive. There’s not a lot of extrapolation on why the world is suddenly a sweltering wasteland at record hot temperatures, but that doesn’t need a lot of focus. We meet a father and a son in the middle of a deserted tundra who seek the remains of a well where they’re able to sap water that’s fit for at least half a day.