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Terror in the Aisles (1984)

terrorintheaislesIf there’s one film I’d suggest to blossoming horror fans that need a primer course for the genre, I’d suggest “Terror in the Aisles.” It’s not a horror movie, so much as a compilation of some of the most interesting thrillers and horror movies from the seventies and eighties, and it touches on the idea of horror’s role in our everyday lives. Why do people love to be scared? What keeps us coming back to horror movies? Why do so many people frighten by horror cinema when there are valid threats in reality? One of the more interesting ideas behind “Terror In the Aisles” is the exploration of movie going as a communal experience.

Once upon a time we could sit in a large dark room with a bunch of strangers and soak in a horrific experience together. We’d laugh, flinch, scream, and feel some sense of camaraderie, in the end. That’s become something of an antiquated habit with the advent of home entertainment. I won’t be seeing “Terror in the DVD Player” any time soon. The gorgeous Nancy Allen and Donald Pleasance host what is a pretty well put together montage that examines fear and how we use it as a means of excitement and exhilaration, even when we’re sitting in the comfort of a movie theater. Allen and Pleasance’s hosting is fantastic as they indulge the audience with charismatic introductions of key moments in some great horror films.

They’re fitted to topics like sex, natural terrors, the occult, and despicable villains. One of the reasons why the documentary is still so resonant is because there are moments during the compilation where we’re given a glimpse at movie goers watching and reacting to horror movies. Scripted as they may be, director Andrew J. Kuehn captures the thrill of the movie theater and losing yourself in frights accurately, and they result in some fun and funny slices of life. I’m still a bit taken aback that there are no clips to “Dawn of the Dead” or “The Exorcist.” You figure two films with such impact on the horror medium, including the latter title would be the centerpiece of the documentary.

Despite that glaring omission, there are still a myriad iconic moments from great films like “Scanners,” “Strangers on a Train,” and “Carrie.” Kuehn’s documentary is a thrilling and excellent celebration of horror and the movie theater community, and is a must see to this day.

Blood Widow (2014)

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What’s interesting about “Blood Widow” is that first time director Jeremiah Buckhalt really is on to something with the character of Blood Widow. She’s a beautifully designed and vicious slasher villain with an incredible blood lust. The mask she dons is spooky, and she really looks like she can take anyone on, be it a damsel in distress, or a four hundred pound trucker. It’s just a shame that she’s given almost nothing to do in her first slasher outing. Jeremiah Buckhalt’s movie clocks in at eighty minutes, and most of that time is spent on a group of characters that aren’t very interesting or smart.

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Our Top 5 Horror Video Games

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It’s the Halloween season, and as usual I’m digging in to my pile of vintage video games to play some of my favorite horror titles of all time. Stuff from the SNES and Genesis just never gets old. And though I’m not a gamer anymore, its fun to re-visit some of the better horror based games, some of which I’m still trying to beat. Hey, I said I was an ex-gamer, not a skilled ex-gamer.

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Murderdrome (2013) (DVD)

MURDERDROMEDVDI love the idea of a horror movie centering on heroines that also happen to be brawling roller derby babes. And I love the idea of a slasher film centered on the whole roller derby motif, but it seems that director Daniel Armstrong has a nugget of an idea for a horror movie centering on roller derby, and then really has nowhere to go with it. The DVD case describes “MurderDrome” as equal parts action, romance comedy, and slasher, and yet all three of those elements are never balanced out. Everything about “MurderDrome” feels painfully uneven, to where fans of either sub-genre will be anxious to see director Armstrong deliver. Truthfully the characters were so fun I wouldn’t have minded a romance comedy about roller derby squads, but “MurderDrome” desperately wants to be a horror movie. Even if the horror feels awkwardly tacked on.

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Leprechaun 2 (1994)

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So apparently, not only does the leprechaun value his gold beyond all else, but he also requires a bride, too. His convoluted rules are that if the bride sneezes three times and no one but the leprechaun blesses her, he can marry her and she’s eternally bound to the knee high monster. The sequel to “Leprechaun” opens in ancient Ireland, where the leprechaun agrees to free his man servant, once he chooses his bride. Unaware the bride is the servant’s gorgeous daughter the servant outwits the leprechaun, causing him to look elsewhere for his bride. Which takes a thousand years on St. Patrick’s Day, for some reason.

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Leprechaun (1993)

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I remember the first time my brother and I asked my parents if we could rent “Leprechaun” from the video store. My dad responded with “No way! You guys won’t be able to look at a box of Lucky Charms for a month!” Suffice it to say he did rent it after we begged, and not only did the movie not scare us, but it bored us to tears. You can just sense that writers behind the concept were running low on mythical monsters to turn in to horror villains. Trolls were taken, as were elves, so the leprechaun seems like a logical but failed next step.

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Five More Underrated Horror Heroines

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In 2012 we listed ten of our favorite Horror Heroines that we consider underrated. This year we thought we’d list five more very underrated horror heroines that risked life and limb for their family, or for a cause battling against a monster, demon, or some kind of alien. They’re gorgeous, strong, and prove you can be the final girl in a horror movie and not be at the mercy of pure evil. It’s really tough to find female characters in horror that are heroic and not just final girls. There’s a ton of final girls, but not many heroines, however we were able to find five we loved that also were conveniently enough, heroines until the very end.

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