Maniac (2012)

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As a man who had absolutely no faith in the remake of William Lustig’s grindhouse classic, it’s quite telling that the opening of the film inspired a gasp out of me, followed by a “Holy crap.” Director Franck Khalfoun also wisely sidesteps the grit of New York (New York now no longer the wasteland is was in the eighties) entirely in favor of the more menacing and vast Los Angeles, all the while injecting an artistic gloss that makes the madness seem more surreal. “Maniac” is a gruesome and disturbing re-working of the classic horror film, that pays respect to the original, while also challenging its gore and violence, in the process. Elijah Wood’s performance is surprisingly unsettling and occasionally horrifying, since his character Frank Zito is a victim of his own madness.

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Sorority Party Massacre (2014) (DVD)

You have to give it to “Sorority Party Massacre.” Not many slashers these days have the balls to rip off the entire prologue to “Scream” wholesale. There’s even a long drawn out scene where the young victim is taunted by the caller. Except rather than the audience groaning “Aw, they killed Firestarter,” this time they’ll be saying, “Oh someone killed the girl with the dog. Some dude with a mask. Okay, then.” If that’s not bad enough, “Sorority…” is one of the most tonally inconsistent horror movies I’ve ever seen. It’s never sure if it wants to be a horror comedy, or a horror movie. And even the most distracted viewer will notice immediately.

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The Burning (Collector’s Edition) (1981) [BluRay/DVD]

The eighties were apparently a time where summer camps were dens for psychopaths and murderers, and “The Burning” displays no exception. Even more vicious than the first “Friday the 13th,” Tony Maylam’s slasher revenge film is a violent and very creepy horror film steeped in eighties slasher tropes, but still manages to feel fresh and unique to this day. Maylam’s direction keeps the film at a brisk pace, while Tom Savini’s special effects inspire quite the cringe, even today. Cropsey is one of the more underrated slasher icons from the eighties.

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Gingerdead Man 3: Saturday Night Cleaver (2011)

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Well, if the writers don’t give a shit anymore, why should we? “Gingerdead Man” has seemingly given up trying after the first film, so I’ve given up trying to make sense of anything that’s happening in this movie series. When last we saw Gingerdead Man he was trolling a movie studio killing actors and directors for some reason. Now he’s being held in a prison with other psychotic baked goods. Spoofing “Silence of the Lambs,” he meets with female detective who wants his help in a case. It’s an obvious satire sans the laughs, but we now know there are other psychotic baked goods out there.

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Gingerdead Man 2: Passion of the Crust (2008)

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Gary Busey didn’t come back for the sequel? Was he holding out for more money or did his wrangler have a hard time tranquilizing him? In either case, much of “Gingerdead Man 2” is still just so damn inexplicable and confusing. Michelle Bauer plays Miss Polly who appears at a local film shoot with baked goods. Inside the box is Gingerdead Man. How did he get in there? Why is he there? Is someone sending him around to kill people? It’s never actually explained or remotely hinted.

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Nightbreed (1990): The Director’s Cut [Blu-ray/DVD]

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Thanks to the advent of home entertainment and a wonderful company like Scream Factory, director Clive Barker is finally able to realize his original vision for the cult horror film “Nightbreed.” While the film itself has gained momentum and respect over the years as a dark and morbid tale of monsters from the underworld facing human cruelty, Barker’s experience making the movie was a bitter one he often recollected with anger and sadness. With his Director’s Cut, he’s not only able to salvage old footage that he was forced to edit out of his narrative, but he re-structures “Nightbreed” in to practically an entirely new movie. One that’s better than the original cut.

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The Fright File: 150 Films to See Before Halloween (Digital)

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The main flaw to “The Fright File” is that author Dustin Putman only offers three films out of 150 made before the seventies. A portion of the list are films made in the seventies, while most of the films are from the aughts and are as recent as 2013. While I don’t mind being given suggestions for films as recent as 2013, I wouldn’t have minded stumbling on to a hidden gem or two. For folks looking for a primer on films that are essential to horror fans, “The Fright File” surely isn’t a bad book. But for horror fans looking to discover something new and completely out of left field, this isn’t really the book to turn to. That is unless you’re a fan of Dustin Putman’s writing, and want to see his thoughts on various horror films.

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