Kolobos (1999): Special Edition [Blu-Ray]

I know “Kolobos” mainly from late night cable where I was able to watch the final half of it back in 2000 was kind of blown away by it. Granted, this was before I’d seen a ton of movies and I was still young, but I remember loving it. Over the years it’s garnered a pretty loyal fan base and cult following, all of whom love it, warts and all. I mainly know it for being one of the last hurrahs of the video store age where low budget horror fare was reduced to straight to video on shelves, and not Saturday premieres on the Syfy channel.

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Into the Dark: Treehouse

I’m surprised “Treehouse” ends up being the best episode of Blumhouse and Hulu’s ambitious anthology “Into the Dark,” yet. I have to admit that I hated James Roday’s “Gravy,” so to see him approach “Treehouse” with a very relevant message, an inherent tone of terror, and some darkly comic undertones, was a welcome surprise. “Into the Dark” has been more hit than miss since its introduction in October, but with “Treehouse” it hits right out of the park as an ode to spring that explores hell having no fury like a woman scorned.

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The Shorts of “We Are the Weirdos 2 2019: Presented by The Final Girls Collective” [Women in Horror Month 2019]

Featuring some of the greatest new and emerging female talent in the genre space, these films delve deep into the darkest human desires from a uniquely female perspective. These are films that delve deep into the darkest corners of the human experience, bringing an unforgettable array of monsters to the screen and offering a fresh and perverse perspective on horror. “We Are The Weirdos is at the core of what we want The Final Girls to be about: a platform which can nurture, champion and spotlight female talent at the centre of the horror genre.” adds co-director Anna Bogutskaya. “The programme is distributed by The Final Girls and it is our intention to make this an annual event at cinemas worldwide.”

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The Craft (1996): Collector’s Edition [Blu-Ray]

Just in time for “Women in Horror Month,” Andrew Fleming’s “The Craft” is one of those movies that’s gained some heavy cult momentum over the years, and for good reason. Even with the nineties aesthetic, “The Craft” has aged quite well offering up a mature genre picture that begins as a coming of age supernatural drama and gradually transforms in to a horror film. There just aren’t films like “The Craft” anymore, and that’s a shame, since Andrew Fleming offers up a unique tale of good and evil, and power corrupting absolutely.

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Shorts Round Up of the Week – 2/25/19

For the February 25th edition of “Shorts Round Up of the Week” there are reviews for a hilarious comedy, a zombie thriller, and a trio of foreign Supernatural chillers, two of which are becoming feature film productions.

If you’d like to submit your short film for review consideration, submissions are always opened to filmmakers and producers.

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The Kid Who Would Be King (2019)

When I was a kid I was heavy in to the mythology of Arthurian lore. Everything about King Arthur and the knights of Camelot drew my immediate attention and fascination. I spent a great three years learning everything that I could about that era. As a kid if I’d have seen Joe Cornish’s “The Kid Who Would Be King,” I’d have left the theater with a humongous smile on my face and anxious to learn a lot more that was available in the libraries. Joe Cornish has a particular love for making heroes out of underdogs and the least suspecting people you’d come across, and he carries that trademark in to his newest film.

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The Plague of the Zombies (1966) [Blu-Ray]

Despite generally loving movies about the supernatural, and in spite of “The Plague of the Zombies” being very much ahead of its time in its implementing of voodoo as a means of our villain enacting his devious plan, I was indifferent toward “The Plague of the Zombies.” I can’t say that I completely hated it, but while it packs in some tension and great mood set pieces, I wasn’t too sad when it finally drew to a close.

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