If you subscribe to the idea of multiverses (where there are various universes for TMNT, DC Superheroes, and Marvel superheroes alike), I like to think of “Ghostbusters” 2016 as an Elseworlds tale, where the concept of Ghostbusters exists, but on its own plain and on its own terms. The Ghostbusters we know from the eighties are also existent, but in their own personas and fulfilling their own purposes. “Ghostbusters” 2016 even as its own horror comedy is just mediocre. It’s not as great as the original “Ghostbusters” but is definitely a notch above “Ghostbusters 2.” Melissa McCarthy is her usual wry self as Abby Yates, a once paranormal researcher who has spent many years trying live down co-publishing a book about the paranormal.
Tag Archives: Supernatural
Geist (2016)
From Giant Animation Studios comes “Geist,” a magnificent and eerie animated film that explores the fall out from a tragic event and how one man comes to terms with it. Brought to life with amazing computer animation and marvelous visuals, “Geist” centers on a lone sailor who, after a ship wreck, finds himself lost in a vicious storm. When he finally finds a small cottage on a hill he seeks refuge for the night, hoping to regain his senses and warm up.
But all is not what it seems within the cottage, as someone or something else lurks in the dark crevices of the house, prompting the sailor to go looking for his watcher before it’s too late. Before long, he begins remembering his ill fated ship wreck and what brought him to the island initially. Directors Alex Sherwood, Ben Harper, and Sean Mullen create a vivid and very eerie short film that doesn’t rely on jump scares or shocks. It’s instead very reliant on the mood and blankets of darkness to keep the mystery of the unknown the most terrifying aspect of “Geist.”
The trio of directors relies on the unseen and unknown until the very end where our true view of what’s unfolded is a tragic glimpse at the concepts of fate, and destiny. I can’t say enough about the wonderful animation pulled off by Giant Animation Studios who build a very vivid world and dreamlike landscapes surrounding our character that may or may not be natural at all. Whoever says animation is only for kids and families really has never seen what indie filmmakers can do with bold ideas and complex themes about loss and death.
Realm of Souls (2013)
A group of filmmakers go ghost hunting at a site reputed for sightings and paranormal phenomena. Once on the site, they take a quick tour and set up before finding cameras and equipment from a previous group. What they find on the recordings is disturbing and also a warning.
Written and directed by Chase Smith, Realm of Souls is a mix of found footage and traditional footage with a touch of night vision and false damage on the found footage. The story is typical of the found footage ghost story/demon sub-genre in horror. It goes in the expected ways: Team goes in woods, investigates, films, disappears, second team finds their work. The writing and directing here are decent but the story feels a lot like “been there, done that”, especially for anyone who watches a lot of horror movies.
The characters or people (as we are supposed to think of them as real people, and not actors playing parts) here are fairly run of the mill for the sub-genre with the added touch they are filmmakers so the found footage is halfway decent, shot in a more stable camera style (thankfully), and with decent focus. There are a few original twists and turns, but most were a bit predictable still. The dialogue needs to be notes here as it does come off mostly natural and not forced or grating as in many found footage films recently.
The cast is composed of some of Chase Smith’s regulars and new faces. Most of them are not going to be familiar to most viewers, which is something absolutely necessary for found footage films to work as a famous face can throw the viewers out of the story and the experience. Once again, Smith works with a big cast here, making it harder for anyone to stand out unless they are absolutely magnificent or completely dreadful. Neither happens here, however no one being really bad is a good thing as so much rests on the cast in this type of films.
The special effects are decent for what can be seen in the found footage and night vision scenes. None of it will revolutionize effects or the genre, but what is there fits with the movie and looks nicely bloody. Added effects that this reviewer could have done without were the fake damage on some of the footage and the blue screens between some of the scenes. The former was an annoyance while the latter just takes the viewer right out of the film while wondering why this is happening. This breaks any kind of tension there might have been and kills the mood of the film far too often. These do not add anything really to the film and distract way too much from the story.
The idea of filmmakers going to tramping grounds to film paranormal phenomena is interesting but the way it’s exploited here makes it lose most interest as the pace of the film is beyond slow, spending far too much time on its too numerous characters instead of the actual creepy and scary parts of the story. The film takes a very long time to get going and but the time it truly does, it’s too little too late and not enough time is spent on building dread and fear to make the reveals any kind of impactful.
Realm of Souls is a well shot but wasted with found footage effects, such as night vision and fake damage, which will most likely only appeal to hard core fans of the sub-genre. The casual viewer and those not into this style will most like be quite bored by the proceedings.
Realm of Souls was produced by Spirit World Films.
Jeepers Creepers 2: Collector’s Edition [Blu-Ray] (2003)
With the follow up to the criminally overlooked “Jeepers Creepers,” director Victor Salva completely loses all sight of the potential for his first film and embraces the B movie roots of the Creeper. That’s not to say that’s a bad thing, but “Jeepers Creepers 2” ends up being a brutally silly movie that offers a solid diversion, even in spite of its massive flaws and lapses in logic. To add to the unusual experience, the follow up to the original is filled with so much homoeroticism and subtle sexual overtones, you’ll feel just as uncomfortable as the characters do while they’re being stalked by the Creeper.
Jeepers Creepers: Collector’s Edition [Blu-Ray] (2001)
Victor Salva’s “Jeepers Creepers” is a pretty excellent and haunting horror gem in the early aughts when horror was pretty stagnant for a while. A mix of Duel and a genuine monster movie, director Salva presents a well paced and very scary film that only accentuates how terrifying films on the wide open road can be with the proper premise. Justin Long and Gina Phillips is top notch, keeping the film afloat with their memorable chemistry and fantastic interplay. They play siblings Trish and Darry, two college students tasked with delivering a car to their cousin across the country. Along the way as they bicker and deal with boredom, they’re confronted with a menacing truck that nearly runs them off the road.
While mistakenly crossing its path, they find the truck and its menacing driver seemingly sliding corpses down a storm drain. Deciding to investigate it, the pair arouses the anger and obsession of the truck’s driver, who slowly reveals himself to be anything but a simple psychopath. Quite obviously working on a limited budget, director Salva keeps a lot of the elements of the villain ambiguous and left wildly up to speculation by the viewer. Rather than piling on a lot of knowledge, our characters literally drop right in to the lair of our villain and slowly realize the severity of their discovery and how it will greatly affect their lives if they don’t get off the road and back to civilization.
The terror is amped up minute by minute, as both protagonists slowly run out of options in their efforts to get home, and try to outwit the monstrous driver who reveals himself to be much more clever and vicious than they ever imagined. Long is especially very good as his sanity slowly dwindles the deeper in to this nightmare he and his sister drop. Phillips plays well alongside Long, keeping up with his strong turn as a very strong heroine. A lot of “Jeepers Creepers” is beautifully paced and well edited, allowing for a ton of simple but brutally creepy moments. Some of the best scenes involve an attack on two beat cops in the background as our characters drive ahead of them, and the final reveal of our villain which is both jarring and shocking.
What would have been a simple “Duel” knock off spirals out of control in to a bonafide tense monster movie that keeps its pace pretty brisk and introduces us to a twisted new horror fiend with survival instincts that make it relentless, vicious and remorseless. What’s more is that many elements are introduced that are very supernatural and out of the ordinary with ideas about premonitions and fate that either favor this being’s hunt for prey, or ultimately work against it. “Jeepers Creepers” is a fine horror yarn, and one that goes criminally under appreciated mainly for Salva’s very public sordid criminal past, and the sub-par sequel.
Disc One from Scream Factory includes an audio commentary with director Victor Salva, whose work on this feature is informative, if kind of tedious. The second commentary features Salva with cast members Justin Long and Gina Phillips. It’s a fun little reunion, as the trio seems very casual and friendly toward one another. On Disc Two, there’s the thirty seven minute “Jeepers Creepers: Then And Now” a collection of interviews with the cast and crew. “From Critters To Creepers” is a twenty minute interview with producer Barry Opper, who discusses in length his career, working with legends of horror, and his involvement with the film.
“The Town Psychic” is a seventeen minute interview with Patricia Belcher who plays the town psychic introduced in the second half. “Behind the Peepers” is an hour long HD transfer of the original Standard Definition documentary. It’s a six part making of for “Jeepers Creepers,” with cast and crew interviews, video clips, production stills, the creature designs, and so much more. There’s a seventeen minute “Deleted Scenes” reel containing extended scenes and alternate openings and ending. There’s also the original trailer, a radio spot, and a trailer gallery with production stills, on set photos, and concept designs for the creature.
Alleluia! The Devil’s Carnival (2016)
I assume somewhere down the line we had to fill in the holes and explore how the battle between heaven and hell ensued. I’m just not sure we had to spend the majority of the sequel doing so. “Allelulia!” is mostly a misfire of a sequel to the raucous and wonderful “The Devil’s Carnival” that fills in the questions from the first film. In the duration of the follow-up, we get to discover how the war began, how the battle became personal for hell’s minions and heaven’s warriors, and there’s even the origin of one of the Devil’s Carnival’s most infamous minions who we see a great deal of in the original film.
Coda (2014)
Alan Holly’s “Coda” is a remarkable and beautiful animated masterpiece. It’s rumination on the beauty of life and how senseless it can be. But Holly also observes that the beauty of life can be in how senseless and unpredictable it tends to be. Surely, people die for no reason, especially good people, but there’s a lot of amazing things that happen without prediction either. Often times some of the best moments of our lives happened spontaneously like fireworks from the darkness.