I always get a kick out of Washington Irving’s story of Ichabod Crane and the Headless Horseman. And I always get a kick out of movies that put a little twist on the formula. “The Haunted Pumpkin” is a short but sweet Halloween tale that takes the whole Headless Horseman story and brings it in to the modern age; the animators and writers insert a little bit of hijinks, and some comedy in what is basically embracing the tale of the Headless Horseman to an effective degree.
Tag Archives: Supernatural
Headless Horseman (2022)
Take two cups of “Ghost Rider,” one cup of “Spawn,” a dash of “The Crow,” mix it up with only a fraction of the budget, and you have Jose Prendes’ “Headless Horseman.” The Asylum’s newest mockbuster watches like an off brand comic book movie from the late nineties. It feels like something from a studio that couldn’t afford Marvel’s “Ghost Rider,” so they opted for a character from an obscure indie label. If it seems like I’m just mocking “Headless Horseman,” I’m truly not. I was surprised at how much I didn’t hate it, as while the movie borrows from the aforementioned series’ wholesale, it amounts to some cheesy, charming fun.
The Jester (2023)
The Jester originally began life like a lot of contemporary horror icons: debuting mainly through short horror films. The Jester was a character that appeared in a series of short horror films until finally garnering his own feature film. Like many modern horror characters, the Jester is a monster that’s all dressed up with nowhere to go. That’s not to say that Colin Krawchuk’s horror film is a bad movie, it just wastes what could be an interesting supernatural monster (if the cards are played right).
Seven Horror Baddies that Deserved to Be Bigger
For every Jason Voorhees, Michael Myers, Chucky, and Freddy Krueger we have, there are at least two dozen horror villains that either fell in to obscurity, or were never fully realized. Every horror geek has their own list of horror baddies that they felt could have and should have risen to mainstream popularity, or icon status, but alas sometimes the horror world isn’t in their favor. These are seven horror villains that deserved more films, or better films than they received, in the end.
What are some of your beloved horror baddies you think deserved a huge fan base or franchise?
The Spine of Night (2021)
What I loved about “The Spine of Night” is that directors Philip Gelatt, and Morgan Galen King don’t shy away from the fact that their movie is meant to be a modern “Heavy Metal.” It’s an unabashed celebration of Ralph Bakshi, Frank Frazetta, steam punk, and heavy metal right down to the rotoscoping animation that is used to bring the film’s vision to life. The animation is right on par with what you’d expect from the master Ralph Bakshi but I was happy that the pair of directors who write the film kept true to the story that they were telling through the very end.
The Exorcist (1973): 50th Anniversary Edition [4K UHD/Digital HD]
William Friedkin’s unfortunate passing in 2023 sadly came during the celebration of one of his all time greatest cinematic masterpieces. This year “The Exorcist” celebrated its 50th anniversary and its legacy has continued thriving. It’s heralded as a horror and cinematic masterpiece by some, it’s despised by religious circles, and it’s yet to be duplicated in impact and influence. This year the studios have pulled out all the stops with licensing merchandise, re-releasing the film in to theaters and of course the 50th anniversary edition of the film on 4K UHD.
The Nun II (2023)
I still think that James Wan and “The Conjuring” universe still has a great villain in the demonic nun Valak, and “The Nun II” is on the right track to fully realizing her potential. Despite still being sorely under utilized, “The Nun II” still crosses the finish as a solid horror thriller with some great mystery and some surefire scary images that should earn its place in the gamut of “The Conjuring” movie series. I also quite enjoy how the movie just has a better grasp on its tone, allowing for a movie that’s definitely scary, and not too concerned with its dramatic tone.