Paranormal Activity: The Marked Ones (2014)

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The dilemma that the writers for the “Paranormal Activity” series now find themselves in is that “Paranormal Activity 3” was a prequel that told us everything we needed to know about this mythos. We began with Katie, continued with her sister, and then found out why they were so special. The third film ended the saga. Now, the continuing sequels are really just running on fumes and scrambling to find ways to continue a story that doesn’t really need continuing. “The Marked Ones” is a great effort, but a sub-par horror film.

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All New Ghost Rider #1 and #2

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I appreciate the fact that Marvel are appealing to a more diverse audience of readers by turning their more dynamic characters in to alternate versions more interesting and complex. Surely, there will always be a place for the eighties Ghost Rider, but “All New Ghost Rider” is pretty fantastic in its own right. It dares to change the entire mold of Ghost Rider and manages to build a titillating and complex look at a corner of the Marvel Universe rarely explored: The lower class struggling to get by. Mostly though I appreciated Felipe Smith’s writing abilities, as he touches upon a lot of elements growing up in inner city neighborhoods. Robby Reyes is a high schooler caring for his disabled little brother alone, and in one scene there’s gun fire in the distance, followed by police sirens. “Remember, we never go outside when we hear firecrackers,” Robby tells his brother Gabe, after convincing him the gun fire was firecrackers.

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Our Top Five Fantasy Films of the 80’s

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Let’s face it, the eighties were a grand time for the fantasy genre. Surely, comedy and horror had their days, but fantasy is what I mostly remember. As a kid my parents kept me from watching the more hardcore horror films until I was old enough to handle them, so most of the time I retreated to fantasy. They had distant lands, monsters, demons, and ghosts just the same. And often they were as violent as horror films were. My time spent watching movies were mainly spent with films from the 1980’s, and it’s no surprise that most of my fantasy favorites are from that fun decade. Here are five of my favorite fantasy films of the 80’s. And no, they haven’t aged a bit.

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Knights of Badassdom (2014) [Blu-Ray]

Hopefully someday we’ll be able to see the director’s cut of “Knights of Badassdom” as originally envisioned by Joe Lynch. Truth be told, he’s a very talented director, and I’d be more than willing to watch this again. Anything with Summer Glau gets a free pass by me. In its current state as the Producer’s Cut, “Knights of Badassdom” is still a great horror comedy that takes a bunch of LARPERs and drops them smack dab in the middle of a horrific situation involving a flesh eating demon with the face of a goddess.

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The PC Thug: What the Return of “Heroes” Means to Me

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“Heroes” definitely wasn’t worth the hype, and I say that as someone who invested a lot of time in the show. I loved it from minute one, and eventually dropped it like a bad habit mid-season two. I do that to most shows I watch on TV, but rarely with a show centered on people with super powers and mired in comic book mythos.

I sat through four seasons of “Smallville,” three seasons of “Lois & Clark,” I watched the whole of “Mantis,” “Night Man,” “Mutant X,” “My Secret Identity,” “Swamp Thing,” and most of “The Cape.” As for “Alphas”? It had a great concept and that’s about it. I’ve been very forgiving when it comes to series about super powered people and superheroes. So don’t lecture me on being loyal.

<!–more–>But even with its convoluted writing, badly serialized story arcs, and lack of ideas after season one, it’s STILL waves better than “Smallville” ever hoped to be. It had a better pedigree of actors, a much better cast, excellent production qualities, was much more ambitious, and garnered infinitely more epic potential.

“Oh Felix, you’re just hating on “Smallville” because it lasted ten seasons and Heroes was just a fad.”

The WB flat out admitted in their CW re-launch that they only left Smallville on the line up because they had nothing else to air. The first month of the new CW they barely had enough programs to fill up four days of programming! And it was on for a decade because by CW standards, it did well in the ratings!

Sorry, I’m going off topic, here. Where was I?

In either case, “Heroes” was the better of the pair, despite being just a lot of nothing. “Heroes” presented this idea that there was so much substance and dimensions, and it offered nothing in the end. “Save the Cheerleader, Save the World”? It meant nothing. The season finale? Nothing. Just fucking disappointing. I collected magazines, and read theories online for the series, I avoided spoilers like the flu, and I centered every Monday Night around it. And then on the season two premiere, I felt a deflated sense of enthusiasm, and I was so crushed at how they greeted fans who’d returned.

Granted, the show introduced me to gorgeous women like Brea Grant and Hayden Panetierre, so I can’t really fault it for that. And Sylar is still an amazing villain with great potential. He was just in the wrong series. These days with NBC seemingly having absolutely nothing on their plate, it’s not a surprise “Heroes” is coming back.

Marvel and DC are at war to churn out movies and TV shows from their properties, and NBC couldn’t even sell audiences on seeing shows from past sitcom icons like Michael J. Fox, so it only stands to reason they’d go back to “Heroes,” and try to give Marvel and DC a run for their money. The truth is “Heroes” still has potential, it just has to demonstrate a lot of back pedaling to be taken seriously once again.

You can pay tribute without being completely derivative, don’t crowd the screen with characters, don’t build up to something huge only to offer absolutely nothing, and every single season should have a new cast. Period. I don’t care how popular they are, completely wipe the slate clean and focus on new character affected by the eclipse that turned people in to beings of immense power. Hey, it works for “American Horror Story”! And the cast of “The Walking Dead” season one is almost completely different from the cast of season four.

Don’t be afraid to kill people off, don’t be afraid to really deliver on the ideas after a lot of build up, don’t build up to nothing. Catchphrases are neato, but how about offering a conclusion to said gimmick like “Save the Cheerleader, Save the World”? And don’t promise an epic battle only to show two guys punching one another and end it abruptly with our hero exploding in the sky. That was so fucking disappointing. Introduce one villain, one fluid story, dodge the stupid time travel nonsense, and run with it. NBC is insistent the new “Heroes” will be a mini-series, but I’m sure there’s an option in there somewhere to bring it back as a series once again.

You can make the argument the writer’s strike gave the show a disadvantage somewhat, but the series was doomed before the strike. That said, based on NBC’s latest fantasy series “Revolution” and their complete mishandling of that epic series, I’ll likely skip “Heroes: Reborn.” Unless there’s a really good argument for trying it out, or if the trailer for it is really good. Or if Brea Grant comes over and asks me to the premiere. Either way, I’ll consider it. Probably.

Haunter (2014) [Blu-Ray]

Director Vincenzo Natali’s “Haunter” is a major departure from his 2010 hyper sexual science fiction monster movie “Splice.” It’s in many ways much more tame, and occasionally can feel like a PG-13 outing. It’s still a pretty grim and occasionally creepy horror film, but it can also be an interesting fantasy film that works in twisting the conventions of the ghost tale to, for once, make the victim of the movie monster the heroine.

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Witchboard (1986) [Blu-Ray/DVD Combo]

Director Kevin Tenney’s “Witchboard” is a spooky, but damn silly supernatural mystery that really works in the context of the eighties and really nothing else. Unlike “Night of the Demons,” you really have to consider the time period in order to enjoy “Witchboard” for its elements that will give you occasional chills, while also inspiring a few eye rolls here and there. This is a decade where the Ouija Board was still considered something of a mystic item, so director Tenney plays with such a superstition.
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