Tag Archives: Supernatural

The Shadow: Collector’s Edition (1994) [Blu-ray]

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I love pulp heroes and classic superheroes from the 1930’s. If you were around during the 90’s, you will remember many of the heroes that studios attempted to revive for big franchises and massive movie series. And sadly they all failed. From Tarzan, and The Phantom, right down to The Rocketeer, they were all fun movies, but audiences wanted no part of their worlds. “The Shadow,” the biggest inspiration for the creation of Batman, is still one of the most underrated superhero adaptations ever made, but one that unfortunately never bloomed in to a full fledged film series.

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Night of the Demons III (1997)

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Movie three and I’m still not sure about what Hull house is, or why it hasn’t been torn down yet by the city. We know it’s built to keep out demons, and we know a man is accused of slaughtering his entire family (all of whom likely possessed by demons), but beyond that we’re not given anymore information. There’s still a lot of material to be mined from the concept, but director Jimmy Kaufman is mainly here to bring us through the motions. Angela is back, and she’s preparing another Halloween party for demonic minions. That’s about it, and that’s all we’re really getting for this final outing. Unlike the second film, Kaufman doesn’t do much with Kevin Tenney’s original premise.

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Gingerdead Man 2: Passion of the Crust (2008)

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Gary Busey didn’t come back for the sequel? Was he holding out for more money or did his wrangler have a hard time tranquilizing him? In either case, much of “Gingerdead Man 2” is still just so damn inexplicable and confusing. Michelle Bauer plays Miss Polly who appears at a local film shoot with baked goods. Inside the box is Gingerdead Man. How did he get in there? Why is he there? Is someone sending him around to kill people? It’s never actually explained or remotely hinted.

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Counterparts (2014)

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Director Patrick Rea’s tale of sibling rivalry and back stabbing that progresses well in to the supernatural is a devious and fun little short film that I enjoyed a great deal. It’s a sick and slick look at karma and really does build upon a slew of characters, all of whom are slimy and very much based on self-gratification and self-preservation, blood bonds be damned.

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Cat People (1982): Collector’s Edition [Blu-Ray]

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When Val Lewton and Jacques Tourneaur conceived “Cat People,” the budget was low for anything truly spectacular, thus allowing them to get creative. Director Paul Schrader definitely has a larger budget and wider scope to deal with, resulting in a fairly forgettable remake. If you can call it a remake, mind you. All the mythology is lost in favor of a hyper sexual retelling that keeps the cat people and removes everything else. “Cat People” definitely fits the nostalgia bill for people who find Nastassja Kinski especially sexy, as Schrader soaks the film in a palette of neon colors and bold bright pastels while Giorgio Moroder’s score blares non-stop.

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Carrie (2013)

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If there’s anything I can say about the remake of “Carrie” is that it’s at least better than the 2002 version. It’s more focused and sleeker. I remember reading on many articles that director Kimberly Pierce was planning to deliver a new and dynamic version of Stephen King’s “Carrie” that differed greatly from Brian DePalma’s iconic horror masterpiece. I’d love to know what happened during the entire development of this film because watching it, all I saw were callbacks to the original DePalma movie. Surely, there’s the addition of the internet and a small riff on cyber bullying but it’s really just a riff on DePalma’s film.

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Sinister (2012)

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Ethan Hawke plays Ellison Oswalt, a successful crime author whose last book was a hit and garnered him a lot of hatred from folks surrounding the murders. Desperate for another hit book, Ellison moves his family in to the house where a vicious murder was committed in hopes of finding out why the family was murdered, and where their daughter Stephanie disappeared to. The explanation that he moves them in to the house where the murders ensued should be a clue that Ellison isn’t very smart. Hawke is a very good performer capable of conveying desperation and torment, but he’s given the task of turning Ellison in to an empathetic protagonist. Which is tough considering the more we know about Ellison the less likable he is, and when the screws finally turn on him, we’re not too saddened by it.

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