If you’re a viewer of the horror channel Chiller here in America, you may have remembered that the channel played a promo for their TV movie “Dead Souls” all the time. In fact for three months whenever I watched the channel, I was inundated with promos for the movie four times per commercial break. For a channel based around syndicated shows, there are a lot of commercial breaks, too. Finally watching “Dead Souls” I’m shocked the channel would provide so much hype for such a half baked and painfully boring horror drama that fails as horror, drama, and supernatural entertainment.
Tag Archives: Supernatural
A Haunted House (2013)
It’s almost as if Marlon Wayans, the least funny Wayans brother (which isn’t saying much) decided he wanted to get out of the shadow of his big brothers and siblings, and just made his own comedy movie. Since the “Scary Movie” brand is now someone else’s property (since that series is so genius), we now have “A Haunted House” a movie so bereft or wit or actual comedy, that it’s embarrassing. But Wayans himself seems intent on going his own way and forming his own comedy niche. And he fails. Wayans only really works well under the guidance of someone who knows what they’re doing. Or (in the case of the “Scary Movies”) have some idea of what they want to accomplish in the arena of comedy.
The Continuum – Witch of Deadwood (2013)
“Witch of Deadwood” is an animated short film very much in the tradition of Bakshi and fantasy works from Tolkien, where it’s easily accessible to all ages. “Witch of Deadwood” is a peak in to a very dangerous and complex world that is brought to life with rich animation by Raymond Kosta, along with wonderful direction by Larry Longstreth. Short but sweet, “Witch of Deadwood” is set on a family of dwarves traveling through a harrowing wooded area.
V/H/S 2 (2013)
Like the first “V/H/S,” the sequel to the acclaimed anthology surely won’t re-invent the wheel, but it still manages to be a very good horror film with a killer series of stories. Meshing the found footage sub-genre with the anthology film. “V/H/S 2” learns from the mistakes of the first film by reducing the number of stories and lengthening them for more exposition. There are still inherent flaws and plot holes injected in to this sequel, but for this outing there’s a better sense of coherency, and a lot less filler. Rather than the more confusing premises from the first film, this time around the four stories are much easier to follow. To wit, they’re much more entertaining.
Who Can Kill a Child? (Quin puede matar a un nio?) (1976)
In the sub-genre of killer children films, “Who Can Kill a Child?” is the best I’ve ever seen. Sure, many people will choose “Village of the Damned” but for my money, it doesn’t equal the grit and grim atmosphere of director Narciso Ibáñez Serrador’s horror film. Not by a long shot. “Who Can Kill a Child?” experienced a lot of censorship and banning upon its initial release, because it’s a film that doesn’t flinch from its premise.
The Shadow (1994)
You can almost see where Alec Baldwin would have been a wonderful Bruce Wayne and Batman at some point in his career. Early in his life, Baldwin was heavily considered for the part of Bruce Wayne and Batman in the first cinematic incarnation of the Dark Knight. Back then Baldwin was thing, dark, had a sense of mystery to him, and garnered a raspy gravelly voice that made him sound mystifying. Unlike Batman, The Shadow operates on an entirely different code of ethics and crime fighting, and is never above using his two trademark hand guns to instill justice on the slime of the city.
Little Reaper (2013)
The role of the grim reaper isn’t an easy one, and the Grim Reaper himself knows it all too well. He’s getting on his years, and is now looking to train his daughter to become the new Grim Reaper. She is a young girl who is obsessed with her own life, and isn’t looking forward to becoming a reaper. She just wants to be like the cool girls in school, the Banshees. But, being the daughter of the Reaper, she will eventually have to keep the scales of life and death balanced, and the Reaper is intent on making her uphold her duties, or endure a terrible grounding.