Hostel/Hostel Part II/The Tattooist/The Hunt for the BTK Killer – 4 Movie Collection (DVD)

If you’re willing to do without the nasty things like special features, and trailers, the four horror hits from Mill Creek Entertainment isn’t really that bad a purchase. If you can stand to sit through two terrible horror films and two mediocre ones as well, then you’re really not going to be disappointed considering the price tag on the four film set.

Another in a line of consumer friendly sets, Mill Creek releases a four horror film set for modern horror fans and all things considered it’s a solid release with four films that may not be masterpieces but are at least worth experimenting with. With the four movie collection on DVD, here is what you’ll ultimately get:

Hostel (Unrated Director’s Cut) – Produced by Quentin Tarantino, “Hostel” is a torture porn horror film and box office winner directed by Eli Roth that sets the light on a group of American travelers who end up in a ring of depravity and torture when they attempt to find random sex and sew their wild oats in Europe over their vacation. Though Eli Roth’s horror film suffers from bad writing, an uneven tone, and a horribly homophobic narrative, “Hostel” does come out ahead with some strong performances and a good lead role by underrated actor Jay Hernandez. And for folks who appreciate it, there are cameos from major horror icons who play members of the elite Hostel who pay thousands of dollars to torture innocent people for their own pleasure and satisfaction. Don’t believe the hype, hostels don’t exist.

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Attack of the Strawberry Jam! Celebrating "The Blob" Remake

I remember seeing you in “The Blob” when I was a wee lad. I used to watch it every other day on WPIX Channel 11 before it was taken over by the WB, and even though most of the film was edited and chopped up, I watched not only because it’s one of the best remakes of all time, but because, well, you’re really hot. I remember being ten always watching “The Blob” before I went to bed. The movies always started at eight and, come hell or high water, they ended at ten for the news, and that’s okay, because that’s when I went to bed. I remember being ten and watching your sweet self running around screaming and just being an all around hotty, even when in the sewer all wet and dirty.

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Body Snatchers (1994)

315094_fullIt seems every other decade or so, there has to be a big screen adaptation of Jack Finney’s seminal science fiction novel about aliens that transform in to you when you’re sleeping. 1956 saw the Kevin McCarthy masterpiece that basically explored the fear of McCarthyism, 1978 had the pretty damn good Donald Sutherland creep fest journeying in to the fear of conformity in an age where the free love movement had died, and even in 2007 there was the reworked flop “The Invasion” which attempted to prey on our delirium about biological warfare and terrorism (and failed). 1994’s version is a horror film that’s meant to pretty much just be a horror film.

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The Walking Dead: Cold Storage [Web Series]

“Cold Storage” doesn’t have much in the way of a narrative, but then the whole purpose of “The Walking Dead” webisodes is to whet the appetites of fans craving more of Robert Kirkman’s world, and to give producer Gregory Nicotero something to do. Show producer and special effects master Gregory Nicotero is slowly making his way in to the directing business, lensing some of the episodes for the hit series, and directing both web series for the hit horror drama. “Torn Apart” was a much more meaningful and concentrated effort in the Walking Dead mythology as we got to know the origin of bicycle girl. “Cold Storage” has a link to the show, but only in a mere lip service sense. It’s an “oh look!” moment and then it passes.

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Wes Craven's New Nightmare (1994)

new_nightmare_poster_02“New Nightmare” is the final installment of the series and something of a meta-movie that pre-dates Craven’s wildly overrated “Scream” series. Rather than deconstruct the slasher film, Craven deconstructs the “Nightmare” series once and for all studying the over saturation of Krueger on the masses of pop culture fanatics and dares to ponder on the notion that the “Nightmare” movies may have actually done more harm than good. Basing most of the film on reality (including the stalker sub-plot), “New Nightmare” breaks down and disavows the series opting instead to depict them as fiction that have taken on a life of their own in the midst of the pop culture overload.

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Night of the Living Dead (1968)

notld68posterI spend a lot of time debating and exploring “Night of the Living Dead” to an almost obscene degree. While today it’s been passed around more than a bong at a Grateful Dead concert, has been included in every horror boxed set imaginable, and has been remade, reworked, and rebooted to a sickening degree, somehow George A. Romero’s “Night of the Living Dead” has managed to survive it all. It still stands, feet planted, in the ground and taking whatever the film world throws at it. A lot of horror geeks say Romero gets too much credit for “Night.” I mean, in the end isn’t it just a retread of the novel “I Am Legend” and “The Last Man on Earth”? And surely, it’s not the first genre picture to star an African American man in a dominant role. But still, “Night” is just art in motion. It’s still a rich and deeply effective indictment on humanity, and still possesses themes about the inner monster that ring true even in the digital age.

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Truth or Die (2012) (DVD)

Director Robert Heath creates a horror film that starts out like “Slaughter High” and ends like “Saw.” Basically, “Truth or Die” is a revenge film of the twisted kind where no one is truly just. In the end, it’s about despicable people hurting despicable people. As is the trend with most modern revenge tales, “Truth or Die” is about the destruction of revenge and how nothing is ever as it seems.

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