My first experience with “Tripping the Rift” was on the television show “Exposure” on the Science Fiction channel where the series that displayed a variety of independent filmmakers and their short films aired a special “Star Wars” tribute episode. “Tripping the Rift” was one of my favorites of the episode and it powered on to be a cult spin-off that I never sadly watched while it was on the air. “Tripping the Rift: The Movie” is a serviceable pop culture love letter, with not a single hint of originality, but a great energy that makes it worthy of the watch, even for people who have no idea what the plot is. Because, I sure as hell don’t. I know it’s a Canadian cartoon of the Canuck persuasion, and has a really hot computer animated chick in it.
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There Will Be Blood (2007)
My expectations were too high. My anticipation worked against me. It was too exclusive. Whatever the excuse or reason, “There Will Be Blood” is not the best movie of 2007 as I’d hoped, but hell, it sure is a damn good piece of dramatic filmmaking that flexes every single muscle of raw acting talent from each of its cast members involved. “There Will Be Blood” is likened to masterpieces such as “Citizen Kane” and “Giant,” and in many ways Paul Thomas Anderson aims his film down those roads but ends up with his own masterpiece of a man’s rise to power, and fall into his own lust for greed, oil, and his amoral misdeeds in the process.
Tom and Jerry: A Nutcracker Tale (2007)
If you go into “A Nutcracker Tale” expecting full blown Tom and Jerry mayhem involving burning hands, cut tails, and knives to the butt, then you’re going to be disappointed. We’re now at a time of sheer confusion where a cat cutting a mouse’s tail is crossing the line yet we’ll willingly allow our children to watch MTV. Censors and the FCC can never seem to make up their damn minds, anymore.
10 Seconds to Midnight (2007)
Jason Roberts’ science fiction thriller was a thinker, and by that I mean that I simply didn’t get it. At all. I sat there in the end dumbfounded, confused, and ultimately unsatisfied. And then I thought, and thought, and then figured out that perhaps writer Aretha Donnelly was asking the audience to decide for themselves what she was trying to get across.
Titan A.E. (2000)
There’s just no love for “Titan A.E.” and trust me, I understand why. It’s cliche, and a bit rehashed, but surely enough, it’s one of my favorite animated films of all time. Bitch and moan, insult and criticize, but “Titan A.E.” is perhaps one of the finest works of animated science fiction film I’ve seen in a long time, and I’ve loved it since it 2000, when I struggled to find someone to go to the movies with to watch it on the big screen. I never had that chance, but surely enough I watched it as soon as I could, and I wasn’t disappointed. This is a film that takes the writing talents of Joss Whedon, and the wonderful animation of Don Bluth and creates a hell of an entertaining and tense animated epic about attempting to rebuild planet Earth once and for all.
Twilight Zone: The Movie (1983) (DVD)
What would have been my idea of a great Twilight Zone movie? How about grabbing excellent writers and telling your own stories with twists and commentary. Instead, what we received were remakes of the best episodes of the series regurgitated in to mediocre installments with semi-horror bookends that seemed awfully shoe horned into the script. That’s not what I would have preferred as someone who absolutely loves the series with all his heart. And it’s simply not in keeping with Serling’s brilliant storytelling that’s painfully missed during the run time.
Twelve and Holding (2005)
This, ladies and gentlemen, are children. Or preteens. They’re nasty, violent, swear like truckers, and make horrible mistakes. Cuesta creates possibly one of the most exceptional, down to Earth portrayals of childhood and adolescence in the face of tragedy I’ve ever seen, next to “Mean Creek” and “Stand by Me.” Void of clichés, void of any false pretensions and completely void of any fictional happy endings, “Twelve and Holding” is a wonderful depiction of actual children, and that’s a rarity in modern cinema.


