One thing you can always count on with aliens, that no matter how advanced or sentient they are, their primary form of security is always two huge closing doors that slide together and seal as gradually as possible. You assume in their world they’d have laser doors that seal up in a matter of milliseconds, but no. It’s always very slow closing doors that never quite close fast to stop our heroes. But of course they always murder the alien pilots because–they’re obviously not trained to zip through the doors I assume. “Independence Day: Resurgence” is a sequel with such an obvious mission to launch an “ID4” cinematic universe that it’s almost not really worth watching “Resurgence” at all, when you get down to it.
Tag Archives: Thriller
The Sublet (2015) [Blood in the Snow 2016]
A young couple with a baby move into a sublet with a mysterious locked room and a few secrets. As he works more and more toward getting his acting career on track, the more she spends time alone in the sublet with their son. As time goes by, odd happenings add up and she begins to seemingly lose her mind. Written by John Ainslie and Alyson Richards with Ainslie directing, The Sublet build tension as the characters drift apart due to life and due to whatever force is working on the new mother, Joanna. As her mind seems to unravel, the potentially supernatural happenings multiply and so does the tension.
Dangerous Worry Dolls (2007)
Life is funny. One moment you’re in prison being beaten up, the next moment you’re having a miniature skull growing out of your forehead. “Dangerous Worry Dolls” is a silly, dumb, and very unscary take on the further obsession of mini monsters doing dangerous things by Charles Band. You have to give it to the man, he always finds a way to squeeze in miniature monsters on to film and look for new and unique ways to make them villains. “Dangerous Worry Dolls” is terrible, but at least Band has a new and unique idea for making mini-monsters become the villain for a movie that looks like it was made on a budget of ten dollars.
3 Dead Trick or Treaters (2016)
An author writes stories for the 3 dead trick or treaters he killed and buried. These stories are about teens going murderous, a human sacrifice, hungry homeless people, and a special delivery. Writer/director Torin Langen takes the anthology sub-genre and gives it an extra twist by having no dialog. The film is not actually silent, there are noises and the characters make the occasional sound, but no one actually talks to anyone. This twist or different way to do things forces the film to develop its stories without the strength of the spoken word, giving more importance to the actions and the music to pass information and emotions. This shift is interesting and leads to the viewer having to pay more attention to what is on the screen.
Capture Kill Release (2016) [Blood in the Snow 2016]
A couple plans their next activity together: To kill a random stranger. As they plan, prep, and discuss the possible murder, they start to disagree on things and it becomes clear that one of them is very into the idea of murder while the other is not so much. Written by Nick McAnulty who co-directed with Brian Allan Stewart, this found footage film does a few things right such as casting two leads that are rather unfamiliar, a move reminiscent of Paranormal Activity, and it shoots in a clear manner, meaning that is happening and said can be clearly seen and heard which is something many film of the sub-genre do not pay enough attention to. This film shows what is happening and the emotions very clearly and it works in its favor as it brings the viewer in and let them get invested in the story.
Don’t Breathe (2016) [Blu-Ray/Digital]
Director Fede Alvarez’s thriller is a pitch black take on “Wait Until Dark” with a hint of “People Under the Stairs” taking a blind man who turns the tables on perpetrators. This time around though, the blind victim is a very prepared war veteran who skulks around like a predator even in his own home. When he begins challenging the thieves that infiltrate his oddly armed home filled with various pitfalls, he stalks them with confidence, even without eye sight. Stephen Lang’s Blind Man is an oddly horrific and intimidating new horror character who works on his own moral code. Whether or not he’s a villain may depend on the interpretation by the audience, and what they consider pure evil or just pure justification. Fede Alvarez teams two groups of victims against one another in a world that’s taken away all of their futures and ideas of hope.
Killjoy 3 (2010)
“Killjoy 3” is a simultaneous rip off of “Waxworks” and “Nightmare on Elm Street” as Full Moon works desperately to create a new horror icon. Killjoy is a character who, let’s face it, could probably get his ass kicked by Chucky’s son Glenn, if things got hairy enough. Nothing about “Killjoy” makes too much sense, but you have to admire how the movie tries its damndest to transform mimes in to terrifying villains. Set very specifically in one location, we meet four college students as they’re preparing to have a get together one night involving drinks and horror movies in the house of one of their professors. Student Sandy decides to hold a gathering while he’s away, oblivious to the fact that he just made a broken pact with Killjoy.