I remember the first time my brother and I asked my parents if we could rent “Leprechaun” from the video store. My dad responded with “No way! You guys won’t be able to look at a box of Lucky Charms for a month!” Suffice it to say he did rent it after we begged, and not only did the movie not scare us, but it bored us to tears. You can just sense that writers behind the concept were running low on mythical monsters to turn in to horror villains. Trolls were taken, as were elves, so the leprechaun seems like a logical but failed next step.
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Leprechaun: Origins (2014)
It’s not like the Leprechaun was a horror icon in the ilk of Freddy Krueger or Jason Voorhees, but one of the aspects of his movie that made them somewhat bearable was Warwick Davis. His personality and good humor shone through the crap that was the “Leprechaun” series. In one fell swoop WWE Films, and Lionsgate take the entire series and completely sap out the life, appeal, and dark comedy in favor of a really stock monster movie where absolutely nothing happens. All of the lore and mythos that the original series tried to implant with their small monster is gone and we’re given a very dull and lifeless horror film.
Five More Underrated Horror Heroines
In 2012 we listed ten of our favorite Horror Heroines that we consider underrated. This year we thought we’d list five more very underrated horror heroines that risked life and limb for their family, or for a cause battling against a monster, demon, or some kind of alien. They’re gorgeous, strong, and prove you can be the final girl in a horror movie and not be at the mercy of pure evil. It’s really tough to find female characters in horror that are heroic and not just final girls. There’s a ton of final girls, but not many heroines, however we were able to find five we loved that also were conveniently enough, heroines until the very end.
Werewolf Rising (2014) (DVD)
Director BC Furtney’s “Werewolf Rising” might be a decent werewolf horror film if it took its eighty minute run time and trimmed it down to forty five minutes. The rest of the thirty five minutes are nothing but padding, filler, and bad exposition that are meant to compensate for the obvious lack of narrative present. There is so much obvious padding that it actually becomes an endurance test, because while I was irritated at the script treading water, there is still so much here that could have become a great werewolf picture. Unlike most indie werewolf films, there is actually a good portion of werewolf action, with rampaging monsters, and transformations, and a chase through the woods, I just wish we’d seen more of that, and less people getting drunk in bars.
The Digital Dead: Rise of the Zombies (2014)
I honestly have no idea what to make of “The Digital Dead,” other than it’s at least worth watching for experimental horror fans. It’s surreal, unusual, disjointed, and incredibly unfocused, and yet it seems like beneath the head scratching moments, director Wendell Cowart has ambition to create something interesting. With a bigger budget and more resources perhaps “The Digital Dead” may have been good, but as of now it looks incomplete, is woefully under developed, and really needs to trim twenty minutes to its run time. “The Digital Dead” is part slide show, part computer generated opening for a computer game of some kind, and part loose use of public domain.
The Eidolon State (2014)
There are endless internet memes and faux urban legends out there, but the one that tends to spook me most is the Slender Man. It’s been established long ago it was all made up for a contest, but it’s managed to achieve fame simply because the character is so menacing. Maybe it’s the blank face, the enigmatic origins, or the tweed suit. Who knows? “The Eidolon State” is one of the many indie films tapping in to the fanbase, and directors Dion Cavallaro and Paul Thomas know how to build a very atmospheric horror film.
How to clear an office full of zombies (2013)
In the spirit of the Boost Mobile promotion, the common thread in these “Stay Living” shorts is that the four characters chronicled in these films know they’re alive by use of their cell phones. They take pictures and videos of their killings and missions and stay connected, even after the end of the world. And, as explained in the intro film, they’ll all eventually meet up to compare notes, and split the loot four ways. Continue reading






