Robert is a tire. Robert is in the ground. Robert gains a consciousness and decides he doesn’t want to be rubble. Robert gets up and starts rolling down the road. He blows things up with its will. It squashes bugs. Now that it’s caught the eye (?) of a gorgeous young traveler, Robert is rolling down after her and is intent on garnering her attention.
Why? No reason.
Does there have to be a reason?
Revenge like anything is best served when in intricate doses. Batman, The Punisher, Freddy Krueger, they didn’t elicit their revenge in bouts of quick murder and or suicide. They instead withheld the final blow for as long as they possibly could and made the experience about as painful and immensely grueling as possible before the final closing shot. That’s the case for “I Saw the Devil” one of the most finely tuned revenge films ever created. It’s not just a movie about a man on a rampage looking for the monster who destroyed his life. It’s about a man embracing his inner most monsters and destroying the life of the man who took great pleasure in ruining his.
If you’re looking for a big hunk of eighties ham and cheese perfected by Michael Dudikoff with “American Ninja,” you have to look no further than the 2009 ham and cheese feast known as “Ninja”! From start to finish this movie is based around some of the hammiest acting I’ve ever seen and is centered on some truly cheesy storylines that have about as much originality as a Jean Claude Van Damme Movie. Hell, the little boy in me loved the whole ninja mysicism behind Scott Adkin’s starring vehicle matched with the blundering storyline that was about predictable as you can imagine if you have your eyes wide open throughout the first twenty minutes, but for all intents and purposes the Isaac Florentine actioner is not intent on being a masterpiece of action cinema.
Director PJ Starks has managed to create something of a very gripping and heartbreaking short film that doesn’t exactly lead audiences where one would expect. All along I suspected director Starks was going for an exploitative horror twist, but in reality the gut wrenching turn that ensues is far from horror and more horrific. But while the center piece is the overall hook to the story, “A Mind Beside Itself” is a testament to the power of grief, and the endless nightmare that is regret and guilt. Regret that we didn’t appreciate our loved ones while we had them. And guilt that it’s much too late to do anything about it. Tristan is a man who has just met the love of his life and they’re experiencing an amazing romance that will define his life forever.
There’s something absolutely genius about director Matthew Kohnen’s horror comedy in which he concocts a formula that’s been done before, and yet feels absolutely brand new. We’ve seen it a thousand times: the government is devising a new toxin for war fare and before they realize it they’ve created a breeding fluid for zombified soldiers. Choosing instead to do away with it, they camouflage the chemical as baby formula and drive it off to a deserted locale. Thanks to inept truck drivers, a barrel falls off the truck and in to a local town behind a bowling alley.
Ben Affleck impressed with his debut as director for “Gone Baby Gone,” a criminally underrated film. And he manages to impress yet again with “The Town,” a film about crime becoming a way of life, and death just another consequence for a profession. When is enough finally enough for someone? This is examined with Doug McRay, a man who has resorted to robbing banks for a living after a descent in to drugs. He’s mastered bank robbing down to a fine art, and one he specializes in that keeps him and his group of gun toting guns for hire constantly on the verge of being murdered on the job. As examined by the prologue, crime is often a way of life for folks in their city, and with Charlestown being the number one source for bank robbers, Doug only knows how to commit crimes, and is a veteran of such an common trade that he can barely remember what life was like before it.
From Anchor Bay Entertainment comes the much touted adaptation one of the most groundbreaking comic books of the new millennium. A thinking man’s horror comic book and teeming with literary value and mainstream appeal, “The Walking Dead” was a series begging to be made in to a big screen version from issue one. Thankfully AMC Networks latched on to the Frank Darabont led production and turned it in to a television series.
What began as a gamble on the horror genre and on a mostly underground comic book, has become a juggernaut that has benefitted the horror community for the better. The highest rated AMC network premiere of all time, and charged by a plethora of seasoned character actors from Jeffrey DeMunn, Laurie Holden and Andrew Lincoln and up and comers like Emma Bell, Jon Bernthal, and Steven Yeun, “The Walking Dead” has been an unstoppable pop culture force.