It’s hard to believe that a film I had considerable trouble sitting through without covering my eyes was directed by Corbin Bernsen of all people. This is the man who takes pride in starring in some of the worst horror movies ever made, and here he’s directed a film that has outweighed its double “Pontypool” in every aspect. While many were out celebrating the existence of the indie horror film about a radio DJ experiencing the end of the world through the radio, I sat waiting for something better from this concept and wouldn’t you know it? Here comes “Dead Air,” a movie that possesses basically the same concept and story and pulls off much more suspense and tension than “Pontypool” actually does.
Tag Archives: Thriller
Alive (1993)
I didn’t lead a fairly sheltered life growing up. When you are raised the way I was, you tend to see many disturbing things, And yet first watching “Alive” was a very interesting experience because it shook me down to the core. Watching people eat their loved ones and best friends is harrowing enough but having to ask myself how far I’d go to survive in the middle of nowhere is something else entirely. We’ve all heard of the Donner party, and we relive that same experience with the Uruguayan Rugby team who found themselves at death’s door after a horrible plane crash left them stranded in the snow covered Andes where help was literally hundreds of miles away. Losing their lives, and their sanity the group had to rely on their faith and their strength to make it through day by day being forced to live on rations and inevitably each other.
The House of the Devil (2009)
This movie is a big step up for director Ti West whose debut film was like an immature fan boy’s homage to everything schlocky, while his sophomore film was nothing more than a terrible sequel to a rather terrible film. West matures considerably with what is basically a slow boil homage to the seventies that is obviously inspired by the classic “Rosemary’s Baby.” Everything from the marketing campaign to the posters works under the pretense that this is a time capsule of the seventies, an unexplored gem from that decade that many haven’t quite explored yet.
Planet Hulk (2010)
I, for one, have never been much of a fan of the Hulk. Even when I was highly invested in Marvel Comics collecting them and rushing to newsstands every week with sheer excitement I always opted for something other than the green behemoth. Hell, I chose to buy Darkhawk and Super Pro over an Incredible Hulk comic. Apparently I’m in the minority again because Marvel seems to love the big guy. Ever since his introduction the Hulk has been included in practically every animated series, animated movie, live action movie, and comic series in some form. He’s even guest starred on series’ centered on the X-Men and Fantastic Four and somehow always manages to steal the spotlight. So it’s no surprise the Hulk is given yet another chance at the center stage with “Planet Hulk.” I never read the graphic novel, but as always Marvel squeezes in the entirety of the tale in to a movie that barely makes it past eighty minutes.
Triangle (2009)
My experience with Christopher Smith has been mixed over the years. I thought “Creep” was a good concept but pretty painful to sit through while “Severance” was an underrated horror comedy that suffered from comparisons to “Shaun of the Dead.” Surely though, Smith is a man whose genre outputs have been quite varied and he seems to be coming in to his own by directing films that benefit the horror genre rather than exploit it. Take “Triangle” a movie that by all accounts should have been given a theatrical release in the states. Sadly it’s basically just a direct-to-DVD release that will get lost in the shuffle. Which is a shame because while “Triangle” is a pretty atmospheric horror film, it’s so much more than that.
Cabin Fever 2: Spring Fever (2009)
It should serve as no surprise to the people who know me that I think “Cabin Fever” is without a doubt one of the worst horror movies ever made and one of the worst movies ever made. Seeing it in theaters was definitely one of the most excruciating and disappointing experiences I’ve ever had. This led me to form a pure hatred for Eli Roth and everything he stands for. Not to mention I did not enjoy Ti West’s film debut “The Roost,” so the chances of a sequel to Roth’s piece of junk entertaining me was utterly slim.
Massacrator (2010)
Watching “Massacrator” is frantic, jarring and violent, and in the end you feel very violated. I had every reason to love Pierre Ayote’s ode to Grindhouse silliness but instead I just couldn’t jibe with what was happening on-screen. Being a simultaneous ode to everything from Grindhouse to science fiction we meet Massacrator, a borg sent in to the present (or future?) to… kill a girl, I think. After decapitating a few poor suckers, he makes his way to a young woman who manages to get away just in time to avoid his super punch.